The Greatness of Seleucid Antioch returns

A recently unearthed mosaic in Antioch spread Terror among the top leaders of Zionism.
It was a Sarcasm for this world’s strong and wealthy.
To the likes of Soros, Gates and the Neocons, it appears as OMEN OMINOUS.

To the great Ashkenazi, fake Jewish, Khazarian families, the likes of the Rockefellers and the Rothschilds, the Antiochian mosaic sounded like a Message sent from the Hereafter by the Illustrious Seleucid Emperor Antiochus IV Epiphanes, who smashed the criminal Jewish state.

Antioch is the city name the world’s Jewry and the Khazarian gangsters hate most.
To them, it is synonym of “Death at the End Times”.
Antiochus IV Epiphanes is the historical ruler whose name makes Jews & Khazarians pale to Death.

Antiochus IV Epiphanes is for Jews & Ashkenazi Khazarians equal to Nebukadnezzar / Nabuchodonosor who destroyed Jerusalem as per the Will of God.
Antiochus IV Epiphanes is for Jews & Ashkenazi Khazarians equal to their ‘Anti-Messiah’, who will put an end to their filthy race.

For good reason then, Antiochus IV Epiphanes was perceived by Jews & Khazarians as the prototype par excellence, i.e. the archetypal model of any ruler who treated their race as per the Will of God, and not according to human weaknesses and material compromises.

Antioch, the Splendid Capital of Antiochus IV Epiphanes, was built before 2316 years, in May 300 BCE.
The holiness of the site was first known to Alexander the Great who had camped there few decades earlier.
Today, Antioch still belongs to Turkey.

For most of the past 2300 years, Antioch eclipsed Jerusalem, and only after the Crusaders the city fell to decadence.
Antakya (Arabic: انطاكيا‎, Anṭākyā from Syriac: ܐܢܛܝܘܟܝܐ‎, Anṭiokia; Greek: Ἀντιόχεια, Antiócheia), is the seat of the Hatay Province in southern Turkey.

Antioch was the capital of the Seleucid Empire, which was the greatest of all states formed by the Epigones, the heirs of Alexander the Great.
It was called Antioch on the Orontes, as it was erected on the eastern side of River Orontes

No less than 30 rulers followed one another on the throne of the Seleucid Empire (312-63 BCE), which was known in Greek as Βασιλεία τῶν Σελευκιδῶν, Basileía tōn Seleukidōn.

If Antiochus III ruled 40 years (223-187 BCE) and became known as ‘the Great’, Antiochus IV, who reigned 12 years (175-163 BCE), was called Epiphanes (Ἐπιφανής), which means “God Manifest”.

The greatest surviving monument among all those erected by the architects of Antiochus IV is the Athens Temple of Olympian Zeus.
Antiochus IV as Epiphanes was God Manifest, i.e. the Embodiment of the Supreme God, Olympian Zeus.

The Jewish scam, feeling inferior as barbaric and uncivilized, coined a derogatory term for the Divine King; instead of Epiphanes, they called him Epimanes, e.g. ‘mad’.
With this in mind, we should not find it strange that 20th c. Jews & Ashkenazi Khazarians called Hitler a ‘mad’!

Antioch, the Capital City of God Manifest, Antiochus IV Epiphanes, was of unique magnificence, splendor, and beauty.
Antiochian artists excelled in the Art of the Mosaic and they remained unsurpassed across the ages. Later, Roman & Eastern Roman Mosaic Art was Antiochian of origin.

Antioch was a marvel of urbanism, and it remained as such during the Roman and Eastern Roman times.

Goddess Tyche (Τύχη / Fortune) of Antioch highlighted the unique nature of the city as rival to the abysmal, Satanic capital of the tiny, apostate state of Judah (Judaea), Jerusalem.
The Chosen People of God were therefore the Seleucid Greeks, because their Emperor was Epiphanes.

Antiochus IV did not take the title of Epiphanes because of a personal caprice, but following his gradual opposition to the apostate, Satanic race of the Jews and due to a prophecy that revealed to him that his descendants at the End Times, fighting under the True Messiah, would combat and annihilate the Jews who would follow a False Messiah.

In fact, Antiochus IV was not born as Epiphanes, and it is his combat with the Evil that gratified him with the title. Prophetic of nature, the title of Epiphanes signifies that, in fighting the apostate race of Jews, Antiochus IV became the archetype of an End Times’ King, who will lead the Greeks to the Conquest of Jerusalem.

This is the King whom the Greeks / Romans (Romioi) call ‘The Marbled King’ (Ο Μαρμαρωμένος Βασιλιάς); he is expected to lead the Eastern Romans Greeks (Romioi) from Constantinople to Jerusalem to the four corners of the Universe.

Thus, the Victory of Antiochus IV Epiphanes over the Jews and his destruction of Jerusalem heralds and exemplifies the End Times’ Ultimate Annihilation of the counterfeit race of Jews at the hands of the Greeks / Eastern Romans (Romioi) and their Righteous Basileus.

That’s why Antioch was so important across the ages and that’s also why the Jewish scam did their devilish best to destroy historical sources testifying to the Holiness of the Illustrious Seleucid Emperor Antiochus IV Epiphanes – God Manifest.

Modern Zionists, Sephardi Jews & Ashkenazi Khazarian fake Jews, stole the symbols of their enemies in an effort to acquire power via Black Magic and Satanic Kabbalah.
And the Fake Star of David (which does not exist among Ancient Hebrews) is in fact the Star of Antiochus IV Epiphanes, as we see on a mina (mna).

What is now the unearthed message of Antiochus IV Epiphanes that scared so much the Zionist Khazarian elite that rules the world by proxies and prepares the extinction of the Mankind?

Antiochus IV Epiphanes, who knew the Jewish scam and their evilness and paranoia only too well, sends a message to Zionists and the pseudo-state of Israel making clear to them that they can be cheerful and enjoy their life – ONLY AS DEAD!!

The site was first discovered in 2012, when the municipality was carrying out work to build a cable car in Antakya and found ancient remains. The mosaic was fully unearthed recently!!
Demet Kara of the Hatay Archeology Museum noted that the mosaic belonged to the dining room, but the location was rather an anteroom.

Suggested parallels with skeleton mosaics in Pompeii and elsewhere are proven basically irrelevant; the only common element seems to be that they all played a certain role in the initiation of the members of a secret(ive) brotherhood that after certain rituals shared a dinner.
But any brotherhood in Antioch would be an Anti-Jewish Societas.

The apocalyptic mosaic is actually one of the three scenes that the local artists elaborated as per the orders of the Antiochian Mystic Society.
All three scenes are full of esoteric, spiritual symbols concerning the members, their Noble Destiny, and their contribution to the Eternal Battle against the Evil.

In the first scene (from the right), a black person throws fire. In the middle scene, there is a sundial and a young clothed man running towards it with a bare-headed butler behind. The sundial is between 9 p.m. and 10 p.m.
As per the excavators, there is writing on the scene that reads that the person is late. In the last scene, there is a reckless skeleton with a drinking pot in his hand along with bread and a wine pot.

In the Antiochian apocalyptic symbolism, the three consecutive scenes may well present a crescendo that the enemies of Antioch will not avoid at the end.
- Why referring to their enemies?
- This was commonly done among Ancient Initiates; the famous Latin inscription Cave Canem at Pompeii does exactly the same thing.

In this case, the three consecutive scenes involve
a) ignitability (beginning of the war that will end up with the extinction of Jews) due to developments in the South
b) a major event that will take place in the night – in which the Jews and their state will be caught late, and

c) the incineration of the Jewish state which will put an end to their devious and unequivocal materialism, e.g. a grave form of Satanism, which has always been their typical characteristic and the reason for the troubles that they caused to the Seleucids, the Romans, the Eastern Romans, the Russians and all the rest.