Слайд 2From Sister Wendy Becket,
The Story of Painting
“The Gothic style began with
the architecture of the 12th century, at the height of the Middle Ages, when Europe was putting the memory of the Dark Ages behind it and moving into a radiant new era of prosperity and confidence.
Слайд 3From Sister Wendy Becket,
The Story of Painting
“In the realm of painting,
the change to the new style became visible about a century after the first of these cathdrals rose. In contrast to the Romanesque and Byzantine styles, the most noticeable feature of the art of the Gothic period is its increased naturalism. This quality, which first appeared in the work of Italian artists in the late 13th century, became the dominant painting style throughout Europe until the end of the 15th century.”
Слайд 4Instructive Art
Early Gothic art was almost entirely religious in nature.
It was intended
to teach the largely illiterate public or to serve as spiritual aids for prayer, in the Byzantine tradition.
Слайд 5Italian Origins
The Gothic style in painting emerged in Italy in the 13th
century.
This is partly due to the tendency of Italian church building to retain large wall spaces, suitable for frescos. Gothic architecture in the North resulted in a movement to stained glass.
Слайд 6Departure from Byzantine Influence
Though it may not appear clear to the modern
eye, Italian painters departed from Byzantine formalism as they sought greater realism.
There is an interest in producing the illusion of depth, though mathematical perspective remained unknown.
Слайд 7Cimabue
Working in Florence at the end of the 13th century, he moved
away from the flatness of icon painting.
His Maesta figures have a sweetness about them.
The drapery looks soft.
3 dimensionality is hinted at.
Слайд 9Duccio of Sienna
Much greater three dimensionality appears in the work of Duccio.
His
figures are more “solid” than Cimabue’s.
Слайд 10Painting with Gold
This most valuable metal has always been reserved for the
most important works – in sculpture, painting, or architectural detailing.
Слайд 11Painting with gold
In Byzantine and Medieval painting, gold was used to indicate
the spiritual or heavenly sphere.
Its reflective properties are superbly suited to candle-lit illumination.
Слайд 13Painting With Gold
Sometimes a greenish colour tinges the gold.
This is the result
of natural impurities showing through.
Слайд 14Simone Martini
One of the most influential of the Italians was Simone Martini,
also of Sienna, and a disciple of Duccio.
.
Слайд 15Simone Martini
At the end of his life, Martini resided in Avignon, the
temporary residence of popes.
This brought his style to the attention of the French.
Слайд 16Simone Martini
Martini’s colours and architectural backgrounds are in the manner of Duccio.
His
modeling of people, however, is in the more radical style of Giotto.
Слайд 18The International Gothic Style
This courtly style was popular throughout Europe and came
to be known as International Gothic.
Слайд 19The Wilton Diptych
The Wilton Diptych is a prime example of this style.
Richard
II , accompanied by two saintly kings and John the Baptist, receives the blessing of the Christ Child as he is held in the arms of Mary and surrounded by bejeweled angels.
Слайд 20Illumination
This courtly style was particularly suited to illuminated works produced for noblemen.
Слайд 21The Limbourg Brothers
The greatest of all of Medieval illuminators were three brothers,
Pol, Herman and Jean Limbourg, who worked for the immensely rich Duc de Berry.
Слайд 22The Limbourg Brothers
Historians have found this volume a particularly rich source of
information on the lives of rich and poor in early 15th century France.
Слайд 23The Limbourg Brothers
Their work displays courtly refinement .
…mixed with every day reality
Слайд 24Questions
When appeared gothic style?
Which style in painting emerged in Italy in the
13th century?
Who was Simone Martini?