Содержание
- 2. the Aivazovsky Art Gallery in Feodosiya, and a monument to Aivazovsky in front of it. The
- 3. In 1833 Aivazovsky entered the Academy of Arts in St. Petersburg and studied landscape painting. Aivazovsky's
- 4. Aivazovsky's most popular paintings are The Rainbow (1873) The Black Sea (1881) Wave (1889) The Ninth
- 5. Ivan Aivazovsky. The Ninth Wave. 1850. Oil on canvas. The Russian Museum, St. Petersburg, Russia.
- 6. The painting shows a sea still rough after a night storm. The first rays of sunlight
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Слайд 2the Aivazovsky Art Gallery in Feodosiya, and a monument to Aivazovsky in
the Aivazovsky Art Gallery in Feodosiya, and a monument to Aivazovsky in

front of it.
The world known marine painter Ivan Konstantinovich Aivazovsky exhibited his paintings in Rome, Paris, London and Amsterdam, but the largest collection of paintings and graphic works by Aivazovsky is in Feodosia gallery.
Слайд 3In 1833 Aivazovsky entered the Academy of Arts in St. Petersburg and
In 1833 Aivazovsky entered the Academy of Arts in St. Petersburg and

studied landscape painting. Aivazovsky's talent developed rapidly and he was quite successful at the Academy.
In 1840 he went abroad, returning only in 1844. In the 1840s during his stay in Italy Aivazovsky's painting gained its own individual style, and by 1850 his art was fully mature.
In 1840 he went abroad, returning only in 1844. In the 1840s during his stay in Italy Aivazovsky's painting gained its own individual style, and by 1850 his art was fully mature.
Слайд 4Aivazovsky's most popular paintings are
The Rainbow (1873)
The Black Sea (1881)
Wave (1889)
Aivazovsky's most popular paintings are
The Rainbow (1873)
The Black Sea (1881)
Wave (1889)

The Ninth Wave (1850)
Слайд 5Ivan Aivazovsky. The Ninth Wave. 1850. Oil on canvas. The Russian Museum,
Ivan Aivazovsky. The Ninth Wave. 1850. Oil on canvas. The Russian Museum,

St. Petersburg, Russia.
Слайд 6The painting shows a sea still rough after a night storm. The
The painting shows a sea still rough after a night storm. The

first rays of sunlight shine on the huge waves, and the largest of these, the ninth wave, seems as if it will consume the people attempting to save themselves on the ruined mast.
Their ship has wrecked and many of their mates have perished. The people know that they will not be able to swim out of this, that they face a certain death, yet they clutch the sinking mast and fight for their lives.
When I imagine myself in the position of those sailors I feel two things, both despair and desire for life.
The painter used warm tones (the sea does not seem so gloomy) and for this reason we are attracted by an illusory hope that the people will be saved.
But we realize this is impossible. We understand the horror of the storm but our feelings are won over by its beauty.
Their ship has wrecked and many of their mates have perished. The people know that they will not be able to swim out of this, that they face a certain death, yet they clutch the sinking mast and fight for their lives.
When I imagine myself in the position of those sailors I feel two things, both despair and desire for life.
The painter used warm tones (the sea does not seem so gloomy) and for this reason we are attracted by an illusory hope that the people will be saved.
But we realize this is impossible. We understand the horror of the storm but our feelings are won over by its beauty.
Consume-поглощать
Mast-мачта
Perish-погибать
Clutch-схватить
Win over-расположить к себе
Acclaim-провозглашать
The Ninth Wave
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