New black aesthetic

МАНИФЕСТЫ:
"On Black Art” “Black Cultural Nationalism”
by Ron Karenga
"The Black Arts Movement"
by Larry Neal
"Black Writing: Release from Object’, "Black Writing is Socio-Creative Art’
by Charles H. Fuller, Jr.
"The Revolutionary Theatre"
by Amiri Baraka (LeRoi Jones)
ЛЕРОЙ ДЖОНС

СТАТЬИ:
“The Black Arts Movement and Hip-Hop”
ЛАРРИ НИЛ

BLACK ARTS
Новая черная эстетика (NBA - New Black Aesthetic, 1980-е) и Черные искусства (Black Arts, 1960-е) – направления в американской культуре, базирующиеся на желании самоопределения афроамериканских граждан.
Проект Новой Черной Эстетики включает:
Моду
Изобразительное искусство
Литературу
Театр

Цвет

Carolyn Lawrence, Black Children Keep Your Spirits Free, 1972

David Hammons, Injustice case, 1970

Jae Jarrell, Revolutionary Suit, 1968

Jae Jarrell, Urban Wall Suit, 1969

The Liberation of Aunt Jemima, 1972

Organization of Black American Culture, Wall of respect, 1967

Black Art is the aesthetic and spiritual sister of the Black Power concept
Black Art must be for the people, by the people and from the people
functional, collective and committing
art for art's sake
all art that does not discuss or contribute to revolutionary change is invalid
an artist's work is not individuality, but personality

we need to create is Black images which speak to and inspire Black people
we need a new language to break the linguistic straight [sic] jacket of our masters
we need at this point is heroic images
Borrowing does not mean you become what others are. What is important here is the choice of what one borrows and how he shapes it in his own images.
The white boy's classical music is static. He values the form rather than the soul force behind the creation. That is why he still plays tunes written two or three hundred years ago
In Africa you won't find artists of great name because art is done by all for all.