History of English

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How do we know how Old English was pronounced?

Obviously there are no

How do we know how Old English was pronounced? Obviously there are
recordings.
Largely guesswork but not totally.

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Grounds for reconstruction of Old English/Anglo-Saxon pronunciation:

1) As all new written

Grounds for reconstruction of Old English/Anglo-Saxon pronunciation: 1) As all new written
languages, Old English had predominantly phonetic spelling; 2) Comparison with cognate langugages (German, Scandinavian languages); 3) Comparison with Modern English (changes not arbitrary but follow sound laws; without a sound law there is no reason to believe the pronunciation has changed).

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Anglo-Saxon manuscript: “Beowulf” beginning

Anglo-Saxon manuscript: “Beowulf” beginning

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This is what the text might have sounded like

http://www.youtube.com/watch?v=LP2FyVbymTg
http://www.youtube.com/watch?v=4L7VTH8ii_8

This is what the text might have sounded like http://www.youtube.com/watch?v=LP2FyVbymTg http://www.youtube.com/watch?v=4L7VTH8ii_8

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Beowulf (lines 210 – 218)

Starting with line 210
Fyrst forð gewāt.

Beowulf (lines 210 – 218) Starting with line 210 Fyrst forð gewāt.
Flota wæs on ŷðum, bāt under beorge. Beornas gearwe on stefn stigon; strēamas wundon, sund wið sande; secgas bǽron on bearm nacan beorhte frǽtwe,
gūðsearo geatolīc; guman ūt scufon, weras on wilsīð, wudu bundenne. Gewāt þā ofer wægholm, winde gefŷsed, flota fāmiheals fūgle gelicost,

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For reading, check also the following link

http://www.beowulftranslations.net/beorefs/beowulf-audio-0194a-0224a-benslade.mp3

For reading, check also the following link http://www.beowulftranslations.net/beorefs/beowulf-audio-0194a-0224a-benslade.mp3

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Peculiarities of Old English pronunciation and spelling

/f/ and /v/ were allophones, i.e.

Peculiarities of Old English pronunciation and spelling /f/ and /v/ were allophones,
there was
no phonemic difference between them:
no minimal pairs where /f/ and /v/ would
make a difference in meaning
The letter f used for both. In a voiced environment
the pronunciation voiced, ie /v/, in a voiceless
environment – unvoiced, ie /f/. At the beginning of
words: debatable.

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By constrast, vowel length was phonemic:
man /man/ – human being, man
mān /ma

By constrast, vowel length was phonemic: man /man/ – human being, man
:n/ - evil; witchcraft (cf Estonian
“manala”, “mana”, “manama”)

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In old manuscripts vowel length
indicated by ´ (like a stress mark),

In old manuscripts vowel length indicated by ´ (like a stress mark),

in modern editions a strike over the
vowel.

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The scribes proceeded from the Latin
alphabet. However, there were sounds in

The scribes proceeded from the Latin alphabet. However, there were sounds in

Old English that Latin did not have.
Solutions had to be found.
/æ/ - the sound is between /a/ and /e/, so a
digraph (Greek for “two + letter”) was created: æ
(A similar thing in French, the digraph œ still in
use, e.g. œil – eye)

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Old English had /ü/ like other Germanic
languages today (e.g. German). (The

Old English had /ü/ like other Germanic languages today (e.g. German). (The
sound
was lost during the Middle English period).
Latin had no such sound. y (a form of i) was
used to indicate the sound. How do we
know? Cf Old English “fyrst” and Modern
German “Fürst”, Estonian “vürst” (an old
Low German loan).

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In Old English texts we come across several
runic letters
modified Latin

In Old English texts we come across several runic letters modified Latin
letters.
Both used to denote sounds that Old English had
and Latin did not.
Thorn-letter (runic) and edh-letter (modified Latin
d) for the /ө/ sound (close to t and d) used
indiscriminately for both the voiceless and the
voiced variant.

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Thorn, or þorn (Þ, þ), is a letter in the Anglo-Saxon and

Thorn, or þorn (Þ, þ), is a letter in the Anglo-Saxon and
Icelandic alphabets. It was also used in medieval Scandinavia, but was later replaced with the digraph th. The letter originated from a rune in the Elder Fuþark, called thorn in the Anglo-Saxon and thorn or thurs ("Thor", "giant") in the Scandinavian rune poems, its reconstructed Proto-Germanic name being *Thurisaz.
It has the sound of either a voiceless dental fricative, like th as in the English word thick, or a voiced dental fricative, like th as in the English word the. (In Modern Icelandic the usage is restricted to the former. The voiced form is represented with the letter eth (Ð, ð), though eth can be unvoiced, depending on its position within a sentence).

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Not all runic letters reproduced in modern
editions for typographical reasons: e.g.

Not all runic letters reproduced in modern editions for typographical reasons: e.g.

wynn-letter for /w/
(see p. 13 in Introduction...)

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Yogh-letter (cf yoke – Estonian “ike”) –
modified Latin g.
Probably stood

Yogh-letter (cf yoke – Estonian “ike”) – modified Latin g. Probably stood
for several sounds starting with /j/ up to /g/.
Prefix ge – probably
not stressed
yokh-letter stood for /j/.

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Reasons for surmising this:
The prefix is still there in German (Past Participle,

Reasons for surmising this: The prefix is still there in German (Past
e.g. gehen, ging. gegangen). It is not stressed in German.
The prefix was lost during the Middle English times (geholpan – holpen), it is easier to drop unstressed syllables.
The middle version was /i/ (spelt in Middle English as y): y-ronne (run Past participle). More logical that /je/ turns into /i/ than that /ge/ turns into /i/. Modern English still had the obsolete form “yclept” – so-called.

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C stood for /k/, except when there was a dot on it

C stood for /k/, except when there was a dot on it
– then it stood for /kj/ which later turned into /tS/ in the Southern part of Britain, but not in the Northern part.
Cf ċiriċe – church, but in Scottish English (i.e. Northern English) Auld Kirk, Free Kirk (German Kirche, Est. kirik – Low German loanword).

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Cg – probably /kjkj/ which later turned into
/dž/.

Cg – probably /kjkj/ which later turned into /dž/.

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/r/ - trilled, rolled, again preserved in Scottish English.
/r/ was still

/r/ - trilled, rolled, again preserved in Scottish English. /r/ was still
rolled in Shakespeare’s time
(“When that warlike Harry ...”)

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h – pronounced in three ways:
At the beginning of a word/syllable –

h – pronounced in three ways: At the beginning of a word/syllable
like in Present-Day English, e.g. hus - /hu:s/ (house)
At the end of a syllable after a front vowel (/e/,/i/, /æ/) – like the present-day German ich-Laut.
At the end of a syllable after a consonant or a back vowel (/a/, /u/, /o/) - like the present-day German ach-Laut. Ach-Laut has survived in Scottish English (which is more archaic!), e.g. loch (in Received Pronunciation ends in /k/)

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A vowel between /a/ and /o/ (before m and
n). Swedish uses

A vowel between /a/ and /o/ (before m and n). Swedish uses
a special letter - å, Old
English: a and o interchangeably (and/ond).

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Phonotactic rules

In every language some sequences of sounds are permitted, others not.

Phonotactic rules In every language some sequences of sounds are permitted, others
For instance, Present-Day British English never has /h/ or /r/ at the end of a syllable (American English has a kind of /r/ at the end of a syllable), whereas Old and Middle English had. Old English also had, for instance /kn/ at the beginning of words (“kniht” and “niht” were not pronounced in the same way!), etc. Cf also “stefn” in the text.

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For a long time, Estonian did not “permit” consonant clusters at the

For a long time, Estonian did not “permit” consonant clusters at the
beginning of a word, hence, loanwords lost them (cf. German Strand > Estonian rand), later loans (German Glas > Estonian klaas) already retained them (this will become relevant later in the course as we compare Old English and Middle English words and the corresponding loans in Estonian).

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Phonotactic rules account for the so-called
“empty” words – could be in

Phonotactic rules account for the so-called “empty” words – could be in
the particular
language, sound like words of the language
but just by chance so not have a meaning.
Perfect example in Lewis Carroll’s
“Jabberwocky”.

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JABBERWOCKY Lewis Carroll

(from Through the Looking-Glass and What Alice Found There, 1872)
First

JABBERWOCKY Lewis Carroll (from Through the Looking-Glass and What Alice Found There,
stanza:
“`Twas brillig, and the slithy toves   Did gyre and gimble in the wabe: All mimsy were the borogoves,   And the mome raths outgrabe”.

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The words sound like English words (unlike,
for instance, something like prsotr

The words sound like English words (unlike, for instance, something like prsotr
– totally
invented by me, or vzglyad (взгляд):
Russian for “look” – example by Whorter). In
“Through the Looking-Glass”, Humpty-
Dumpty, who hears the poem, gives his own
meanings to most of the words.

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(Illustrations to Alice in Wonderland by John Tenniel)

(Illustrations to Alice in Wonderland by John Tenniel)
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