Elements Of Art Unlocking and Discovering the Key

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Line

When you, as a child, first picked up a crayon, a line

Line When you, as a child, first picked up a crayon, a
might have been the first mark you made. You use lines to write numbers, symbols, and the letter of the alphabet. You use lines to draw pictures. Lines are everywhere. In drawing, line is an element of art that is the path of a moving point through space.

What type of lines do you see around you?

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Artists use line to lead your eyes around a work of art.

Artists use line to lead your eyes around a work of art.
This is because the artist wants to lead you through their composition. Line creates movement, and leads your eye into, around, and out of visual images as in this painting by Yvonne Jacquette. Oil, 1988

Notice how the artist uses the line of the highway to pull your eyes into the artwork.
Line has width as well as length, but usually the width of the line is smaller than the length.
Artists create lines in many different ways. A line can be drawn on a paper with pencil or scratched in clay with a stick.

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Some lines that we think we see in nature really do not

Some lines that we think we see in nature really do not
exist. For instance, when you look at the edges of shapes, you think of lines. In the photo of the dogwood blossom, notice that there are no black lines around the flower, only black against white. However in a sketch of the same blossom, lines are used to define the shape of the flower.

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Kinds Of Line

Vertical

Horizontal

Diagonal

Curved

Zig Zag, or also known as geometric

Kinds Of Line Vertical Horizontal Diagonal Curved Zig Zag, or also known as geometric

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Value

Value is the element of art that describes the darkness or lightness

Value Value is the element of art that describes the darkness or
of an object. Value depends on how much light a surface reflects. A surface has a dark value if it reflects little light. It has a light value if it reflects a lot of light. Every time you make a mark with a pencil, you are creating a line with a certain value. The harder you press, the darker the value. A series of closely placed lines can create areas of dark value. (Also known as crosshatching)

Albrecht Durer. An Original Ruler Seated On a Throne. 1445. Pen and Ink

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Value Bar. Various shades from white to black

Value Bar. Various shades from white to black

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Shapes and Form

All objects are either shapes or forms, whether they

Shapes and Form All objects are either shapes or forms, whether they
are rocks, puddles, flowers, shirts, houses, whatever. The words shapes and forms are used interchangeably in everyday language, but in art, they mean very different things.
A shape is a two dimensional area that is defined in some way. In other words, it may have an outline or a boundary around it. If you draw the outline of a square on a sheet of paper, you have created a shape. All shapes can be classified as geometric or free form shapes.
There are three basic geometric shapes that can be defined with precise mathematical formulas.

square

circle

triangle

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All other geometric shapes are variations or combinations of these basic shapes

oval

rectangle

octagon

parallelogram

hexagon

trapezoid

pentagon

Free-form

All other geometric shapes are variations or combinations of these basic shapes
shapes are irregular and uneven shapes. Their outlines may be curved, angular, or a combination of both. Another term that is often used by your instructor is organic. Organic is used when we talk about silhouettes of living things, such as animals, trees, people, ect.

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Forms

Forms are objects having three dimensions. Like shapes, they both have length

Forms Forms are objects having three dimensions. Like shapes, they both have
and width, but forms also have depth. YOU are a three dimensional form, so is a tree or a table.

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COLOR

Wassily Kandinsky Tension in Red 1926 oil

COLOR

COLOR Wassily Kandinsky Tension in Red 1926 oil COLOR

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Color

Color is the most expressive element of art. It shares a

Color Color is the most expressive element of art. It shares a
powerful connection with emotion. Color can be a strong clue to an artists symbolism, or meaning behind an artwork. Color can represent many different feelings or ideas. Black can stand for mystery or evil, white can mean purity or innocence. Red stands for love, passion, hunger, or violence, green is meditative, calming, while blue is the symbol for power, or royalty.
A prison system in North Carolina decided they would attempt to reduce violent behavior within the prison by painting the prison with the color pink. After consulting a color specialist, it was decided that since pink is a feminine color, and females have less incidents of violence, pink would be a good color for their facilities. After a few months the rate of violence steadily increased. Prison officials were left scratching their heads…what went wrong? Another color specialist was consulted, and it was quickly discovered that pink is a variation of red, which is the color of passion, and now the prison is a nice off white.
Color is the element of art that is derived from reflective light. You see color because light waves are reflected from objects to your eyes.

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What color do you see when you stare at the red square,

What color do you see when you stare at the red square,
then shift you gaze from the red to the white area?
This is called an afterimage. It occurs because the receptors in your eye retain the visual stimulation even after its has ceased. Your brain creates the afterimage as a reaction to the color you stared at originally.

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Hue

Hue is the name of a color in its true form. Red,

Hue Hue is the name of a color in its true form.
blue, and yellow are called primary colors. You cannot make primary hues by mixing other hues together, however, by mixing black, white, or a combination of primary colors, you can make any other color in the spectrum.

Primary colors

Secondary colors are made by mixing two primary colors.

Red and yellow

Yellow and Blue

Red and blue

orange

Green

Violet

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Color Wheel

A color wheel is the spectrum bent into a circle. It

Color Wheel A color wheel is the spectrum bent into a circle.
is a useful tool for organizing colors.
There are yet another group of six colors called intermediate, or tertiary colors. These are made by mixing a primary color with a secondary colors

These colors include yellow green, yellow orange, red orange, blue green, blue violet, red violet. Always list the primary color first when referring to a tertiary color.

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Color Schemes

Analogous Colors…colors that are next to each other on the color

Color Schemes Analogous Colors…colors that are next to each other on the
wheel, such as green and yellow green.
Complementary Colors…colors that are directly across from each other such as yellow and violet.
Monochromatic Colors…a color scheme that uses only one hue and black and white mixed with that one color to make tints, or values of that color.

Warm colors

Cool colors

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Your perception of color is influenced by the color that surrounds that

Your perception of color is influenced by the color that surrounds that
color. Notice that all squares are actually equal in size.

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Franz Marc. Yellow Cow. 1911 oil.

Arbitrary Color. Artists sometimes use color to

Franz Marc. Yellow Cow. 1911 oil. Arbitrary Color. Artists sometimes use color
express emotions or feelings, ignoring the actual colors of objects. They choose colors arbitrarily to express meaning. Marc felt that yellow was a gentle, cheerful color which symbolized the female, while blue symbolized the intellectual, and spiritual male. Red symbolized the earth, with green being its compliment.

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Texture

Jesus Bautista Moroles Granite Weaving Playscape 1995 granite

Everything you touch has its

Texture Jesus Bautista Moroles Granite Weaving Playscape 1995 granite Everything you touch
own special feel, or texture. As an element of art, texture may be real, or implied or suggested, like in a photograph, or in a painting.
Texture is the element of art that refers to how things feel, or look as if they might feel, if touched. You perceive texture with two of your senses; touch and vision. Infants learn about their environment by touching objects and by putting them in their mouths. Toddlers are attracted to all objects that are within their reach. When you look at surfaces, you are able to guess their texture because you have learned how textures feel.

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Janet Fish Oranges 1973 Pastel on Sandpaper

Janet Fish used pastels to create

Janet Fish Oranges 1973 Pastel on Sandpaper Janet Fish used pastels to
visual textures in this work. In some areas she has combined different kinds of visual textures, such as shiny-rough, and shiny smooth, and matte smooth.

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Space

Space refers to both outer space and inner space. Rockets move through

Space Space refers to both outer space and inner space. Rockets move
outer space to explore other planets. People move through the inner space of rooms and buildings. Space can be flat and two dimensional, such as the space of a widow. Space can also be three dimensional, such as the space filled with water in a swimming pool.
Shapes and forms exist in space. Space is the element of art that refers to the emptiness or area between, around, above, below, or within objects. All objects take up space. You for example, are a living breathing form moving through space.
Shapes and forms are defined by the space around and within them. They depend on space for their existence. This is why it is important to understand the relationship of space to shapes and form.

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Positive and Negative Space

In both two and three dimensional art, the shapes

Positive and Negative Space In both two and three dimensional art, the
or forms are called the positive space or the figure. The empty space between the forms are called negative space or ground. In the next slide, Jasper Johns uses a play one positive negative space. Are the faces or the vase the positive or negative?

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Jasper Johns Cups 4 Picasso 1972 Lithograph.

Do you see a vase or

Jasper Johns Cups 4 Picasso 1972 Lithograph. Do you see a vase
do you see profiles of Pablo Picasso. Jasper Johns has deliberately organized this work as a visual puzzle to confuse the viewer. One minute the faces are very clear and seem to be the figure, while the space between the profiles is the ground. The next moment the vase becomes figure and the space around the vase becomes the ground.
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