Содержание
- 2. A hierarchy of genres is any formalization which ranks different types of genres in an art-form
- 3. The argument regarding the aesthetic of painting, which continued to gain adherence since the Renaissance, was
- 4. Formulated in 1667 by André Félibien, a historiographer, architect and theoretician of French classicism, the hierarchy
- 5. After history painting, next came, in order decreasing worth: scenes of everyday life (called scènes de
- 6. Félibien argued that the painter should imitate God, whose most perfect work is in man, and
- 7. The British painter Sir Joshua Reynolds in his Discourses of the 1770s and 1780s, reiterated the
- 8. Though Reynolds agreed with Félibien about the natural order of the genres; he held that an
- 9. Though European academies usually strictly insisted on this hierarchy, over their reign, many artists were able
- 10. Until the middle of the 19th century, women were largely unable to paint history paintings as
- 11. Toward the end of the 19th century, painters and critics began to rebel against the many
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Слайд 2A hierarchy of genres is any formalization which ranks different types of
A hierarchy of genres is any formalization which ranks different types of
![A hierarchy of genres is any formalization which ranks different types of](/_ipx/f_webp&q_80&fit_contain&s_1440x1080/imagesDir/jpg/380413/slide-1.jpg)
Слайд 3The argument regarding the aesthetic of painting, which continued to gain adherence
The argument regarding the aesthetic of painting, which continued to gain adherence
![The argument regarding the aesthetic of painting, which continued to gain adherence](/_ipx/f_webp&q_80&fit_contain&s_1440x1080/imagesDir/jpg/380413/slide-2.jpg)
Слайд 4Formulated in 1667 by André Félibien, a historiographer, architect and theoretician of
Formulated in 1667 by André Félibien, a historiographer, architect and theoretician of
![Formulated in 1667 by André Félibien, a historiographer, architect and theoretician of](/_ipx/f_webp&q_80&fit_contain&s_1440x1080/imagesDir/jpg/380413/slide-3.jpg)
Слайд 5After history painting, next came, in order decreasing worth: scenes of everyday
After history painting, next came, in order decreasing worth: scenes of everyday
![After history painting, next came, in order decreasing worth: scenes of everyday](/_ipx/f_webp&q_80&fit_contain&s_1440x1080/imagesDir/jpg/380413/slide-4.jpg)
Слайд 6Félibien argued that the painter should imitate God, whose most perfect work
Félibien argued that the painter should imitate God, whose most perfect work
![Félibien argued that the painter should imitate God, whose most perfect work](/_ipx/f_webp&q_80&fit_contain&s_1440x1080/imagesDir/jpg/380413/slide-5.jpg)
Слайд 7The British painter Sir Joshua Reynolds in his Discourses of the 1770s
The British painter Sir Joshua Reynolds in his Discourses of the 1770s
![The British painter Sir Joshua Reynolds in his Discourses of the 1770s](/_ipx/f_webp&q_80&fit_contain&s_1440x1080/imagesDir/jpg/380413/slide-6.jpg)
Слайд 8Though Reynolds agreed with Félibien about the natural order of the genres;
Though Reynolds agreed with Félibien about the natural order of the genres;
![Though Reynolds agreed with Félibien about the natural order of the genres;](/_ipx/f_webp&q_80&fit_contain&s_1440x1080/imagesDir/jpg/380413/slide-7.jpg)
Слайд 9Though European academies usually strictly insisted on this hierarchy, over their reign,
Though European academies usually strictly insisted on this hierarchy, over their reign,
![Though European academies usually strictly insisted on this hierarchy, over their reign,](/_ipx/f_webp&q_80&fit_contain&s_1440x1080/imagesDir/jpg/380413/slide-8.jpg)
Слайд 10Until the middle of the 19th century, women were largely unable to
Until the middle of the 19th century, women were largely unable to
![Until the middle of the 19th century, women were largely unable to](/_ipx/f_webp&q_80&fit_contain&s_1440x1080/imagesDir/jpg/380413/slide-9.jpg)
Слайд 11Toward the end of the 19th century, painters and critics began to
Toward the end of the 19th century, painters and critics began to
![Toward the end of the 19th century, painters and critics began to](/_ipx/f_webp&q_80&fit_contain&s_1440x1080/imagesDir/jpg/380413/slide-10.jpg)