Содержание
- 2. British Museum.
- 3. British Museum. The British Museum in London in London is one of the world's greatest museums
- 4. History. Though principally a museum of cultural art objects and antiquities today, the British Museum was
- 5. History. Roughly contemporary with the construction of the new building was the career of a man
- 6. The circular Reading Room. The circular Reading Room.
- 7. Panorama of the circular Reading Room. Panorama of the circular Reading Room.
- 8. The Building The Greek RevivalThe Greek Revival façade facing Great Russell Street is a characteristic building
- 9. The Building. The DuveenThe Duveen Gallery, sited to the west of the Egyptian, Greek & Assyrian
- 10. Department of Ancient Egypt and Sudan The British Museum houses the world's largest and most comprehensive
- 11. Department of Ancient Egypt and Sudan Key highlights of the collections include: The Rosetta Stone (196
- 12. The British Museum, Room 4 - Colossal Granite head of Amenhotep III (1350 BC) The British
- 13. Department of the Ancient Near East With approximately 280,000 objects in the collection, the British Museum
- 14. Department of the Ancient Near East Sculptures Pair of Human Headed Winged 'Lamassu' Lions (883-859 BC)
- 15. Department of Coins and Medals The British Museum is home to one of the world's finest
- 16. Department of Greek and Roman Antiquities The Department of Greek and Roman Antiquities of the British
- 17. Key highlights of the collections include: Athenian Akropolis The Parthenon Gallery ("Elgin Marbles") The Parthenon Marbles
- 18. The British Museum, Room 22 - The Hellenistic World Asia Minor ('Turkey') Nereid Monument The British
- 19. Department of Prints and Drawings The Department of Prints and Drawings holds the national collection of
- 20. The British Museum, Room 90 - Durer, The Triumphal Arch - One of the largest prints
- 21. Department of Asia The scope of the Department of Asia is extremely broad, its collections of
- 22. Department of Africa, Oceania and the Americas The British Museum houses one of the world's greatest
- 23. Department of Prehistory and Europe The prehistoric collections cover Europe, Africa and Asia, the earliest African
- 24. The Collections Highlights of the collections include: The Elgin MarblesThe Elgin Marbles, carvings from the Athenian
- 25. Controversy It is a point of controversy whether museums should be allowed to possess artefacts taken
- 26. Trivia Pornographic and erotic items from many cultures - some of them Victorian fakes - were
- 27. Buckingham Palace
- 28. Buckingham Palace is the official London is the official London residence of the British monarch is
- 29. Buckingham House c.1710 as designed by William Winde for the first Duke of Buckingham and Normandy.
- 30. The site In the Middle Ages, Buckingham Palace's site formed part of the Manor of Ebury
- 31. First houses on the site Possibly the first house erected within the site was that of
- 32. House to palace Queen Charlotte died in 1818 and George IIIQueen Charlotte died in 1818 and
- 33. George IV transformed Buckingham House into a palace George IV transformed Buckingham House into a palace
- 34. The Garden, the Royal Mews and the Mall At the back of the Palace, large and
- 35. A garden party at Buckingham Palace in 1868. Crowds walk down the Mall towards the Palace
- 36. Home of the monarch Buckingham Palace finally became the principal Royal residence in 1837 on the
- 37. Interior The principal rooms of the Palace are contained on the piano nobile behind the west-facing
- 38. Piano nobile of Buckingham Palace. A: State Dining Room; B:Blue Drawing Room; C:Music Room; D:White Drawing
- 39. The throne room. Prince Albert's music room, one of the smaller less formal rooms at the
- 40. Court ceremonies During the current reign court ceremony has undergone a radical change, and entry to
- 41. State banquets also take place in the Ballroom. These formal dinners take place on the first
- 42. Modern history In 1901 the accession of Edward VIIIn 1901 the accession of Edward VII saw
- 43. The last major extension to the palace was in 1850. In 1999 it was stated [9]The
- 44. Security The famous armed sentriesThe famous armed sentries on guardThe famous armed sentries on guard on
- 45. The Palace in the 21st century: Royal Use and Public Access Today, Buckingham Palace is not
- 46. The Royal Family on the balcony uckingham Palace with the Union Flaguckingham Palace with the Union
- 47. Graphic reconstructions of Buckingham Palace history As part of the Queen's 80th birthday celebrations, the Big
- 48. 221B Baker Street
- 49. 221B Baker Street is the fictional London is the fictional London residence of the detective Sherlock
- 50. The 'real' 221B Baker Street The street number 221B has never been assigned to any property
- 51. The Sherlock Holmes Museum The Sherlock Holmes Museum is housed in an 1815 house similar to
- 52. The Sherlock Holmes pub Another version of Sherlock Holmes's apartment is at the Sherlock Holmes pub
- 53. Royal Armouries The Royal Armouries houses the British houses the British national collection of arms and
- 54. Natural History Museum The Natural History Museum is one of three large museums is one of
- 55. The Natural History Museum has an ornate terracottaThe Natural History Museum has an ornate terracotta facade
- 56. The entrance to the Earth Galleries A lifesize model of the blue whale from the Museum
- 57. The Museum from the south east The Main Hall of the Museum
- 58. Madame Tussauds Madame Tussauds and the London Planetarium Madame Tussauds is a famous wax museum is
- 59. History Marie Tussaud (1761Marie Tussaud (1761–1850Marie Tussaud (1761–1850), born Marie GrosholtzMarie Tussaud (1761–1850), born Marie Grosholtz
- 60. Madame Tussauds in New York City
- 61. Some of Tussauds Wax Figures Adolf Hitler Winston Churchill Dolla Laurent Amitabh Bachchan Alexis Thomas Asha
- 62. Pierce Brosnan Pope John Paul II Dwayne "The Rock" Johnson Tony Blair Salma Hayek Samuel L.
- 63. Musicians Aaron Kwok (Hong Kong) Anita Mui (Hong Kong) Ayumi Hamasaki (Hong Kong) The Beatles (New
- 64. Sculpture of Julia Roberts, London Sculpture of Sean Connery, London Actors/Actresses Aishwarya Rai (London) Michael Caine
- 65. Sculpture of Will Smith, London Sculpture of The Queen Mother, London Others Al Roker (New York)
- 66. World Leaders Benjamin Franklin (Las Vegas) 14th Dalai Lama (New York, London) Yitzhak Rabin (London) Queen
- 67. Trivia Madame Tussauds is the focus of Steve Taylor's song 'Meltdown ((at Madame Tussaud's)' in which
- 68. Tower of London
- 69. Her Majesty's Royal Palace and Fortress The Tower of London, more commonly known as the Tower
- 70. History The Tower of London was founded in 1078The Tower of London was founded in 1078,
- 71. Menagerie A Royal MenagerieA Royal Menagerie was established at the Tower in the 13th century, possibly
- 72. Ravens It is commonly held that there have been at least six ravensIt is commonly held
- 73. Prisoners in the Tower The Tower of London was used as a prison for those of
- 74. Executions Lower-class criminals were usually executed by hanging at one of the public execution sites outside
- 75. Torture Implements of torture used in the Tower include the Scavenger's daughterImplements of torture used in
- 76. Recent history The military use of the Tower as a fortification, like that of other such
- 77. Administration The Tower of London and its surrounding area has always had a separate administration from
- 78. Description The Tower can be described as a palimpsest. The oldest visible structure is the White
- 79. The White Tower and courtyard The Battlements, as seen from Tower Bridge approach
- 80. Crown Jewels The Crown Jewels have been kept at the Tower of London since 1303The Crown
- 81. Location The Tower is located at the eastern boundary of the City of LondonThe Tower is
- 83. Скачать презентацию
Слайд 3British Museum.
The British Museum in London in London is one of the
British Museum.
The British Museum in London in London is one of the
![British Museum. The British Museum in London in London is one of](/_ipx/f_webp&q_80&fit_contain&s_1440x1080/imagesDir/jpg/377552/slide-2.jpg)
The wonders of the museum bought here to Bloomsbury from all around the world's imagined corners are numberless. How can they be named? As well tally each leaf of a tree. They come here out of the living minds of generations of men and women now dead - Greek and Assyrian, Aztec and Inuit, Chinese and Indian - who have conceived and carved and hammered and tempered and cast these objects to represent the worlds around them, visible and invisible.[1]
The British Museum was established in 1753The British Museum was established in 1753, largely based on the collections of the physician and scientist Sir Hans SloaneThe British Museum was established in 1753, largely based on the collections of the physician and scientist Sir Hans Sloane. The museum first opened to the public on 15 JanuaryThe British Museum was established in 1753, largely based on the collections of the physician and scientist Sir Hans Sloane. The museum first opened to the public on 15 January 1759The British Museum was established in 1753, largely based on the collections of the physician and scientist Sir Hans Sloane. The museum first opened to the public on 15 January 1759 in Montagu HouseThe British Museum was established in 1753, largely based on the collections of the physician and scientist Sir Hans Sloane. The museum first opened to the public on 15 January 1759 in Montagu House in BloomsburyThe British Museum was established in 1753, largely based on the collections of the physician and scientist Sir Hans Sloane. The museum first opened to the public on 15 January 1759 in Montagu House in Bloomsbury, on the site of the current museum building. Its expansion over the following two and a half centuries has resulted in the creation of several branch institutions, the first being the British Museum (Natural History)The British Museum was established in 1753, largely based on the collections of the physician and scientist Sir Hans Sloane. The museum first opened to the public on 15 January 1759 in Montagu House in Bloomsbury, on the site of the current museum building. Its expansion over the following two and a half centuries has resulted in the creation of several branch institutions, the first being the British Museum (Natural History) in South KensingtonThe British Museum was established in 1753, largely based on the collections of the physician and scientist Sir Hans Sloane. The museum first opened to the public on 15 January 1759 in Montagu House in Bloomsbury, on the site of the current museum building. Its expansion over the following two and a half centuries has resulted in the creation of several branch institutions, the first being the British Museum (Natural History) in South Kensington in 1887. Until 1997, when the British LibraryThe British Museum was established in 1753, largely based on the collections of the physician and scientist Sir Hans Sloane. The museum first opened to the public on 15 January 1759 in Montagu House in Bloomsbury, on the site of the current museum building. Its expansion over the following two and a half centuries has resulted in the creation of several branch institutions, the first being the British Museum (Natural History) in South Kensington in 1887. Until 1997, when the British Library opened to the public, the British Museum was unique in that it housed both a national museum of antiquitiesThe British Museum was established in 1753, largely based on the collections of the physician and scientist Sir Hans Sloane. The museum first opened to the public on 15 January 1759 in Montagu House in Bloomsbury, on the site of the current museum building. Its expansion over the following two and a half centuries has resulted in the creation of several branch institutions, the first being the British Museum (Natural History) in South Kensington in 1887. Until 1997, when the British Library opened to the public, the British Museum was unique in that it housed both a national museum of antiquities and a national libraryThe British Museum was established in 1753, largely based on the collections of the physician and scientist Sir Hans Sloane. The museum first opened to the public on 15 January 1759 in Montagu House in Bloomsbury, on the site of the current museum building. Its expansion over the following two and a half centuries has resulted in the creation of several branch institutions, the first being the British Museum (Natural History) in South Kensington in 1887. Until 1997, when the British Library opened to the public, the British Museum was unique in that it housed both a national museum of antiquities and a national library in the same building. Its present chairman is Sir John BoydThe British Museum was established in 1753, largely based on the collections of the physician and scientist Sir Hans Sloane. The museum first opened to the public on 15 January 1759 in Montagu House in Bloomsbury, on the site of the current museum building. Its expansion over the following two and a half centuries has resulted in the creation of several branch institutions, the first being the British Museum (Natural History) in South Kensington in 1887. Until 1997, when the British Library opened to the public, the British Museum was unique in that it housed both a national museum of antiquities and a national library in the same building. Its present chairman is Sir John Boyd and its director is Neil MacGregor.
As with all other national museums and art galleries in Britain, the Museum charges no admission fee, although charges are levied for some temporary special exhibitions.
The centre of the museum was redeveloped in 2000The centre of the museum was redeveloped in 2000 to become the Great CourtThe centre of the museum was redeveloped in 2000 to become the Great Court, surrounding the original Reading Room.
Слайд 4History.
Though principally a museum of cultural art objects and antiquities today, the
History.
Though principally a museum of cultural art objects and antiquities today, the
![History. Though principally a museum of cultural art objects and antiquities today,](/_ipx/f_webp&q_80&fit_contain&s_1440x1080/imagesDir/jpg/377552/slide-3.jpg)
The body of trustees (which until 1963The body of trustees (which until 1963 was chaired by the Archbishop of CanterburyThe body of trustees (which until 1963 was chaired by the Archbishop of Canterbury, the Lord ChancellorThe body of trustees (which until 1963 was chaired by the Archbishop of Canterbury, the Lord Chancellor and the Speaker of the House of CommonsThe body of trustees (which until 1963 was chaired by the Archbishop of Canterbury, the Lord Chancellor and the Speaker of the House of Commons) decided on Montagu HouseThe body of trustees (which until 1963 was chaired by the Archbishop of Canterbury, the Lord Chancellor and the Speaker of the House of Commons) decided on Montagu House as a location for the museum, which it bought from the Montagu family for £The body of trustees (which until 1963 was chaired by the Archbishop of Canterbury, the Lord Chancellor and the Speaker of the House of Commons) decided on Montagu House as a location for the museum, which it bought from the Montagu family for £20,000. The Trustees rejected Buckingham House, on a site now occupied by Buckingham Palace, on the grounds of cost and the unsuitability of its location.
After its foundation the British Museum received several gifts, including the Thomason LibraryAfter its foundation the British Museum received several gifts, including the Thomason Library and David GarrickAfter its foundation the British Museum received several gifts, including the Thomason Library and David Garrick's library of 1,000 printed plays, but had few ancient relics and would have been unrecognisable to visitors of the modern museum. The first notable addition to the collection of antiquities was by Sir William HamiltonAfter its foundation the British Museum received several gifts, including the Thomason Library and David Garrick's library of 1,000 printed plays, but had few ancient relics and would have been unrecognisable to visitors of the modern museum. The first notable addition to the collection of antiquities was by Sir William Hamilton, British Ambassador to NaplesAfter its foundation the British Museum received several gifts, including the Thomason Library and David Garrick's library of 1,000 printed plays, but had few ancient relics and would have been unrecognisable to visitors of the modern museum. The first notable addition to the collection of antiquities was by Sir William Hamilton, British Ambassador to Naples, who sold his collection of GreekAfter its foundation the British Museum received several gifts, including the Thomason Library and David Garrick's library of 1,000 printed plays, but had few ancient relics and would have been unrecognisable to visitors of the modern museum. The first notable addition to the collection of antiquities was by Sir William Hamilton, British Ambassador to Naples, who sold his collection of Greek and RomanAfter its foundation the British Museum received several gifts, including the Thomason Library and David Garrick's library of 1,000 printed plays, but had few ancient relics and would have been unrecognisable to visitors of the modern museum. The first notable addition to the collection of antiquities was by Sir William Hamilton, British Ambassador to Naples, who sold his collection of Greek and Roman artifacts to the museum in 1782. In the early 19th centuryAfter its foundation the British Museum received several gifts, including the Thomason Library and David Garrick's library of 1,000 printed plays, but had few ancient relics and would have been unrecognisable to visitors of the modern museum. The first notable addition to the collection of antiquities was by Sir William Hamilton, British Ambassador to Naples, who sold his collection of Greek and Roman artifacts to the museum in 1782. In the early 19th century the foundations for the extensive collection of sculpture began to be laid. After the defeat of the FrenchAfter its foundation the British Museum received several gifts, including the Thomason Library and David Garrick's library of 1,000 printed plays, but had few ancient relics and would have been unrecognisable to visitors of the modern museum. The first notable addition to the collection of antiquities was by Sir William Hamilton, British Ambassador to Naples, who sold his collection of Greek and Roman artifacts to the museum in 1782. In the early 19th century the foundations for the extensive collection of sculpture began to be laid. After the defeat of the French in the Battle of the NileAfter its foundation the British Museum received several gifts, including the Thomason Library and David Garrick's library of 1,000 printed plays, but had few ancient relics and would have been unrecognisable to visitors of the modern museum. The first notable addition to the collection of antiquities was by Sir William Hamilton, British Ambassador to Naples, who sold his collection of Greek and Roman artifacts to the museum in 1782. In the early 19th century the foundations for the extensive collection of sculpture began to be laid. After the defeat of the French in the Battle of the Nile in 1801After its foundation the British Museum received several gifts, including the Thomason Library and David Garrick's library of 1,000 printed plays, but had few ancient relics and would have been unrecognisable to visitors of the modern museum. The first notable addition to the collection of antiquities was by Sir William Hamilton, British Ambassador to Naples, who sold his collection of Greek and Roman artifacts to the museum in 1782. In the early 19th century the foundations for the extensive collection of sculpture began to be laid. After the defeat of the French in the Battle of the Nile in 1801 the British Museum acquired more Egyptian sculpture and the Rosetta StoneAfter its foundation the British Museum received several gifts, including the Thomason Library and David Garrick's library of 1,000 printed plays, but had few ancient relics and would have been unrecognisable to visitors of the modern museum. The first notable addition to the collection of antiquities was by Sir William Hamilton, British Ambassador to Naples, who sold his collection of Greek and Roman artifacts to the museum in 1782. In the early 19th century the foundations for the extensive collection of sculpture began to be laid. After the defeat of the French in the Battle of the Nile in 1801 the British Museum acquired more Egyptian sculpture and the Rosetta Stone. Many Greek sculptures followed, notably the Towneley collection in 1805 and the Elgin Marbles in 1816.
The collection soon outgrew its surroundings and the situation became urgent with the donation in 1822The collection soon outgrew its surroundings and the situation became urgent with the donation in 1822 of King George IIIThe collection soon outgrew its surroundings and the situation became urgent with the donation in 1822 of King George III's personal library of 65,000 volumes, 19,000 pamphlets, maps, charts and topographical drawings to the museum. The dilapidated Old Montagu House was demolished in 1845 and replaced by a design by the neoclassicalThe collection soon outgrew its surroundings and the situation became urgent with the donation in 1822 of King George III's personal library of 65,000 volumes, 19,000 pamphlets, maps, charts and topographical drawings to the museum. The dilapidated Old Montagu House was demolished in 1845 and replaced by a design by the neoclassical architect Sir Robert Smirke.
Слайд 5History.
Roughly contemporary with the construction of the new building was the career
History.
Roughly contemporary with the construction of the new building was the career
![History. Roughly contemporary with the construction of the new building was the](/_ipx/f_webp&q_80&fit_contain&s_1440x1080/imagesDir/jpg/377552/slide-4.jpg)
The natural history collections were an integral part of the British Museum until their removal to the new British Museum (Natural History), now the Natural History MuseumThe natural history collections were an integral part of the British Museum until their removal to the new British Museum (Natural History), now the Natural History Museum, in 1887The natural history collections were an integral part of the British Museum until their removal to the new British Museum (Natural History), now the Natural History Museum, in 1887. The ethnographyThe natural history collections were an integral part of the British Museum until their removal to the new British Museum (Natural History), now the Natural History Museum, in 1887. The ethnography collections were until recently housed in the short-lived Museum of MankindThe natural history collections were an integral part of the British Museum until their removal to the new British Museum (Natural History), now the Natural History Museum, in 1887. The ethnography collections were until recently housed in the short-lived Museum of Mankind in PiccadillyThe natural history collections were an integral part of the British Museum until their removal to the new British Museum (Natural History), now the Natural History Museum, in 1887. The ethnography collections were until recently housed in the short-lived Museum of Mankind in Piccadilly; they have now returned to Bloomsbury and the Department of Ethnography has been renamed the Department of AfricaThe natural history collections were an integral part of the British Museum until their removal to the new British Museum (Natural History), now the Natural History Museum, in 1887. The ethnography collections were until recently housed in the short-lived Museum of Mankind in Piccadilly; they have now returned to Bloomsbury and the Department of Ethnography has been renamed the Department of Africa, OceaniaThe natural history collections were an integral part of the British Museum until their removal to the new British Museum (Natural History), now the Natural History Museum, in 1887. The ethnography collections were until recently housed in the short-lived Museum of Mankind in Piccadilly; they have now returned to Bloomsbury and the Department of Ethnography has been renamed the Department of Africa, Oceania and the Americas.
The temporary exhibition Treasures of Tutankhamun, held by the British Museum in 1972, held by the British Museum in 1972, was the most successful in British history, attracting 1,694,117 visitors. In the same year the Act of Parliament, held by the British Museum in 1972, was the most successful in British history, attracting 1,694,117 visitors. In the same year the Act of Parliament establishing The British Library, held by the British Museum in 1972, was the most successful in British history, attracting 1,694,117 visitors. In the same year the Act of Parliament establishing The British Library was passed, separating the collection of manuscripts, held by the British Museum in 1972, was the most successful in British history, attracting 1,694,117 visitors. In the same year the Act of Parliament establishing The British Library was passed, separating the collection of manuscripts and printed books from the British Museum. The Government suggested a site at St Pancras for the new British Library but the books did not leave the museum until 1997.
With the bookstacks in the central courtyard of the museum now empty, the process of demolition for Lord FosterWith the bookstacks in the central courtyard of the museum now empty, the process of demolition for Lord Foster's glass-roofed Great Court could begin. The Great CourtWith the bookstacks in the central courtyard of the museum now empty, the process of demolition for Lord Foster's glass-roofed Great Court could begin. The Great Court, opened in 2000With the bookstacks in the central courtyard of the museum now empty, the process of demolition for Lord Foster's glass-roofed Great Court could begin. The Great Court, opened in 2000, while undoubtedly improving circulation around the museum, was criticised for having a lack of exhibition space at a time when the museum was in serious financial difficulties and many galleries were closed to the public. At the same time the African and Oceanic collections that had been temporarily housed in Burlington HouseWith the bookstacks in the central courtyard of the museum now empty, the process of demolition for Lord Foster's glass-roofed Great Court could begin. The Great Court, opened in 2000, while undoubtedly improving circulation around the museum, was criticised for having a lack of exhibition space at a time when the museum was in serious financial difficulties and many galleries were closed to the public. At the same time the African and Oceanic collections that had been temporarily housed in Burlington House were given a new gallery in the North Wing funded by the SainsburyWith the bookstacks in the central courtyard of the museum now empty, the process of demolition for Lord Foster's glass-roofed Great Court could begin. The Great Court, opened in 2000, while undoubtedly improving circulation around the museum, was criticised for having a lack of exhibition space at a time when the museum was in serious financial difficulties and many galleries were closed to the public. At the same time the African and Oceanic collections that had been temporarily housed in Burlington House were given a new gallery in the North Wing funded by the Sainsbury family. In 2002 the museum was even closed for a day when its staff protested about proposed redundancies. A few weeks later the theft of a small Greek statue was blamed on lack of security staff.
In autumn 2001 the 8 million objects forming the Museum's permanent collection were further expanded by the addition of 6 million objects from the Wendorf Collection of Egyptian and Sudanese Prehistory.[2]In autumn 2001 the 8 million objects forming the Museum's permanent collection were further expanded by the addition of 6 million objects from the Wendorf Collection of Egyptian and Sudanese Prehistory.[2] These were donated by Professor Fred WendorfIn autumn 2001 the 8 million objects forming the Museum's permanent collection were further expanded by the addition of 6 million objects from the Wendorf Collection of Egyptian and Sudanese Prehistory.[2] These were donated by Professor Fred Wendorf of Southern Methodist University in Texas, and comprise the entire collection of artefacts and environmental remains from his excavations between 1963 and 1997. They are housed in the the Department of Ancient Egypt and Sudan.
Слайд 6The circular Reading Room.
The circular Reading Room.
The circular Reading Room.
The circular Reading Room.
![The circular Reading Room. The circular Reading Room.](/_ipx/f_webp&q_80&fit_contain&s_1440x1080/imagesDir/jpg/377552/slide-5.jpg)
Слайд 7Panorama of the circular Reading Room.
Panorama of the circular Reading Room.
Panorama of the circular Reading Room.
Panorama of the circular Reading Room.
![Panorama of the circular Reading Room. Panorama of the circular Reading Room.](/_ipx/f_webp&q_80&fit_contain&s_1440x1080/imagesDir/jpg/377552/slide-6.jpg)
Слайд 8The Building
The Greek RevivalThe Greek Revival façade facing Great Russell Street is
The Building
The Greek RevivalThe Greek Revival façade facing Great Russell Street is
![The Building The Greek RevivalThe Greek Revival façade facing Great Russell Street](/_ipx/f_webp&q_80&fit_contain&s_1440x1080/imagesDir/jpg/377552/slide-7.jpg)
The construction commenced around the courtyard with the East Wing (The King's Library) in 1823-28, followed by the North Wing in 1833-38, original this housed amongst other galleries a reading room now the Wellcome Gallery, work was also progressing on the northern half of the West Wing (The Egyptian Sculpture Gallery) 1826-31, then Montagu House was demolished from 1842 to make room for the final part of the West Wing completed in 1846 and the South Wing with its great colonnade, this was initiated in 1843, and completed in 1847 when the Front Hall and Great Staircase were opened to the public.[3]
In 1846 Robert Smirke was replaced as the Museum's architect by his brother Sydney Smirke, whose major addition was the Round Reading Room 1854-57; at 42.6 metres (140 ft) in diameter it was then the second widest dome in the world, the Pantheon in Rome being slightly wider.
The next major addition was the White Wing 1882-84 added behind the eastern end of the South Front, the architect being Sir John Taylor.
In 1895 the Trustees purchased the 69 houses surronding the Museum with the intention of demolishing them and building around the West, North and East sides of the Museum new galleries that would completely fill the block on which the Museum stands. Of this grand plan only the Edward VII galleries in the centre of the North Front were ever constructed, these were built 1906-14 to the design of Sir John James Burnet and now house the Asian and Islamic collections.
The British Museum - Aerial View
Слайд 9The Building.
The DuveenThe Duveen Gallery, sited to the west of the Egyptian,
The Building.
The DuveenThe Duveen Gallery, sited to the west of the Egyptian,
![The Building. The DuveenThe Duveen Gallery, sited to the west of the](/_ipx/f_webp&q_80&fit_contain&s_1440x1080/imagesDir/jpg/377552/slide-8.jpg)
The Queen Elizabeth IIThe Queen Elizabeth II Great Court is a covered square at the centre of the British Museum designed by the engineers Buro HappoldThe Queen Elizabeth II Great Court is a covered square at the centre of the British Museum designed by the engineers Buro Happold and the architects Foster and PartnersThe Queen Elizabeth II Great Court is a covered square at the centre of the British Museum designed by the engineers Buro Happold and the architects Foster and Partners[4]The Queen Elizabeth II Great Court is a covered square at the centre of the British Museum designed by the engineers Buro Happold and the architects Foster and Partners[4]. The Great Court opened in December 2000The Queen Elizabeth II Great Court is a covered square at the centre of the British Museum designed by the engineers Buro Happold and the architects Foster and Partners[4]. The Great Court opened in December 2000 and is the largest covered square in Europe. The roof is a glass and steel construction with 1,656 uniquely shaped panes of glass. At the centre of the Great Court is the Reading Room vacated by the British Library, its functions now moved to St Pancras. The Reading Room is open to any member of the public who wishes to read there.
Currently there are nearly one hundred galleries open to the public although the less popular have restricted opening times.
Proposed British Museum Extension, 1906
Слайд 10Department of Ancient Egypt and Sudan
The British Museum houses the world's largest
Department of Ancient Egypt and Sudan
The British Museum houses the world's largest
![Department of Ancient Egypt and Sudan The British Museum houses the world's](/_ipx/f_webp&q_80&fit_contain&s_1440x1080/imagesDir/jpg/377552/slide-9.jpg)
Egyptian antiquities have formed part of the British Museum collection ever since it's foundation in 1753 after receiving 150 Egyptian objects from Sir Hans Sloane. After the defeat of the French forces under Napolean at Alexandria in 1801, the Egyptian antiquities collected were confiscated by the British army and presented to the British Museum in 1803. Thus forming the first important acquisition of large sculptures, the most famous being the Rosetta Stone and has remained in the Museum ever since. Thereafter, Britain appointed Henry Salt as consul in Egypt who amassed a huge collection of antiquities. Most of the antiquities Salt collected were purchased by The British Museum and the Musee du Louvre. By 1866 the collection consisted of some 10,000 objects. Antiquities from excavations started to come to the Museum in the later 19th century as a result of the work of the Egypt Exploration Fund under the efforts of E.A. Wallis Budge. The collection stood at 57,000 objects by 1924. Active support by the Museum for excavations in Egypt continued to result in useful acquisitions throughout the 20th Century until changes in antiquities laws in Egypt led to the suspension of policies allowing finds to be exported. The size of the Egyptian collections now stands at over 110,000 objects [5]Egyptian antiquities have formed part of the British Museum collection ever since it's foundation in 1753 after receiving 150 Egyptian objects from Sir Hans Sloane. After the defeat of the French forces under Napolean at Alexandria in 1801, the Egyptian antiquities collected were confiscated by the British army and presented to the British Museum in 1803. Thus forming the first important acquisition of large sculptures, the most famous being the Rosetta Stone and has remained in the Museum ever since. Thereafter, Britain appointed Henry Salt as consul in Egypt who amassed a huge collection of antiquities. Most of the antiquities Salt collected were purchased by The British Museum and the Musee du Louvre. By 1866 the collection consisted of some 10,000 objects. Antiquities from excavations started to come to the Museum in the later 19th century as a result of the work of the Egypt Exploration Fund under the efforts of E.A. Wallis Budge. The collection stood at 57,000 objects by 1924. Active support by the Museum for excavations in Egypt continued to result in useful acquisitions throughout the 20th Century until changes in antiquities laws in Egypt led to the suspension of policies allowing finds to be exported. The size of the Egyptian collections now stands at over 110,000 objects [5] [6].
A representative selection of 4% of the entire collection is on display in the Museum's seven permanent Egyptian galleries, including monumental sculptures adorning the Museum's largest exhibition space (Room 4). Also contained in the upper galleries are a selection of the Museum's famous collection of 140 mummies and coffins, the largest outside Cairo. A high proportion of the collection comes from tombs or contexts associated with the cult of the dead, and it is these pieces, in particular the mummies, that remain among the most eagerly-sought exhibits by visitors to the Museum.
Слайд 11Department of Ancient Egypt and Sudan
Key highlights of the collections include:
The Rosetta
Department of Ancient Egypt and Sudan
Key highlights of the collections include:
The Rosetta
![Department of Ancient Egypt and Sudan Key highlights of the collections include:](/_ipx/f_webp&q_80&fit_contain&s_1440x1080/imagesDir/jpg/377552/slide-10.jpg)
Limestone statue of a husband and wife (1300 BC)
Colossal bust of Ramesses II, the 'Younger Memnon' (1250 BC)
Colossal granite head of Amenhotep III (1350 BC)
Colossal head from a statue of Amenhotep III (1350 BC)
Colossal limestone bust of Amenhotep III (1350 BC)
Fragment of the beard of the Great Sphinx (1300 BC)
List of the kings of Egypt from the Temple of Ramesses II (1250 BC)
Limestone false door of Ptahshepses (2380 BC)
Granite statue of Senwosret III (1850 BC)
Mummy of Cleopatra from Thebes (100 AD)
Amarna Tablets (Collection of 94 out of 382 tablets found, second greatest in the world after the Vorderasiatisches Museum, Berlin (202 tablets)) (1350 BC)
The British Museum - Throne Relief Cast from the Hall of the Hundred Columns, Persepolis
Слайд 12The British Museum, Room 4 - Colossal Granite head of Amenhotep III
The British Museum, Room 4 - Colossal Granite head of Amenhotep III
![The British Museum, Room 4 - Colossal Granite head of Amenhotep III](/_ipx/f_webp&q_80&fit_contain&s_1440x1080/imagesDir/jpg/377552/slide-11.jpg)
The British Museum, Room 4 - Colossal Granite head of Amenhotep III (1350 BC)
The British Museum, Room 4 - Egyptian Sculpture
Слайд 13Department of the Ancient Near East
With approximately 280,000 objects in the collection,
Department of the Ancient Near East
With approximately 280,000 objects in the collection,
![Department of the Ancient Near East With approximately 280,000 objects in the](/_ipx/f_webp&q_80&fit_contain&s_1440x1080/imagesDir/jpg/377552/slide-12.jpg)
A representative selection, including the most important pieces, are on display in 13 galleries and total some 4500 objects. The remainder form the study collection which ranges in size from beads to large sculptures. They include approximately 130,000 cuneiform tablets from Mesopotamia.
Contemporary collections can be found in the Musée du Louvre, Paris (90,000 objects), The Oriental Institute of Art, Chicago (20,000 objects)[17]Contemporary collections can be found in the Musée du Louvre, Paris (90,000 objects), The Oriental Institute of Art, Chicago (20,000 objects)[17], Vorderasiatisches Museum, Berlin and The Metropolitan Museum of Art, New York (7,000 objects)[18]
Слайд 14Department of the Ancient Near East
Sculptures
Pair of Human Headed Winged 'Lamassu'
Department of the Ancient Near East
Sculptures
Pair of Human Headed Winged 'Lamassu'
![Department of the Ancient Near East Sculptures Pair of Human Headed Winged](/_ipx/f_webp&q_80&fit_contain&s_1440x1080/imagesDir/jpg/377552/slide-13.jpg)
Human Headed Winged 'Lamassu' Bull (883-859 BC), sister piece in The Metropolitan Museum of Art, New York
Human Headed Winged 'Lamassu' Lion (883-859 BC), sister piece in The Metropolitan Museum of Art, New York
Colossal Statue of a Lion (883-859 BC)
Rare Head of Human Headed Winged 'Lamassu', recovered from the remains of the South-West Palace of Esarhaddon
The Black Obelisk of Shalmaneser III (858-824 BC)
The White Obelisk (1050-1031 BC)
Nineveh (City in Northern Iraq)
Alabaster bas-reliefs from:
North-Palace of Ashurbanipal
Famous Royal Lion Hunt Scenes
The 'Dying Lion', long been acclaimed as a masterpiece
The 'Garden Party' Relief
The White Obelisk, Some of the earliest scenes of Assyrian narrative art
South-West Palace of Sennacherib
Royal Library of Ashurbanipal
A large collection of cuneiform tablets of enormous importance approximately 22,000 inscribed clay tablets, now located in the British Museum
The Flood Tablet, relating part of the Epic of Gilgamesh
Khorsabad (City in Northern Iraq)
Alabaster bas-reliefs from the Palace of Sargon II
Pair of Human Headed Winged 'Lamassu' Bulls
Wider Museum Collection
Cyrus Cylinder from Babylon
Bronze gates of Shalmaneser III and Ashurnasirpal II from Balawat
A fine collection of Urartian bronzes, which now form the core of the Anatolian collection
Oxus Treasure
The Standard of Ur
The 'Ram in a Thicket'
The Royal Game of Ur
Queen's Lyre
Слайд 15Department of Coins and Medals
The British Museum is home to one of
Department of Coins and Medals
The British Museum is home to one of
![Department of Coins and Medals The British Museum is home to one](/_ipx/f_webp&q_80&fit_contain&s_1440x1080/imagesDir/jpg/377552/slide-14.jpg)
There are approximately 9,000 coins, medals and banknotes on display around the British Museum. More than half of these can be found in the HSBC Money Gallery (Gallery 68), while the remainder form part of the permanent displays throughout the Museum.
Слайд 16Department of Greek and Roman Antiquities
The Department of Greek and Roman
Department of Greek and Roman Antiquities
The Department of Greek and Roman
![Department of Greek and Roman Antiquities The Department of Greek and Roman](/_ipx/f_webp&q_80&fit_contain&s_1440x1080/imagesDir/jpg/377552/slide-15.jpg)
The Cycladic, Minoan and Mycenaean cultures are represented, and the Greek collection includes important sculpture from the Parthenon in Athens, as well as elements of two of the Seven Wonders of the Ancient World, the Mausoleum at Halikarnassos and the Temple of Artemis at Ephesos.
The Department also houses one of the widest-ranging collections of Italic and Etruscan antiquities and extensive groups of material from Cyprus. The collections of ancient jewellery and bronzes, Greek vases and Roman glass and silver are particularly important.
The British Museum, Room 17 - The Nereid Monument
Слайд 17Key highlights of the collections include:
Athenian Akropolis
The Parthenon Gallery ("Elgin Marbles")
Key highlights of the collections include:
Athenian Akropolis
The Parthenon Gallery ("Elgin Marbles")
![Key highlights of the collections include: Athenian Akropolis The Parthenon Gallery ("Elgin](/_ipx/f_webp&q_80&fit_contain&s_1440x1080/imagesDir/jpg/377552/slide-16.jpg)
The Parthenon Marbles are one of the finest manifestations of human creation. The Magnificent Relief Frieze showing the Panathenaic procession is considered as the most famous surviving example of art from Ancient Greece, often praised as the finest achievement of Greek architecture, Its decorative sculptures are considered one of the high points of Greek art
Erechtheion
The Finest of 6 remaining Caryatids
Surviving Column
Athena Nike
Surviving Frieze Slabs
Bassae Sculptures
Sculptures from the temple of Apollo Epikourios ('Helper') at Bassae in Arcadia.
Twenty three surviving blocks of the frieze from the interior of the temple are exhibited on an upper level.
Two colossal free-standing figures identified as Maussollos and his wife Artemisia.
Part of an impressive horse from the chariot group adorning the summit of the Mausoleum
The Amazonomachy frieze - A long section of relief frieze showing the battle between Greeks and Amazons
Temple of Artemis at Ephesos
One of the Seven Wonders of the Ancient World
Architectiral fragments from the Archaic and fourth century temples of Artemis
Marble column drum from the later Temple of Artemis
Asia Minor ('Turkey')
Nereid Monument
Partial reconstruction of the Monument, a large and elaborate Lykian tomb from the site of Xanthos in south-west Turkey
Payava Tomb from Xanthos in south west Turkey
Wider Museum Collection
Material from the Palace of Knossos
Portland Vase
The Warren Cup
Discus-thrower (discobolos)
Townley Sculptures
Слайд 18The British Museum, Room 22 - The Hellenistic World
Asia Minor ('Turkey')
Nereid
The British Museum, Room 22 - The Hellenistic World
Asia Minor ('Turkey')
Nereid
![The British Museum, Room 22 - The Hellenistic World Asia Minor ('Turkey')](/_ipx/f_webp&q_80&fit_contain&s_1440x1080/imagesDir/jpg/377552/slide-17.jpg)
The British Museum, Room 21 - Mausoleum of Halikarnassos.JPG
Mausoleum of Halikarnassos
One of the Seven Wonders of the Ancient World
Слайд 19Department of Prints and Drawings
The Department of Prints and Drawings holds
Department of Prints and Drawings
The Department of Prints and Drawings holds
![Department of Prints and Drawings The Department of Prints and Drawings holds](/_ipx/f_webp&q_80&fit_contain&s_1440x1080/imagesDir/jpg/377552/slide-18.jpg)
Since its foundation in 1808 the Prints and Drawings collection has grown to international renown as one of the richest and most representative collections in the world. There are approximately 50,000 Drawings and over 2 million Prints. The collection of Drawings covers the period 14th century to the present, and includes many works of the highest quality by the leading artists of the European school. The collection of Prints covers the tradition of fine printmaking from its beginnings in the 15th century up to the present, with near complete holdings of most of the great names before the 19th century.
There are magnificent groups of drawings by Leonardo da Vinci, Raphael, Michelangelo (including his only surviving full-scale cartoon), Dürer (a collection of 138 drawings is one of the finest in existence), Rubens, Rembrandt, Claude and Watteau, and virtually complete collections of the works of all the great printmakers including unsurpassed holdings of prints by Dürer (99 engravings, 6 etchings and a substantial number of his 346 woodcuts), Rembrandt and Goya. More than 30,000 British drawings and watercolours include important examples work by Hogarth, Sandby, Turner, Girtin, Constable, Cotman, Cox, Gillray, Rowlandson and Cruikshank, as well as all the great Victorians. There are about a million British prints including more than 20,000 satires and outstanding collections of works by William Blake and Thomas Bewick.
Comparably, other great collections include: Musee du Louvre, Paris (133,000 Drawings, 46,000 Prints)[19]Comparably, other great collections include: Musee du Louvre, Paris (133,000 Drawings, 46,000 Prints)[19], State Hermitage, St. Petersburg (39,000 Drawings, 486,000 Prints)[20]Comparably, other great collections include: Musee du Louvre, Paris (133,000 Drawings, 46,000 Prints)[19], State Hermitage, St. Petersburg (39,000 Drawings, 486,000 Prints)[20], The Metropolitan Museum of Art, New York (11,000 Drawings, 1.5 million Prints)[21]Comparably, other great collections include: Musee du Louvre, Paris (133,000 Drawings, 46,000 Prints)[19], State Hermitage, St. Petersburg (39,000 Drawings, 486,000 Prints)[20], The Metropolitan Museum of Art, New York (11,000 Drawings, 1.5 million Prints)[21], Kupferstichkabinett, Museum of Prints and Drawings,. Berlin (110,000 Drawings, 500,000 Prints)[22]Comparably, other great collections include: Musee du Louvre, Paris (133,000 Drawings, 46,000 Prints)[19], State Hermitage, St. Petersburg (39,000 Drawings, 486,000 Prints)[20], The Metropolitan Museum of Art, New York (11,000 Drawings, 1.5 million Prints)[21], Kupferstichkabinett, Museum of Prints and Drawings,. Berlin (110,000 Drawings, 500,000 Prints)[22], Royal Collection, London (40,000 Drawings, 150,000 Prints, inc. 600 Leonardo da Vinci Drawings)[23]Comparably, other great collections include: Musee du Louvre, Paris (133,000 Drawings, 46,000 Prints)[19], State Hermitage, St. Petersburg (39,000 Drawings, 486,000 Prints)[20], The Metropolitan Museum of Art, New York (11,000 Drawings, 1.5 million Prints)[21], Kupferstichkabinett, Museum of Prints and Drawings,. Berlin (110,000 Drawings, 500,000 Prints)[22], Royal Collection, London (40,000 Drawings, 150,000 Prints, inc. 600 Leonardo da Vinci Drawings)[23], Fitzwilliam, Cambridge (20,000 Drawings, 180,000 Prints)[24]Comparably, other great collections include: Musee du Louvre, Paris (133,000 Drawings, 46,000 Prints)[19], State Hermitage, St. Petersburg (39,000 Drawings, 486,000 Prints)[20], The Metropolitan Museum of Art, New York (11,000 Drawings, 1.5 million Prints)[21], Kupferstichkabinett, Museum of Prints and Drawings,. Berlin (110,000 Drawings, 500,000 Prints)[22], Royal Collection, London (40,000 Drawings, 150,000 Prints, inc. 600 Leonardo da Vinci Drawings)[23], Fitzwilliam, Cambridge (20,000 Drawings, 180,000 Prints)[24], Uffizi Gallery, Florence (120,000 Drawings and Prints)[25]Comparably, other great collections include: Musee du Louvre, Paris (133,000 Drawings, 46,000 Prints)[19], State Hermitage, St. Petersburg (39,000 Drawings, 486,000 Prints)[20], The Metropolitan Museum of Art, New York (11,000 Drawings, 1.5 million Prints)[21], Kupferstichkabinett, Museum of Prints and Drawings,. Berlin (110,000 Drawings, 500,000 Prints)[22], Royal Collection, London (40,000 Drawings, 150,000 Prints, inc. 600 Leonardo da Vinci Drawings)[23], Fitzwilliam, Cambridge (20,000 Drawings, 180,000 Prints)[24], Uffizi Gallery, Florence (120,000 Drawings and Prints)[25], National Gallery of Art, Washington (100,000 Drawings and Prints)[26]Comparably, other great collections include: Musee du Louvre, Paris (133,000 Drawings, 46,000 Prints)[19], State Hermitage, St. Petersburg (39,000 Drawings, 486,000 Prints)[20], The Metropolitan Museum of Art, New York (11,000 Drawings, 1.5 million Prints)[21], Kupferstichkabinett, Museum of Prints and Drawings,. Berlin (110,000 Drawings, 500,000 Prints)[22], Royal Collection, London (40,000 Drawings, 150,000 Prints, inc. 600 Leonardo da Vinci Drawings)[23], Fitzwilliam, Cambridge (20,000 Drawings, 180,000 Prints)[24], Uffizi Gallery, Florence (120,000 Drawings and Prints)[25], National Gallery of Art, Washington (100,000 Drawings and Prints)[26], Moma, New York (6000 Drawings, 50,000 Prints)[27]Comparably, other great collections include: Musee du Louvre, Paris (133,000 Drawings, 46,000 Prints)[19], State Hermitage, St. Petersburg (39,000 Drawings, 486,000 Prints)[20], The Metropolitan Museum of Art, New York (11,000 Drawings, 1.5 million Prints)[21], Kupferstichkabinett, Museum of Prints and Drawings,. Berlin (110,000 Drawings, 500,000 Prints)[22], Royal Collection, London (40,000 Drawings, 150,000 Prints, inc. 600 Leonardo da Vinci Drawings)[23], Fitzwilliam, Cambridge (20,000 Drawings, 180,000 Prints)[24], Uffizi Gallery, Florence (120,000 Drawings and Prints)[25], National Gallery of Art, Washington (100,000 Drawings and Prints)[26], Moma, New York (6000 Drawings, 50,000 Prints)[27], Brooklyn Museum, New York (2,000 Drawings, 40,000 Prints)[28]Comparably, other great collections include: Musee du Louvre, Paris (133,000 Drawings, 46,000 Prints)[19], State Hermitage, St. Petersburg (39,000 Drawings, 486,000 Prints)[20], The Metropolitan Museum of Art, New York (11,000 Drawings, 1.5 million Prints)[21], Kupferstichkabinett, Museum of Prints and Drawings,. Berlin (110,000 Drawings, 500,000 Prints)[22], Royal Collection, London (40,000 Drawings, 150,000 Prints, inc. 600 Leonardo da Vinci Drawings)[23], Fitzwilliam, Cambridge (20,000 Drawings, 180,000 Prints)[24], Uffizi Gallery, Florence (120,000 Drawings and Prints)[25], National Gallery of Art, Washington (100,000 Drawings and Prints)[26], Moma, New York (6000 Drawings, 50,000 Prints)[27], Brooklyn Museum, New York (2,000 Drawings, 40,000 Prints)[28], The Art Institute of Chicago, Chicago (11,500 Drawings, 60,000 Prints)[29]Comparably, other great collections include: Musee du Louvre, Paris (133,000 Drawings, 46,000 Prints)[19], State Hermitage, St. Petersburg (39,000 Drawings, 486,000 Prints)[20], The Metropolitan Museum of Art, New York (11,000 Drawings, 1.5 million Prints)[21], Kupferstichkabinett, Museum of Prints and Drawings,. Berlin (110,000 Drawings, 500,000 Prints)[22], Royal Collection, London (40,000 Drawings, 150,000 Prints, inc. 600 Leonardo da Vinci Drawings)[23], Fitzwilliam, Cambridge (20,000 Drawings, 180,000 Prints)[24], Uffizi Gallery, Florence (120,000 Drawings and Prints)[25], National Gallery of Art, Washington (100,000 Drawings and Prints)[26], Moma, New York (6000 Drawings, 50,000 Prints)[27], Brooklyn Museum, New York (2,000 Drawings, 40,000 Prints)[28], The Art Institute of Chicago, Chicago (11,500 Drawings, 60,000 Prints)[29], Philadelphia Museum of Art, Philadelphia (150,000 Drawings and Prints)[30]
Слайд 20The British Museum, Room 90 - Durer, The Triumphal Arch - One
The British Museum, Room 90 - Durer, The Triumphal Arch - One
![The British Museum, Room 90 - Durer, The Triumphal Arch - One](/_ipx/f_webp&q_80&fit_contain&s_1440x1080/imagesDir/jpg/377552/slide-19.jpg)
The British Museum, Room 90 - Michelangelo, Epifania - Last surviving large scale cartoon by the artist
The British Museum, Room 90 - Durer, The Triumphal Arch - One of the largest prints ever produced
Слайд 21Department of Asia
The scope of the Department of Asia is extremely broad,
Department of Asia
The scope of the Department of Asia is extremely broad,
![Department of Asia The scope of the Department of Asia is extremely](/_ipx/f_webp&q_80&fit_contain&s_1440x1080/imagesDir/jpg/377552/slide-20.jpg)
Key highlights of the collections include:
The most comprehensive collection of sculpture from the Indian subcontinent in the world, including the celebrated Buddhist limestone reliefs from Amaravati
An outstanding collection of Chinese antiquities, paintings, and porcelain, lacquer, bronze, jade, and other applied arts
A fine collection of Buddhist paintings from Dunhuang in Central Asia and the Admonitions Scroll by Gu Kaizhi
A broad range of Islamic pottery, paintings, tiles, metalwork, glass, seals, and inscriptions.
The most comprehensive collection of Japanese pre-20th century decorative arts in the western world
Слайд 22Department of Africa, Oceania and the Americas
The British Museum houses one of
Department of Africa, Oceania and the Americas
The British Museum houses one of
![Department of Africa, Oceania and the Americas The British Museum houses one](/_ipx/f_webp&q_80&fit_contain&s_1440x1080/imagesDir/jpg/377552/slide-21.jpg)
Highlights of the collection include a magnificent brass head of a Yoruba ruler from Ife, Nigeria; Asante goldwork from Ghana and the Torday collection of Central African sculpture, textiles and weaponry.
The collection mainly consists of 19th- and 20th-century items although the IncaThe collection mainly consists of 19th- and 20th-century items although the Inca, AztecThe collection mainly consists of 19th- and 20th-century items although the Inca, Aztec, Maya and other early cultures are well represented; collecting of modern artifacts is ongoing.
Other comparable collections can be found at The Horniman Museum, London (80,000 objects), Pitt Rivers Museum, Cambridge, Musée du quai Branly, Paris(300,000 objects), Boston Museum of Fine Arts, Boston (100,000 Japanese Pieces), Metropolitan Museum of Art, New York (11,000 objects), Brooklyn Museum, New York (11,000 objects) and the Ethnographic Museum, Berlin (500,000 objects).
Слайд 23Department of Prehistory and Europe
The prehistoric collections cover Europe, Africa and Asia,
Department of Prehistory and Europe
The prehistoric collections cover Europe, Africa and Asia,
![Department of Prehistory and Europe The prehistoric collections cover Europe, Africa and](/_ipx/f_webp&q_80&fit_contain&s_1440x1080/imagesDir/jpg/377552/slide-22.jpg)
Department of Conservation, Documentation and Science
This department was founded in 1924. Conservation has six specialist areas: ceramics & glass; metals; organic material (including textiles); stone, wall paintings and mosaics; Eastern pictorial art and Western pictorial art. The science department has and continues to develop techniques to date artefacts, analyse and identify the materials used in their manufacture, to identify the place an artifact originated and the techniques used in their creation. The deparment also publishes its findings and discoveries.
Libraries and Archives
This department covers all levels of education, from casual visitors, schools, degree level and beyond. The Museum's various libraries hold in excess of 350,000 books, journals & pamphlets covering all areas of the museum's collection. Also the general Museum archives which date from its foundation in 1753 are overseen by this department; the indivdual departments have their own separate archives covering their various areas of responsibility.
Слайд 24The Collections
Highlights of the collections include:
The Elgin MarblesThe Elgin Marbles, carvings from
The Collections
Highlights of the collections include:
The Elgin MarblesThe Elgin Marbles, carvings from
![The Collections Highlights of the collections include: The Elgin MarblesThe Elgin Marbles,](/_ipx/f_webp&q_80&fit_contain&s_1440x1080/imagesDir/jpg/377552/slide-23.jpg)
The Portland Vase
The Rosetta Stone
The Stein collectionThe Stein collection from Central Asia
Works by Albrecht Dürer
The Benin Bronzes
The Cyrus CylinderThe Cyrus Cylinder and many other Persian artifacts
Anglo-SaxonAnglo-Saxon artifacts from the Sutton Hoo burial
The Lewis Chessmen
The MoldThe Mold cape (a Bronze ageThe Mold cape (a Bronze age gold ceremonial cape)
The basalt moai (statue) Hoa Hakananai'a from Easter Island
The Mildenhall Treasure
The British Museum, Room 20 - The Tomb of Payava, Lykian, about 375-360 BC
Слайд 25Controversy
It is a point of controversy whether museums should be allowed to
Controversy
It is a point of controversy whether museums should be allowed to
![Controversy It is a point of controversy whether museums should be allowed](/_ipx/f_webp&q_80&fit_contain&s_1440x1080/imagesDir/jpg/377552/slide-24.jpg)
The British Museum has refused to return either set, or any of its other disputed items, stating that the "restitutionist premise, that whatever was made in a country must return to an original geographical site, would empty both the British Museum and the other great museums of the world".[31] The Museum has also argued that the British Museum Act of 1963 legally prevents it from selling any of its valuable artefacts, even the ones not on display. Critics have particularly argued against the right of the British Museum to own objects which it does not share with the public.
Supporters of the Museum claim that it has provided protection for artefacts that might have otherwise been damaged or destroyed if they had been left in their original environments. While some critics have accepted this, they also argue that the artefacts should now be returned to their countries of origin if there is sufficient expertise and desire there to preserve them.
The British Museum continues to assert that it is an appropriate custodian and has an inalienable right to its disputed artefacts under British law.
A few of the Parthenon MarblesA few of the Parthenon Marbles (popularly known as the Elgin MarblesA few of the Parthenon Marbles (popularly known as the Elgin Marbles) from the East PedimentA few of the Parthenon Marbles (popularly known as the Elgin Marbles) from the East Pediment of the Parthenon.
Слайд 26Trivia
Pornographic and erotic items from many cultures - some of them Victorian
Trivia
Pornographic and erotic items from many cultures - some of them Victorian
![Trivia Pornographic and erotic items from many cultures - some of them](/_ipx/f_webp&q_80&fit_contain&s_1440x1080/imagesDir/jpg/377552/slide-25.jpg)
The Museum is faced with Portland stone, but the perimeter walls and other parts of the building were built using Hay TorThe Museum is faced with Portland stone, but the perimeter walls and other parts of the building were built using Hay Tor granite from Dartmoor in South Devon, transported via the unique Haytor Granite Tramway.
Слайд 27Buckingham Palace
Buckingham Palace
![Buckingham Palace](/_ipx/f_webp&q_80&fit_contain&s_1440x1080/imagesDir/jpg/377552/slide-26.jpg)
Слайд 28Buckingham Palace is the official London is the official London residence of
Buckingham Palace is the official London is the official London residence of
![Buckingham Palace is the official London is the official London residence of](/_ipx/f_webp&q_80&fit_contain&s_1440x1080/imagesDir/jpg/377552/slide-27.jpg)
In the Middle Ages, Buckingham Palace's site formed part of the Manor of Ebury. It had several royal owners from Edward the ConfessorIn the Middle Ages, Buckingham Palace's site formed part of the Manor of Ebury. It had several royal owners from Edward the Confessor onwards and was also the object of much property speculation. (A loophole in the lease of Charles I allowed the area to revert back to royal hands in the 18th century.) Precursors of Buckingham Palace were Blake House, Goring House, and Arlington House.
Originally known as Buckingham House, the building forming the core of today's palace was a large townhouseOriginally known as Buckingham House, the building forming the core of today's palace was a large townhouse built for the Duke of BuckinghamOriginally known as Buckingham House, the building forming the core of today's palace was a large townhouse built for the Duke of Buckingham in 1703 and acquired by King George IIIOriginally known as Buckingham House, the building forming the core of today's palace was a large townhouse built for the Duke of Buckingham in 1703 and acquired by King George III in 1762 as a private residenceOriginally known as Buckingham House, the building forming the core of today's palace was a large townhouse built for the Duke of Buckingham in 1703 and acquired by King George III in 1762 as a private residence. It was enlarged over the next 75 years, principally by architectsOriginally known as Buckingham House, the building forming the core of today's palace was a large townhouse built for the Duke of Buckingham in 1703 and acquired by King George III in 1762 as a private residence. It was enlarged over the next 75 years, principally by architects John NashOriginally known as Buckingham House, the building forming the core of today's palace was a large townhouse built for the Duke of Buckingham in 1703 and acquired by King George III in 1762 as a private residence. It was enlarged over the next 75 years, principally by architects John Nash and Edward BloreOriginally known as Buckingham House, the building forming the core of today's palace was a large townhouse built for the Duke of Buckingham in 1703 and acquired by King George III in 1762 as a private residence. It was enlarged over the next 75 years, principally by architects John Nash and Edward Blore, forming three wings around a central courtyard. Buckingham Palace finally became the official royal palace of the British monarch on the accession of Queen VictoriaOriginally known as Buckingham House, the building forming the core of today's palace was a large townhouse built for the Duke of Buckingham in 1703 and acquired by King George III in 1762 as a private residence. It was enlarged over the next 75 years, principally by architects John Nash and Edward Blore, forming three wings around a central courtyard. Buckingham Palace finally became the official royal palace of the British monarch on the accession of Queen Victoria in 1837. The last major structural additions were made in the late 19th and early 20th century, when the large east wing facing The MallOriginally known as Buckingham House, the building forming the core of today's palace was a large townhouse built for the Duke of Buckingham in 1703 and acquired by King George III in 1762 as a private residence. It was enlarged over the next 75 years, principally by architects John Nash and Edward Blore, forming three wings around a central courtyard. Buckingham Palace finally became the official royal palace of the British monarch on the accession of Queen Victoria in 1837. The last major structural additions were made in the late 19th and early 20th century, when the large east wing facing The Mall was added, and the former State entrance, Marble ArchOriginally known as Buckingham House, the building forming the core of today's palace was a large townhouse built for the Duke of Buckingham in 1703 and acquired by King George III in 1762 as a private residence. It was enlarged over the next 75 years, principally by architects John Nash and Edward Blore, forming three wings around a central courtyard. Buckingham Palace finally became the official royal palace of the British monarch on the accession of Queen Victoria in 1837. The last major structural additions were made in the late 19th and early 20th century, when the large east wing facing The Mall was added, and the former State entrance, Marble Arch, was removed to its present position near Speakers' CornerOriginally known as Buckingham House, the building forming the core of today's palace was a large townhouse built for the Duke of Buckingham in 1703 and acquired by King George III in 1762 as a private residence. It was enlarged over the next 75 years, principally by architects John Nash and Edward Blore, forming three wings around a central courtyard. Buckingham Palace finally became the official royal palace of the British monarch on the accession of Queen Victoria in 1837. The last major structural additions were made in the late 19th and early 20th century, when the large east wing facing The Mall was added, and the former State entrance, Marble Arch, was removed to its present position near Speakers' Corner in Hyde ParkOriginally known as Buckingham House, the building forming the core of today's palace was a large townhouse built for the Duke of Buckingham in 1703 and acquired by King George III in 1762 as a private residence. It was enlarged over the next 75 years, principally by architects John Nash and Edward Blore, forming three wings around a central courtyard. Buckingham Palace finally became the official royal palace of the British monarch on the accession of Queen Victoria in 1837. The last major structural additions were made in the late 19th and early 20th century, when the large east wing facing The Mall was added, and the former State entrance, Marble Arch, was removed to its present position near Speakers' Corner in Hyde Park. The east front was refaced in Portland stoneOriginally known as Buckingham House, the building forming the core of today's palace was a large townhouse built for the Duke of Buckingham in 1703 and acquired by King George III in 1762 as a private residence. It was enlarged over the next 75 years, principally by architects John Nash and Edward Blore, forming three wings around a central courtyard. Buckingham Palace finally became the official royal palace of the British monarch on the accession of Queen Victoria in 1837. The last major structural additions were made in the late 19th and early 20th century, when the large east wing facing The Mall was added, and the former State entrance, Marble Arch, was removed to its present position near Speakers' Corner in Hyde Park. The east front was refaced in Portland stone in 1913 as a backdrop to the Victoria Memorial, creating the present-day public face of Buckingham Palace, including the famous balcony.
The original early 19th-century interior designs, many of which still survive, included widespread use of brightly coloured scagliolaThe original early 19th-century interior designs, many of which still survive, included widespread use of brightly coloured scagliola and blue and pink lapisThe original early 19th-century interior designs, many of which still survive, included widespread use of brightly coloured scagliola and blue and pink lapis, on the advice of Sir Charles LongThe original early 19th-century interior designs, many of which still survive, included widespread use of brightly coloured scagliola and blue and pink lapis, on the advice of Sir Charles Long. King Edward VIIThe original early 19th-century interior designs, many of which still survive, included widespread use of brightly coloured scagliola and blue and pink lapis, on the advice of Sir Charles Long. King Edward VII oversaw a partial redecoration in a Belle epoqueThe original early 19th-century interior designs, many of which still survive, included widespread use of brightly coloured scagliola and blue and pink lapis, on the advice of Sir Charles Long. King Edward VII oversaw a partial redecoration in a Belle epoque cream and gold colour scheme. Many smaller reception rooms are furnished in the ChineseThe original early 19th-century interior designs, many of which still survive, included widespread use of brightly coloured scagliola and blue and pink lapis, on the advice of Sir Charles Long. King Edward VII oversaw a partial redecoration in a Belle epoque cream and gold colour scheme. Many smaller reception rooms are furnished in the Chinese regencyThe original early 19th-century interior designs, many of which still survive, included widespread use of brightly coloured scagliola and blue and pink lapis, on the advice of Sir Charles Long. King Edward VII oversaw a partial redecoration in a Belle epoque cream and gold colour scheme. Many smaller reception rooms are furnished in the Chinese regency style with furniture and fittings brought from the Royal PavilionThe original early 19th-century interior designs, many of which still survive, included widespread use of brightly coloured scagliola and blue and pink lapis, on the advice of Sir Charles Long. King Edward VII oversaw a partial redecoration in a Belle epoque cream and gold colour scheme. Many smaller reception rooms are furnished in the Chinese regency style with furniture and fittings brought from the Royal Pavilion at BrightonThe original early 19th-century interior designs, many of which still survive, included widespread use of brightly coloured scagliola and blue and pink lapis, on the advice of Sir Charles Long. King Edward VII oversaw a partial redecoration in a Belle epoque cream and gold colour scheme. Many smaller reception rooms are furnished in the Chinese regency style with furniture and fittings brought from the Royal Pavilion at Brighton and from Carlton HouseThe original early 19th-century interior designs, many of which still survive, included widespread use of brightly coloured scagliola and blue and pink lapis, on the advice of Sir Charles Long. King Edward VII oversaw a partial redecoration in a Belle epoque cream and gold colour scheme. Many smaller reception rooms are furnished in the Chinese regency style with furniture and fittings brought from the Royal Pavilion at Brighton and from Carlton House following the death of King George IVThe original early 19th-century interior designs, many of which still survive, included widespread use of brightly coloured scagliola and blue and pink lapis, on the advice of Sir Charles Long. King Edward VII oversaw a partial redecoration in a Belle epoque cream and gold colour scheme. Many smaller reception rooms are furnished in the Chinese regency style with furniture and fittings brought from the Royal Pavilion at Brighton and from Carlton House following the death of King George IV. The Buckingham Palace GardensThe original early 19th-century interior designs, many of which still survive, included widespread use of brightly coloured scagliola and blue and pink lapis, on the advice of Sir Charles Long. King Edward VII oversaw a partial redecoration in a Belle epoque cream and gold colour scheme. Many smaller reception rooms are furnished in the Chinese regency style with furniture and fittings brought from the Royal Pavilion at Brighton and from Carlton House following the death of King George IV. The Buckingham Palace Gardens are the largest private gardens in London, originally landscaped by Capability BrownThe original early 19th-century interior designs, many of which still survive, included widespread use of brightly coloured scagliola and blue and pink lapis, on the advice of Sir Charles Long. King Edward VII oversaw a partial redecoration in a Belle epoque cream and gold colour scheme. Many smaller reception rooms are furnished in the Chinese regency style with furniture and fittings brought from the Royal Pavilion at Brighton and from Carlton House following the death of King George IV. The Buckingham Palace Gardens are the largest private gardens in London, originally landscaped by Capability Brown, but redesigned by William Townsend AitonThe original early 19th-century interior designs, many of which still survive, included widespread use of brightly coloured scagliola and blue and pink lapis, on the advice of Sir Charles Long. King Edward VII oversaw a partial redecoration in a Belle epoque cream and gold colour scheme. Many smaller reception rooms are furnished in the Chinese regency style with furniture and fittings brought from the Royal Pavilion at Brighton and from Carlton House following the death of King George IV. The Buckingham Palace Gardens are the largest private gardens in London, originally landscaped by Capability Brown, but redesigned by William Townsend Aiton of Kew GardensThe original early 19th-century interior designs, many of which still survive, included widespread use of brightly coloured scagliola and blue and pink lapis, on the advice of Sir Charles Long. King Edward VII oversaw a partial redecoration in a Belle epoque cream and gold colour scheme. Many smaller reception rooms are furnished in the Chinese regency style with furniture and fittings brought from the Royal Pavilion at Brighton and from Carlton House following the death of King George IV. The Buckingham Palace Gardens are the largest private gardens in London, originally landscaped by Capability Brown, but redesigned by William Townsend Aiton of Kew Gardens and John Nash. The artificial lake was completed in 1828 and is supplied with water from the SerpentineThe original early 19th-century interior designs, many of which still survive, included widespread use of brightly coloured scagliola and blue and pink lapis, on the advice of Sir Charles Long. King Edward VII oversaw a partial redecoration in a Belle epoque cream and gold colour scheme. Many smaller reception rooms are furnished in the Chinese regency style with furniture and fittings brought from the Royal Pavilion at Brighton and from Carlton House following the death of King George IV. The Buckingham Palace Gardens are the largest private gardens in London, originally landscaped by Capability Brown, but redesigned by William Townsend Aiton of Kew Gardens and John Nash. The artificial lake was completed in 1828 and is supplied with water from the Serpentine, a lake in Hyde Park.
The State Rooms form the nucleus of the working Palace and are used regularly by The Queen and members of the royal family for official and state entertaining. Buckingham Palace is one of the world's most familiar buildings and more than 50,000 people visit the palace each year as guests to banquets, lunches, dinners, receptions and the royal garden parties.
Many refer to the palace affectionately as Buck House.
Queen Victoria, the first monarch to reside at Buckingham Palace, moved into the newly completed palace upon her accession in 1837
Слайд 29Buckingham House c.1710 as designed by William Winde for the first Duke
Buckingham House c.1710 as designed by William Winde for the first Duke
![Buckingham House c.1710 as designed by William Winde for the first Duke](/_ipx/f_webp&q_80&fit_contain&s_1440x1080/imagesDir/jpg/377552/slide-28.jpg)
Слайд 30The site
In the Middle Ages, Buckingham Palace's site formed part of
The site
In the Middle Ages, Buckingham Palace's site formed part of
![The site In the Middle Ages, Buckingham Palace's site formed part of](/_ipx/f_webp&q_80&fit_contain&s_1440x1080/imagesDir/jpg/377552/slide-29.jpg)
In 1531 King Henry VIIIIn 1531 King Henry VIII acquired from Eton CollegeIn 1531 King Henry VIII acquired from Eton College the Hospital of St James (later St James's Palace), and in 1536 he received the Manor of Ebury from Westminster Abbey. These transfers brought the site of Buckingham Palace back into royal hands for the first time since William the Conqueror had given it away almost 500 years earlier.
Various owners leased it from Royal landlords and the freeholdVarious owners leased it from Royal landlords and the freehold was the subject of frenzied speculation in the 17th century. By then, the old village of Eye Cross had long ago fallen into decay and the area was mostly wasteland.[2]Various owners leased it from Royal landlords and the freehold was the subject of frenzied speculation in the 17th century. By then, the old village of Eye Cross had long ago fallen into decay and the area was mostly wasteland.[2] Needing money, King James I sold part of the Crown freehold off but retained part of the site on which he established a 4-acre Mulberry Garden for the production of silk. (This is at the northwest corner of today's palace.) Clement Walker in Anarchia Anglicana (1649) refers to "new-erected sodoms and spintries at the Mulberry Garden at S. James's", suggesting it may have been a place of debauchery.
Eventually, in the late 17th century, the freehold was inherited from the property tycoon Sir Hugh Audley by the great heiress Mary Davies.[3]
Слайд 31First houses on the site
Possibly the first house erected within the site
First houses on the site
Possibly the first house erected within the site
![First houses on the site Possibly the first house erected within the](/_ipx/f_webp&q_80&fit_contain&s_1440x1080/imagesDir/jpg/377552/slide-30.jpg)
The improvident Goring defaulted on his rents; Henry Bennet, 1st Earl of Arlington obtained and was occupying the mansion, now known as Goring House, when it burnt down in 1674. Arlington House rose on the site — the southern wing of today's palace — the next year, and its freehold was sold on in 1702.
The house which forms the architectural core of the present palace was built for the first Duke of Buckingham and NormanbyThe house which forms the architectural core of the present palace was built for the first Duke of Buckingham and Normanby in 1703 to the design of William Winde. The style chosen was of a large, three-floored central block with two smaller flanking service wings.
Buckingham House was eventually sold by Buckingham's descendant, Sir Charles Sheffield, in 1762 to King George IIIBuckingham House was eventually sold by Buckingham's descendant, Sir Charles Sheffield, in 1762 to King George III for £Buckingham House was eventually sold by Buckingham's descendant, Sir Charles Sheffield, in 1762 to King George III for £21,000.[6]Buckingham House was eventually sold by Buckingham's descendant, Sir Charles Sheffield, in 1762 to King George III for £21,000.[6] (Like his grandfather, George II, George III refused to sell the mulberry garden interest, so that Sheffield had been unable to purchase the full freehold of the site.) The house was originally intended as a private retreat for the royal family, and in particular for Queen CharlotteBuckingham House was eventually sold by Buckingham's descendant, Sir Charles Sheffield, in 1762 to King George III for £21,000.[6] (Like his grandfather, George II, George III refused to sell the mulberry garden interest, so that Sheffield had been unable to purchase the full freehold of the site.) The house was originally intended as a private retreat for the royal family, and in particular for Queen Charlotte, and was known as The Queen's House. St. James's PalaceBuckingham House was eventually sold by Buckingham's descendant, Sir Charles Sheffield, in 1762 to King George III for £21,000.[6] (Like his grandfather, George II, George III refused to sell the mulberry garden interest, so that Sheffield had been unable to purchase the full freehold of the site.) The house was originally intended as a private retreat for the royal family, and in particular for Queen Charlotte, and was known as The Queen's House. St. James's Palace remained the official and ceremonial royal residence; indeed, the tradition continues to date of foreign ambassadorsBuckingham House was eventually sold by Buckingham's descendant, Sir Charles Sheffield, in 1762 to King George III for £21,000.[6] (Like his grandfather, George II, George III refused to sell the mulberry garden interest, so that Sheffield had been unable to purchase the full freehold of the site.) The house was originally intended as a private retreat for the royal family, and in particular for Queen Charlotte, and was known as The Queen's House. St. James's Palace remained the official and ceremonial royal residence; indeed, the tradition continues to date of foreign ambassadors being formally accredited to "the Court of St. James's", even though it is at Buckingham Palace that they present their credentials and staff to the Queen upon their appointment.
Слайд 32House to palace
Queen Charlotte died in 1818 and George IIIQueen Charlotte
House to palace
Queen Charlotte died in 1818 and George IIIQueen Charlotte
![House to palace Queen Charlotte died in 1818 and George IIIQueen Charlotte](/_ipx/f_webp&q_80&fit_contain&s_1440x1080/imagesDir/jpg/377552/slide-31.jpg)
King William IV's King William IV's practicality informed the completion of the palace. While his monogram King William IV's practicality informed the completion of the palace. While his monogram and that of Queen Adelaide decorates many rooms, they never lived there
By the time of George IV's death, the escalating cost of the still unfinished palace was causing concern in both parliament and the press. William IV dismissed Nash as architect and employed Edward Blore, who suited admirably the more restrained tastes of the new king. A less idealistic but more businesslike architect than Nash, Blore retained Nash's contributions and completed the palace in a similar, if more solid and less picturesque, vein. The final cost to the nation of rebuilding Buckingham Palace was more than £719,000.
Though William IV and Queen AdelaideThough William IV and Queen Adelaide held receptions and courts in the state rooms, they never lived in the palace, preferring to remain at Clarence HouseThough William IV and Queen Adelaide held receptions and courts in the state rooms, they never lived in the palace, preferring to remain at Clarence House, the more modest London mansionThough William IV and Queen Adelaide held receptions and courts in the state rooms, they never lived in the palace, preferring to remain at Clarence House, the more modest London mansion they had commissioned to be built before their succession. Moreover, when the Houses of ParliamentThough William IV and Queen Adelaide held receptions and courts in the state rooms, they never lived in the palace, preferring to remain at Clarence House, the more modest London mansion they had commissioned to be built before their succession. Moreover, when the Houses of Parliament burned down in 1834, the King offered the incomplete palace to the nation as a replacement seat of government. (The offer was declined and the old Palace of Westminster rebuilt.)
Many of the smaller reception rooms were furnished during William IV's reign — as they remain today — in the Chinese Regency style, utilising many of the fireplaces, decorations, and furniture brought from George IV's palaces, the Royal PavilionMany of the smaller reception rooms were furnished during William IV's reign — as they remain today — in the Chinese Regency style, utilising many of the fireplaces, decorations, and furniture brought from George IV's palaces, the Royal Pavilion at BrightonMany of the smaller reception rooms were furnished during William IV's reign — as they remain today — in the Chinese Regency style, utilising many of the fireplaces, decorations, and furniture brought from George IV's palaces, the Royal Pavilion at Brighton and from Carlton House, following his death.
Слайд 33George IV transformed Buckingham House into a palace
George IV transformed Buckingham House
George IV transformed Buckingham House into a palace
George IV transformed Buckingham House
![George IV transformed Buckingham House into a palace George IV transformed Buckingham House into a palace](/_ipx/f_webp&q_80&fit_contain&s_1440x1080/imagesDir/jpg/377552/slide-32.jpg)
Слайд 34The Garden, the Royal Mews and the Mall
At the back of
The Garden, the Royal Mews and the Mall
At the back of
![The Garden, the Royal Mews and the Mall At the back of](/_ipx/f_webp&q_80&fit_contain&s_1440x1080/imagesDir/jpg/377552/slide-33.jpg)
Here the Queen hosts her annual garden parties each summer, but since June 2002, she has invited the public into the Garden on numerous occasions. See Buckingham Palace Garden for accounts for the historical spectaculars which marked the Queen's Golden Jubilee (2002) and her 80th birthday (2006).
Adjacent to the Palace is the Royal MewsAdjacent to the Palace is the Royal Mews, also designed by Nash, where the royal carriages, including the Gold State CoachAdjacent to the Palace is the Royal Mews, also designed by Nash, where the royal carriages, including the Gold State Coach, are housed. This rococoAdjacent to the Palace is the Royal Mews, also designed by Nash, where the royal carriages, including the Gold State Coach, are housed. This rococo gilt coach, designed by Sir William ChambersAdjacent to the Palace is the Royal Mews, also designed by Nash, where the royal carriages, including the Gold State Coach, are housed. This rococo gilt coach, designed by Sir William Chambers in 1760, has painted panels by G. B. CiprianiAdjacent to the Palace is the Royal Mews, also designed by Nash, where the royal carriages, including the Gold State Coach, are housed. This rococo gilt coach, designed by Sir William Chambers in 1760, has painted panels by G. B. Cipriani. It was first used for the State Opening of Parliament by George III in 1762 and is used by the monarch only for coronations or jubilee celebrations. Also housed in the Mews are the carriage horses used in royal ceremonial processions.
The MallThe Mall, a ceremonial approach route to the Palace, was designed by Sir Aston WebbThe Mall, a ceremonial approach route to the Palace, was designed by Sir Aston Webb and completed in 1911 as part of a grand memorial to Queen VictoriaThe Mall, a ceremonial approach route to the Palace, was designed by Sir Aston Webb and completed in 1911 as part of a grand memorial to Queen Victoria. It extends from Admiralty ArchThe Mall, a ceremonial approach route to the Palace, was designed by Sir Aston Webb and completed in 1911 as part of a grand memorial to Queen Victoria. It extends from Admiralty Arch, up around the Victoria MemorialThe Mall, a ceremonial approach route to the Palace, was designed by Sir Aston Webb and completed in 1911 as part of a grand memorial to Queen Victoria. It extends from Admiralty Arch, up around the Victoria Memorial to the Palace forecourtThe Mall, a ceremonial approach route to the Palace, was designed by Sir Aston Webb and completed in 1911 as part of a grand memorial to Queen Victoria. It extends from Admiralty Arch, up around the Victoria Memorial to the Palace forecourt. The reddish colour of the Mall's tarmac recalls the red carpet of former times. This route is used by the cavalcades and motorcades of all visiting heads of state, and by the Royal Family on state occasions such as the annual State Opening of ParliamentThe Mall, a ceremonial approach route to the Palace, was designed by Sir Aston Webb and completed in 1911 as part of a grand memorial to Queen Victoria. It extends from Admiralty Arch, up around the Victoria Memorial to the Palace forecourt. The reddish colour of the Mall's tarmac recalls the red carpet of former times. This route is used by the cavalcades and motorcades of all visiting heads of state, and by the Royal Family on state occasions such as the annual State Opening of Parliament as well as Trooping the Colour each year.
Слайд 35A garden party at Buckingham Palace in 1868.
Crowds walk down the Mall
A garden party at Buckingham Palace in 1868.
Crowds walk down the Mall
![A garden party at Buckingham Palace in 1868. Crowds walk down the](/_ipx/f_webp&q_80&fit_contain&s_1440x1080/imagesDir/jpg/377552/slide-34.jpg)
Слайд 36Home of the monarch
Buckingham Palace finally became the principal Royal residence
Home of the monarch
Buckingham Palace finally became the principal Royal residence
![Home of the monarch Buckingham Palace finally became the principal Royal residence](/_ipx/f_webp&q_80&fit_contain&s_1440x1080/imagesDir/jpg/377552/slide-35.jpg)
By 1847, the couple had found the palace too small for Court life and their growing family, and consequently the new wing, designed by Edward BloreBy 1847, the couple had found the palace too small for Court life and their growing family, and consequently the new wing, designed by Edward Blore, was built, enclosing the central quadrangle. This large east wing, facing The MallBy 1847, the couple had found the palace too small for Court life and their growing family, and consequently the new wing, designed by Edward Blore, was built, enclosing the central quadrangle. This large east wing, facing The Mall is today the 'public face' of Buckingham Palace and contains the balcony from which the Royal FamilyBy 1847, the couple had found the palace too small for Court life and their growing family, and consequently the new wing, designed by Edward Blore, was built, enclosing the central quadrangle. This large east wing, facing The Mall is today the 'public face' of Buckingham Palace and contains the balcony from which the Royal Family acknowledge the crowds on momentous occasions and annually following Trooping the ColourBy 1847, the couple had found the palace too small for Court life and their growing family, and consequently the new wing, designed by Edward Blore, was built, enclosing the central quadrangle. This large east wing, facing The Mall is today the 'public face' of Buckingham Palace and contains the balcony from which the Royal Family acknowledge the crowds on momentous occasions and annually following Trooping the Colour. The ballroomBy 1847, the couple had found the palace too small for Court life and their growing family, and consequently the new wing, designed by Edward Blore, was built, enclosing the central quadrangle. This large east wing, facing The Mall is today the 'public face' of Buckingham Palace and contains the balcony from which the Royal Family acknowledge the crowds on momentous occasions and annually following Trooping the Colour. The ballroom wing and a further suite of state rooms were also built in this period, designed by Nash's student Sir James Pennethorne.
Before Prince Albert's demise, Queen Victoria was known to love music and dancing, and the greatest contemporary musicians entertained at Buckingham Palace. Felix MendelssohnBefore Prince Albert's demise, Queen Victoria was known to love music and dancing, and the greatest contemporary musicians entertained at Buckingham Palace. Felix Mendelssohn is known to have played there on three occasions. Johann Strauss IIBefore Prince Albert's demise, Queen Victoria was known to love music and dancing, and the greatest contemporary musicians entertained at Buckingham Palace. Felix Mendelssohn is known to have played there on three occasions. Johann Strauss II and his orchestraBefore Prince Albert's demise, Queen Victoria was known to love music and dancing, and the greatest contemporary musicians entertained at Buckingham Palace. Felix Mendelssohn is known to have played there on three occasions. Johann Strauss II and his orchestra played there when in England. Strauss' 'Alice Polka' was first performed at the palace in 1849 in honour of the Queen's daughter, Princess Alice. Under Victoria, Buckingham Palace was frequently the scene of lavish costume balls, in addition to the routine royal ceremonies, investitures and presentations.
When widowed in 1861, the griefstricken Queen withdrew from public life and left Buckingham Palace to live at Windsor CastleWhen widowed in 1861, the griefstricken Queen withdrew from public life and left Buckingham Palace to live at Windsor Castle, Balmoral CastleWhen widowed in 1861, the griefstricken Queen withdrew from public life and left Buckingham Palace to live at Windsor Castle, Balmoral Castle, and Osborne House. For many years the palace was seldom used, and even neglected. Eventually public opinion forced her to return to London, though even then she preferred to live elsewhere whenever possible. Court functions were still held at Windsor Castle rather than at the palace, presided over by the sombre Queen habitually dressed in mourning black.
The Palace c.1837, depicting the Marble ArchThe Palace c.1837, depicting the Marble Arch, which served as the ceremonial entrance to the palace precincts. It was moved to make way for the east wing, built in 1847, which enclosed the quadrangle.
Слайд 37Interior
The principal rooms of the Palace are contained on the piano
Interior
The principal rooms of the Palace are contained on the piano
![Interior The principal rooms of the Palace are contained on the piano](/_ipx/f_webp&q_80&fit_contain&s_1440x1080/imagesDir/jpg/377552/slide-36.jpg)
Directly underneath the State Apartments is a suite of slightly less grand rooms known as the semi-state apartments. Opening from the marble hall, these rooms are used for less-formal entertaining, such as luncheon parties and private audiences. Some of the rooms are named and decorated for particular visitors, such as the '1844 Room', which was decorated in that year for the State visit of EmperorDirectly underneath the State Apartments is a suite of slightly less grand rooms known as the semi-state apartments. Opening from the marble hall, these rooms are used for less-formal entertaining, such as luncheon parties and private audiences. Some of the rooms are named and decorated for particular visitors, such as the '1844 Room', which was decorated in that year for the State visit of Emperor Nicholas IDirectly underneath the State Apartments is a suite of slightly less grand rooms known as the semi-state apartments. Opening from the marble hall, these rooms are used for less-formal entertaining, such as luncheon parties and private audiences. Some of the rooms are named and decorated for particular visitors, such as the '1844 Room', which was decorated in that year for the State visit of Emperor Nicholas I of Russia. At the centre of this suite is the Bow Room, through which thousands of guests pass annually to the Queen's Garden Parties in the Gardens beyond. The Queen uses privately a smaller suite of rooms in the North wing.
Between 1847 and 1850, when Blore was building the new east wing, the Brighton Pavilion was once again plundered of its fittings. As a result many of the rooms in the new wing have a distinctly oriental atmosphere. The red and blue Chinese Luncheon Room is made up from parts of the Brighton banqueting and music rooms, but has a chimney piece, also from Brighton, in design more Indian than Chinese. The Yellow Drawing Room has 18th century wall paper, which was supplied in 1817 for the Brighton Saloon, and the chimney piece in this room is a European vision of what the Chinese equivalent would look like, complete with nodding mandarinsBetween 1847 and 1850, when Blore was building the new east wing, the Brighton Pavilion was once again plundered of its fittings. As a result many of the rooms in the new wing have a distinctly oriental atmosphere. The red and blue Chinese Luncheon Room is made up from parts of the Brighton banqueting and music rooms, but has a chimney piece, also from Brighton, in design more Indian than Chinese. The Yellow Drawing Room has 18th century wall paper, which was supplied in 1817 for the Brighton Saloon, and the chimney piece in this room is a European vision of what the Chinese equivalent would look like, complete with nodding mandarins in nichesBetween 1847 and 1850, when Blore was building the new east wing, the Brighton Pavilion was once again plundered of its fittings. As a result many of the rooms in the new wing have a distinctly oriental atmosphere. The red and blue Chinese Luncheon Room is made up from parts of the Brighton banqueting and music rooms, but has a chimney piece, also from Brighton, in design more Indian than Chinese. The Yellow Drawing Room has 18th century wall paper, which was supplied in 1817 for the Brighton Saloon, and the chimney piece in this room is a European vision of what the Chinese equivalent would look like, complete with nodding mandarins in niches and fearsome winged dragons.
At the centre of this wing is the famous balcony, with behind its glass doors the Centre Room. This is a Chinese-style saloon enhanced by Queen Mary in the late 1920s, although the lacquer doors were brought from Brighton in 1873. Running the length of the piano nobile of the east wing is an immense gallery, modestly known as the Principal Corridor. It has mirrored doors, and mirrored cross walls reflecting porcelain pagodas and other oriental furniture from Brighton. The Chinese Luncheon Room and Yellow Drawing Room are situated at each end of this gallery, with the Centre Room obviously placed in the centre.
Visiting heads of stateVisiting heads of state today, when staying at the palace, occupy a suite of rooms known as the BelgianVisiting heads of state today, when staying at the palace, occupy a suite of rooms known as the Belgian suite, which is on the ground floor of the North-facing garden front. These rooms, with corridors enhanced by saucer domesVisiting heads of state today, when staying at the palace, occupy a suite of rooms known as the Belgian suite, which is on the ground floor of the North-facing garden front. These rooms, with corridors enhanced by saucer domes, were first decorated for Prince Albert's uncle Léopold IVisiting heads of state today, when staying at the palace, occupy a suite of rooms known as the Belgian suite, which is on the ground floor of the North-facing garden front. These rooms, with corridors enhanced by saucer domes, were first decorated for Prince Albert's uncle Léopold I, first King of the Belgians. King Edward VIII lived in these rooms during his short reign.
Слайд 38Piano nobile of Buckingham Palace. A: State Dining Room; B:Blue Drawing Room;
Piano nobile of Buckingham Palace. A: State Dining Room; B:Blue Drawing Room;
![Piano nobile of Buckingham Palace. A: State Dining Room; B:Blue Drawing Room;](/_ipx/f_webp&q_80&fit_contain&s_1440x1080/imagesDir/jpg/377552/slide-37.jpg)
Слайд 39The throne room.
Prince Albert's music room, one of the smaller less formal
The throne room.
Prince Albert's music room, one of the smaller less formal
![The throne room. Prince Albert's music room, one of the smaller less](/_ipx/f_webp&q_80&fit_contain&s_1440x1080/imagesDir/jpg/377552/slide-38.jpg)
Слайд 40Court ceremonies
During the current reign court ceremony has undergone a radical
Court ceremonies
During the current reign court ceremony has undergone a radical
![Court ceremonies During the current reign court ceremony has undergone a radical](/_ipx/f_webp&q_80&fit_contain&s_1440x1080/imagesDir/jpg/377552/slide-39.jpg)
There has been a progressive relaxation of the dress code governing formal court uniform and dressThere has been a progressive relaxation of the dress code governing formal court uniform and dress. In previous reigns, men not wearing military uniformThere has been a progressive relaxation of the dress code governing formal court uniform and dress. In previous reigns, men not wearing military uniform wore knee breechesThere has been a progressive relaxation of the dress code governing formal court uniform and dress. In previous reigns, men not wearing military uniform wore knee breeches of an 18th-century design. Women's evening dress included obligatory trains and tiarasThere has been a progressive relaxation of the dress code governing formal court uniform and dress. In previous reigns, men not wearing military uniform wore knee breeches of an 18th-century design. Women's evening dress included obligatory trains and tiaras and/or feathers in their hair. After World War IThere has been a progressive relaxation of the dress code governing formal court uniform and dress. In previous reigns, men not wearing military uniform wore knee breeches of an 18th-century design. Women's evening dress included obligatory trains and tiaras and/or feathers in their hair. After World War I, when Queen Mary wished to follow fashionThere has been a progressive relaxation of the dress code governing formal court uniform and dress. In previous reigns, men not wearing military uniform wore knee breeches of an 18th-century design. Women's evening dress included obligatory trains and tiaras and/or feathers in their hair. After World War I, when Queen Mary wished to follow fashion by raising her skirts a few inches from the ground, she requested a Lady-in-Waiting to shorten her own skirt first to gauge the King's reaction. King George V was horrified and Queen Mary's hemline remained unfashionably low. Subsequently, King George VI and Queen Elizabeth allowed daytime skirts to rise.
In 1924 LabourIn 1924 Labour Prime MinisterIn 1924 Labour Prime Minister Ramsay MacDonald was the first man to be received by a monarch inside the palace wearing a lounge suit; however, this was a one-off concession. Prescribed evening court dress remained obligatory until World War II.
Today there is no official dress code. Most men invited to Buckingham Palace in the daytime choose to wear service uniform or morning coats, and in the evening, depending on the formality of the occasion, black tieToday there is no official dress code. Most men invited to Buckingham Palace in the daytime choose to wear service uniform or morning coats, and in the evening, depending on the formality of the occasion, black tie or white tie. If the occasion is 'white tie' then women, if they possess one, wear a tiara.
One of the first major changes was in 1958 when the Queen abolished the presentation parties for debutantesOne of the first major changes was in 1958 when the Queen abolished the presentation parties for debutantes. These court presentations of aristocraticOne of the first major changes was in 1958 when the Queen abolished the presentation parties for debutantes. These court presentations of aristocratic girls to the monarch took place in the Throne RoomOne of the first major changes was in 1958 when the Queen abolished the presentation parties for debutantes. These court presentations of aristocratic girls to the monarch took place in the Throne Room. Debutantes wore full court dress, with three tall ostrich feathers in their hair. They entered, curtsied, performed a choreographed backwards walk and a further curtsey, while manoeuvring a dress train of prescribed length. The ceremony corresponded to the "court drawing roomsOne of the first major changes was in 1958 when the Queen abolished the presentation parties for debutantes. These court presentations of aristocratic girls to the monarch took place in the Throne Room. Debutantes wore full court dress, with three tall ostrich feathers in their hair. They entered, curtsied, performed a choreographed backwards walk and a further curtsey, while manoeuvring a dress train of prescribed length. The ceremony corresponded to the "court drawing rooms" of earlier reigns, and Queen Elizabeth II replaced the presentations with large and frequent palace garden parties for an invited cross-section of British society. The late Princess MargaretOne of the first major changes was in 1958 when the Queen abolished the presentation parties for debutantes. These court presentations of aristocratic girls to the monarch took place in the Throne Room. Debutantes wore full court dress, with three tall ostrich feathers in their hair. They entered, curtsied, performed a choreographed backwards walk and a further curtsey, while manoeuvring a dress train of prescribed length. The ceremony corresponded to the "court drawing rooms" of earlier reigns, and Queen Elizabeth II replaced the presentations with large and frequent palace garden parties for an invited cross-section of British society. The late Princess Margaret is reputed to have remarked of the debutante presentations: "We had to put a stop to it, every tart in London was getting in" [7]One of the first major changes was in 1958 when the Queen abolished the presentation parties for debutantes. These court presentations of aristocratic girls to the monarch took place in the Throne Room. Debutantes wore full court dress, with three tall ostrich feathers in their hair. They entered, curtsied, performed a choreographed backwards walk and a further curtsey, while manoeuvring a dress train of prescribed length. The ceremony corresponded to the "court drawing rooms" of earlier reigns, and Queen Elizabeth II replaced the presentations with large and frequent palace garden parties for an invited cross-section of British society. The late Princess Margaret is reputed to have remarked of the debutante presentations: "We had to put a stop to it, every tart in London was getting in" [7]. Today, the Throne Room is used for the reception of formal addresses such as those given to the Queen on her Jubilees. It is here on the throne dais that royal wedding portraits and family photographs are taken.
InvestituresInvestitures, which include the conferring of knighthoodsInvestitures, which include the conferring of knighthoods by dubbing with a sword, and other awards take place in the palace's Victorian Ballroom, built in 1854. At 123 ftInvestitures, which include the conferring of knighthoods by dubbing with a sword, and other awards take place in the palace's Victorian Ballroom, built in 1854. At 123 ft by 60 ft (37 m by 20 m), this is the largest room in the palace. It has replaced the Throne RoomInvestitures, which include the conferring of knighthoods by dubbing with a sword, and other awards take place in the palace's Victorian Ballroom, built in 1854. At 123 ft by 60 ft (37 m by 20 m), this is the largest room in the palace. It has replaced the Throne Room in importance and use. During investitures the Queen stands on the throne dais beneath a giant, domed velvet canopy, known as a shamiana or a baldachinInvestitures, which include the conferring of knighthoods by dubbing with a sword, and other awards take place in the palace's Victorian Ballroom, built in 1854. At 123 ft by 60 ft (37 m by 20 m), this is the largest room in the palace. It has replaced the Throne Room in importance and use. During investitures the Queen stands on the throne dais beneath a giant, domed velvet canopy, known as a shamiana or a baldachin, used at the coronation DurbarInvestitures, which include the conferring of knighthoods by dubbing with a sword, and other awards take place in the palace's Victorian Ballroom, built in 1854. At 123 ft by 60 ft (37 m by 20 m), this is the largest room in the palace. It has replaced the Throne Room in importance and use. During investitures the Queen stands on the throne dais beneath a giant, domed velvet canopy, known as a shamiana or a baldachin, used at the coronation Durbar in DelhiInvestitures, which include the conferring of knighthoods by dubbing with a sword, and other awards take place in the palace's Victorian Ballroom, built in 1854. At 123 ft by 60 ft (37 m by 20 m), this is the largest room in the palace. It has replaced the Throne Room in importance and use. During investitures the Queen stands on the throne dais beneath a giant, domed velvet canopy, known as a shamiana or a baldachin, used at the coronation Durbar in Delhi in 1911. A military band plays in the musicians' gallery, as the recipients of awards approach the Queen and receive their honoursInvestitures, which include the conferring of knighthoods by dubbing with a sword, and other awards take place in the palace's Victorian Ballroom, built in 1854. At 123 ft by 60 ft (37 m by 20 m), this is the largest room in the palace. It has replaced the Throne Room in importance and use. During investitures the Queen stands on the throne dais beneath a giant, domed velvet canopy, known as a shamiana or a baldachin, used at the coronation Durbar in Delhi in 1911. A military band plays in the musicians' gallery, as the recipients of awards approach the Queen and receive their honours, watched by their families and friends. The Beatles were among the first non-establishment artists to be awarded honours at the palace.
The State Ballroom is the largest room at Buckingham Palace. It was added by Queen Victoria and is used for ceremonies such as investitures and state banquets. This picture dates from 1856. The polychrome colour scheme has been replaced by mainly white decoration with gold details and red upholstery.
Слайд 41State banquets also take place in the Ballroom. These formal dinners take
State banquets also take place in the Ballroom. These formal dinners take
![State banquets also take place in the Ballroom. These formal dinners take](/_ipx/f_webp&q_80&fit_contain&s_1440x1080/imagesDir/jpg/377552/slide-40.jpg)
Smaller ceremonies such as the reception of new ambassadors take place in the '1844 Room'. Here too the Queen holds small lunch parties, and often meetings of the Privy CouncilSmaller ceremonies such as the reception of new ambassadors take place in the '1844 Room'. Here too the Queen holds small lunch parties, and often meetings of the Privy Council. Larger lunch parties often take place in the curved and domed Music Room, or the State Dining Room. On all formal occasions the ceremonies are attended by the Yeomen of the GuardSmaller ceremonies such as the reception of new ambassadors take place in the '1844 Room'. Here too the Queen holds small lunch parties, and often meetings of the Privy Council. Larger lunch parties often take place in the curved and domed Music Room, or the State Dining Room. On all formal occasions the ceremonies are attended by the Yeomen of the Guard in their anachronistic uniforms, and other officers of the court such as the Lord Chamberlain.
Since the bombing of the palace chapel in World War II, royal christenings have sometimes taken place in the Music Room. The Queen's first three children were all baptised here, in a special gold font. Prince WilliamSince the bombing of the palace chapel in World War II, royal christenings have sometimes taken place in the Music Room. The Queen's first three children were all baptised here, in a special gold font. Prince William was christened in the Music Room; however, his brother, Prince Harry, was christened at St George's Chapel, Windsor.
The largest functions of the year are the Queen's Garden Parties for up to 8,000 invitees, taking tea and sandwiches in marquees erected in the GardenThe largest functions of the year are the Queen's Garden Parties for up to 8,000 invitees, taking tea and sandwiches in marquees erected in the Garden. As a military band plays the National AnthemThe largest functions of the year are the Queen's Garden Parties for up to 8,000 invitees, taking tea and sandwiches in marquees erected in the Garden. As a military band plays the National Anthem, the Queen emerges from the Bow Room and slowly walks through the assembled guests towards her private tea tent, greeting those previously selected for the honour. Those guests who do not actually have the opportunity to meet the Queen at least have the consolation of being able to admire the Garden.
This 1870 drawing shows guests ascending the Grand Staircase.
Слайд 42Modern history
In 1901 the accession of Edward VIIIn 1901 the accession
Modern history
In 1901 the accession of Edward VIIIn 1901 the accession
![Modern history In 1901 the accession of Edward VIIIn 1901 the accession](/_ipx/f_webp&q_80&fit_contain&s_1440x1080/imagesDir/jpg/377552/slide-41.jpg)
The last major building work took place during the reign of King George VThe last major building work took place during the reign of King George V when, in 1913, Sir Aston WebbThe last major building work took place during the reign of King George V when, in 1913, Sir Aston Webb redesigned Blore's 1850 East Front to resemble in part Giacomo LeoniThe last major building work took place during the reign of King George V when, in 1913, Sir Aston Webb redesigned Blore's 1850 East Front to resemble in part Giacomo Leoni's Lyme ParkThe last major building work took place during the reign of King George V when, in 1913, Sir Aston Webb redesigned Blore's 1850 East Front to resemble in part Giacomo Leoni's Lyme Park in CheshireThe last major building work took place during the reign of King George V when, in 1913, Sir Aston Webb redesigned Blore's 1850 East Front to resemble in part Giacomo Leoni's Lyme Park in Cheshire. This new, refaced principal facade (of Portland stoneThe last major building work took place during the reign of King George V when, in 1913, Sir Aston Webb redesigned Blore's 1850 East Front to resemble in part Giacomo Leoni's Lyme Park in Cheshire. This new, refaced principal facade (of Portland stone) was designed to be the backdrop to the Victoria MemorialThe last major building work took place during the reign of King George V when, in 1913, Sir Aston Webb redesigned Blore's 1850 East Front to resemble in part Giacomo Leoni's Lyme Park in Cheshire. This new, refaced principal facade (of Portland stone) was designed to be the backdrop to the Victoria Memorial, a large memorial statue of Queen Victoria, placed outside the main gates. George V, who had succeeded Edward VII in 1910, had a more serious personality than his father; greater emphasis was now placed on official entertaining and royal duties than on lavish parties. George V's wife Queen MaryThe last major building work took place during the reign of King George V when, in 1913, Sir Aston Webb redesigned Blore's 1850 East Front to resemble in part Giacomo Leoni's Lyme Park in Cheshire. This new, refaced principal facade (of Portland stone) was designed to be the backdrop to the Victoria Memorial, a large memorial statue of Queen Victoria, placed outside the main gates. George V, who had succeeded Edward VII in 1910, had a more serious personality than his father; greater emphasis was now placed on official entertaining and royal duties than on lavish parties. George V's wife Queen Mary was a connoisseurThe last major building work took place during the reign of King George V when, in 1913, Sir Aston Webb redesigned Blore's 1850 East Front to resemble in part Giacomo Leoni's Lyme Park in Cheshire. This new, refaced principal facade (of Portland stone) was designed to be the backdrop to the Victoria Memorial, a large memorial statue of Queen Victoria, placed outside the main gates. George V, who had succeeded Edward VII in 1910, had a more serious personality than his father; greater emphasis was now placed on official entertaining and royal duties than on lavish parties. George V's wife Queen Mary was a connoisseur of the arts, and took a keen interest in the Royal collection of furniture and art, both restoring and adding to it. Queen Mary also had many new fixtures and fittings installed, such as the pair of marble Empire-styleThe last major building work took place during the reign of King George V when, in 1913, Sir Aston Webb redesigned Blore's 1850 East Front to resemble in part Giacomo Leoni's Lyme Park in Cheshire. This new, refaced principal facade (of Portland stone) was designed to be the backdrop to the Victoria Memorial, a large memorial statue of Queen Victoria, placed outside the main gates. George V, who had succeeded Edward VII in 1910, had a more serious personality than his father; greater emphasis was now placed on official entertaining and royal duties than on lavish parties. George V's wife Queen Mary was a connoisseur of the arts, and took a keen interest in the Royal collection of furniture and art, both restoring and adding to it. Queen Mary also had many new fixtures and fittings installed, such as the pair of marble Empire-style chimneypieces by Benjamin VulliamyThe last major building work took place during the reign of King George V when, in 1913, Sir Aston Webb redesigned Blore's 1850 East Front to resemble in part Giacomo Leoni's Lyme Park in Cheshire. This new, refaced principal facade (of Portland stone) was designed to be the backdrop to the Victoria Memorial, a large memorial statue of Queen Victoria, placed outside the main gates. George V, who had succeeded Edward VII in 1910, had a more serious personality than his father; greater emphasis was now placed on official entertaining and royal duties than on lavish parties. George V's wife Queen Mary was a connoisseur of the arts, and took a keen interest in the Royal collection of furniture and art, both restoring and adding to it. Queen Mary also had many new fixtures and fittings installed, such as the pair of marble Empire-style chimneypieces by Benjamin Vulliamy, dating from 1810, which the Queen had installed in the ground floor Bow Room, the huge low room at the centre of the garden facade. Queen Mary was also responsible for the decoration of the Blue Drawing Room. This room, 69 feetThe last major building work took place during the reign of King George V when, in 1913, Sir Aston Webb redesigned Blore's 1850 East Front to resemble in part Giacomo Leoni's Lyme Park in Cheshire. This new, refaced principal facade (of Portland stone) was designed to be the backdrop to the Victoria Memorial, a large memorial statue of Queen Victoria, placed outside the main gates. George V, who had succeeded Edward VII in 1910, had a more serious personality than his father; greater emphasis was now placed on official entertaining and royal duties than on lavish parties. George V's wife Queen Mary was a connoisseur of the arts, and took a keen interest in the Royal collection of furniture and art, both restoring and adding to it. Queen Mary also had many new fixtures and fittings installed, such as the pair of marble Empire-style chimneypieces by Benjamin Vulliamy, dating from 1810, which the Queen had installed in the ground floor Bow Room, the huge low room at the centre of the garden facade. Queen Mary was also responsible for the decoration of the Blue Drawing Room. This room, 69 feet (21 mThe last major building work took place during the reign of King George V when, in 1913, Sir Aston Webb redesigned Blore's 1850 East Front to resemble in part Giacomo Leoni's Lyme Park in Cheshire. This new, refaced principal facade (of Portland stone) was designed to be the backdrop to the Victoria Memorial, a large memorial statue of Queen Victoria, placed outside the main gates. George V, who had succeeded Edward VII in 1910, had a more serious personality than his father; greater emphasis was now placed on official entertaining and royal duties than on lavish parties. George V's wife Queen Mary was a connoisseur of the arts, and took a keen interest in the Royal collection of furniture and art, both restoring and adding to it. Queen Mary also had many new fixtures and fittings installed, such as the pair of marble Empire-style chimneypieces by Benjamin Vulliamy, dating from 1810, which the Queen had installed in the ground floor Bow Room, the huge low room at the centre of the garden facade. Queen Mary was also responsible for the decoration of the Blue Drawing Room. This room, 69 feet (21 m) long, previously known as the South Drawing Room, has one of Nash's finest ceilings, coffered with huge gilt consoleThe last major building work took place during the reign of King George V when, in 1913, Sir Aston Webb redesigned Blore's 1850 East Front to resemble in part Giacomo Leoni's Lyme Park in Cheshire. This new, refaced principal facade (of Portland stone) was designed to be the backdrop to the Victoria Memorial, a large memorial statue of Queen Victoria, placed outside the main gates. George V, who had succeeded Edward VII in 1910, had a more serious personality than his father; greater emphasis was now placed on official entertaining and royal duties than on lavish parties. George V's wife Queen Mary was a connoisseur of the arts, and took a keen interest in the Royal collection of furniture and art, both restoring and adding to it. Queen Mary also had many new fixtures and fittings installed, such as the pair of marble Empire-style chimneypieces by Benjamin Vulliamy, dating from 1810, which the Queen had installed in the ground floor Bow Room, the huge low room at the centre of the garden facade. Queen Mary was also responsible for the decoration of the Blue Drawing Room. This room, 69 feet (21 m) long, previously known as the South Drawing Room, has one of Nash's finest ceilings, coffered with huge gilt console brackets, and is referred to by the author and historian Olwen Hedley in her book Buckingham Palace as the most beautiful in the palace, grander and more lavish than either the Throne Room or the Ballroom, which was built to take over the Blue Drawing Room's original function.
Buckingham Palace panorama, 1909
Слайд 43The last major extension to the palace was in 1850. In 1999
The last major extension to the palace was in 1850. In 1999
![The last major extension to the palace was in 1850. In 1999](/_ipx/f_webp&q_80&fit_contain&s_1440x1080/imagesDir/jpg/377552/slide-42.jpg)
During World War I the Palace, then the home of King George V and Queen Mary, escaped unscathed. Its more valuable contents were evacuated to Windsor but the Royal family remained in situ. The largest change to court life at this time was that the Government persuaded the King to ostentatiously and publicly lock the wine cellars and refrain from alcohol for the duration of the war, to set a good example to the supposedly inebriated lower classes. The lower classes continued to imbibe and the King was left reputedly furious at his enforced abstinence. Edward VIII later told a biographer that his father had a furtive glass of port each evening, while the Queen secretly laced her fruit cup with champagne. The King's children were photographed at this time serving tea to wounded officers in the adjacent Royal Mews.
During World War IIDuring World War II the Palace fared worse: it was bombed no less than seven times, and was a deliberate target, as it was thought by the NazisDuring World War II the Palace fared worse: it was bombed no less than seven times, and was a deliberate target, as it was thought by the Nazis that the destruction of Buckingham Palace would demoralise the nation. One bomb fell in the palace quadrangle while King George VI and Queen Elizabeth were in residence, but while many windows were blown in, no serious damage was reported. However, war time coverage of such incidents was severely restricted. The most serious and publicised bombing was the destruction of the Palace chapel in 1940: coverage of this event was played in cinemas all over England to show the common suffering of rich and poor. The King and Queen were filmed inspecting their bombed home, the smiling Queen immaculate in a hat and matching coat. It was at this time the Queen famously declared: "I'm glad we have been bombed. Now I can look the East End in the face". The Royal family were seen as sharing their subjects' hardship, as The Sunday Graphic reported:-
The Royal FamilyThe Royal Family, and Winston ChurchillThe Royal Family, and Winston Churchill, on the balcony of the Palace on VE Day.
By the Editor: The King and Queen have endured the ordeal which has come to their subjects. For the second time a German bomber has tried to bring death and destruction to the home of Their Majesties……..When this war is over the common danger which King George and Queen Elizabeth have shared with their people will be a cherished memory and an inspiration through the years".
On September 15On September 15, 1940 an RAF pilot, Ray HolmesOn September 15, 1940 an RAF pilot, Ray Holmes, rammed a German plane attempting to bomb the palace. Holmes had run out of ammunition and made the quick choice to ram it. Both planes crashed and their pilots survived. This incident was captured on film. The plane's engine was later exhibited at the Imperial War Museum in London. Following the war the British pilot became a King's Messenger. He died at the age of 90 in 2005.
On VE DayOn VE Day (May 8On VE Day (May 8, 1945On VE Day (May 8, 1945), the Palace was the centre of British celebrations, with the King, Queen and the Princess Elizabeth, the future Queen, and Princess MargaretOn VE Day (May 8, 1945), the Palace was the centre of British celebrations, with the King, Queen and the Princess Elizabeth, the future Queen, and Princess Margaret appearing on the balcony, with the palace's blacked-out windows behind them, to the cheers from a vast crowd in the Mall.
Слайд 44Security
The famous armed sentriesThe famous armed sentries on guardThe famous armed
Security
The famous armed sentriesThe famous armed sentries on guardThe famous armed
![Security The famous armed sentriesThe famous armed sentries on guardThe famous armed](/_ipx/f_webp&q_80&fit_contain&s_1440x1080/imagesDir/jpg/377552/slide-43.jpg)
A notorious incident occurred in 1982, when Michael Fagan gained access to the Queen's bedroom while she was asleep. In 2003 a reporter for the Daily Mirror, Ryan Parry, Ryan Parry, spent two months working as a footman, Ryan Parry, spent two months working as a footman inside Buckingham Palace. One of the references he supplied was fake, and it appears this was not checked properly. The incident coincided with a visit to the UK by George W. Bush, who stayed at the Palace, and the Mirror published clandestine photographs of Bush's bedroom, along with the Queen's breakfast table and the Duke of York's published clandestine photographs of Bush's bedroom, along with the Queen's breakfast table and the Duke of York's room. [10] The Palace took the Mirror to court for invasion of privacy, and the newspaper handed over its materials, and paid some of the Queen's costs in an out-of-court settlement in November 2003.
The BeatlesThe Beatles were granted M.B.E.'s in the sixities. Before their ceremony the Fab Four infamously smoked marijuana in the Palace bathroom.
Most lapses of security have been outside the Palace: In 1974, Ian BallMost lapses of security have been outside the Palace: In 1974, Ian Ball attempted to kidnap the Princess RoyalMost lapses of security have been outside the Palace: In 1974, Ian Ball attempted to kidnap the Princess Royal at gunpoint in the MallMost lapses of security have been outside the Palace: In 1974, Ian Ball attempted to kidnap the Princess Royal at gunpoint in the Mall while she was returning to the palace, wounding several people in the process. In 1981, three GermanMost lapses of security have been outside the Palace: In 1974, Ian Ball attempted to kidnap the Princess Royal at gunpoint in the Mall while she was returning to the palace, wounding several people in the process. In 1981, three German tourists camped in the gardens of the palaceMost lapses of security have been outside the Palace: In 1974, Ian Ball attempted to kidnap the Princess Royal at gunpoint in the Mall while she was returning to the palace, wounding several people in the process. In 1981, three German tourists camped in the gardens of the palace, after climbing over the heavily barbwired wall, purportedly believing the area to be Hyde ParkMost lapses of security have been outside the Palace: In 1974, Ian Ball attempted to kidnap the Princess Royal at gunpoint in the Mall while she was returning to the palace, wounding several people in the process. In 1981, three German tourists camped in the gardens of the palace, after climbing over the heavily barbwired wall, purportedly believing the area to be Hyde Park. In 1993, anti-nuclear protestors also scaled the palace walls and held a sit down protest on the palace lawn. Most notably, in 1994, a naked paragliderMost lapses of security have been outside the Palace: In 1974, Ian Ball attempted to kidnap the Princess Royal at gunpoint in the Mall while she was returning to the palace, wounding several people in the process. In 1981, three German tourists camped in the gardens of the palace, after climbing over the heavily barbwired wall, purportedly believing the area to be Hyde Park. In 1993, anti-nuclear protestors also scaled the palace walls and held a sit down protest on the palace lawn. Most notably, in 1994, a naked paraglider landed on the roof of the building. In 1995 a student, John GillardMost lapses of security have been outside the Palace: In 1974, Ian Ball attempted to kidnap the Princess Royal at gunpoint in the Mall while she was returning to the palace, wounding several people in the process. In 1981, three German tourists camped in the gardens of the palace, after climbing over the heavily barbwired wall, purportedly believing the area to be Hyde Park. In 1993, anti-nuclear protestors also scaled the palace walls and held a sit down protest on the palace lawn. Most notably, in 1994, a naked paraglider landed on the roof of the building. In 1995 a student, John Gillard, was able to deliberately ram the gates of the Palace, knocking one of the great wrought iron gates weighing 3,300 pounds (1.5 tonnes) off its hinges. In 1997, an absconded mentally ill patient was found wandering the Palace grounds, which ordered another security review.
During 2004During 2004, a protesterDuring 2004, a protester advocating the legal rights of single fathersDuring 2004, a protester advocating the legal rights of single fathers, received wide press coverage when he climbed onto a ledge near the ceremonial balcony on the East front dressed as BatmanDuring 2004, a protester advocating the legal rights of single fathers, received wide press coverage when he climbed onto a ledge near the ceremonial balcony on the East front dressed as Batman. Simultaneously, a second protester, dressed as RobinDuring 2004, a protester advocating the legal rights of single fathers, received wide press coverage when he climbed onto a ledge near the ceremonial balcony on the East front dressed as Batman. Simultaneously, a second protester, dressed as Robin, was apprehended before he managed to climb onto the building; he returnedDuring 2004, a protester advocating the legal rights of single fathers, received wide press coverage when he climbed onto a ledge near the ceremonial balcony on the East front dressed as Batman. Simultaneously, a second protester, dressed as Robin, was apprehended before he managed to climb onto the building; he returned the following November dressed as Father Christmas to chain himself to a lamp on one of the main gateposts.
Probably the most incredible of past lapses occurred in 1837. A 12-year-old boy known to history as The boy CottonProbably the most incredible of past lapses occurred in 1837. A 12-year-old boy known to history as The boy Cotton managed to live for a year undetected inside the palace. Hiding in chimneys and blackening the beds he slept in, he was finally apprehended in December 1838, causing questions on royal security to be asked in Parliament. [11]Probably the most incredible of past lapses occurred in 1837. A 12-year-old boy known to history as The boy Cotton managed to live for a year undetected inside the palace. Hiding in chimneys and blackening the beds he slept in, he was finally apprehended in December 1838, causing questions on royal security to be asked in Parliament. [11] Of the eight assassinationProbably the most incredible of past lapses occurred in 1837. A 12-year-old boy known to history as The boy Cotton managed to live for a year undetected inside the palace. Hiding in chimneys and blackening the beds he slept in, he was finally apprehended in December 1838, causing questions on royal security to be asked in Parliament. [11] Of the eight assassination attempts made on Queen Victoria, at least three occurred near the Palace gates. During the early 20th century the front of the Palace became a favoured venue for suffragettes, who would chain themselves to the gilt-topped iron railings. Over the years numerous intruders have been apprehended in the Palace grounds, including one who wished to propose marriage to Princess Anne, and who was subsequently declared insane.
GuardsGuards march out of Buckingham Palace at the end of the daily Changing of the Guard ceremony.
Слайд 45The Palace in the 21st century: Royal Use and Public Access
Today,
The Palace in the 21st century: Royal Use and Public Access
Today,
![The Palace in the 21st century: Royal Use and Public Access Today,](/_ipx/f_webp&q_80&fit_contain&s_1440x1080/imagesDir/jpg/377552/slide-44.jpg)
Every year some 50,000 invited guests are entertained at Garden Parties in the GardenEvery year some 50,000 invited guests are entertained at Garden Parties in the Garden, receptions, audiences, and banquets. The Forecourt of Buckingham Palace is used for Changing of the Guard, a major ceremony and tourist attraction (daily during the summer months; every other day during the winter).
The Palace is not the monarch's private property; both Windsor CastleThe Palace is not the monarch's private property; both Windsor Castle and Buckingham Palace and their art collections belong to the nation. The furnishings, paintings, fittings and other artefacts, many by FabergéThe Palace is not the monarch's private property; both Windsor Castle and Buckingham Palace and their art collections belong to the nation. The furnishings, paintings, fittings and other artefacts, many by Fabergé, from Buckingham Palace and Windsor Castle are known collectively as the Royal CollectionThe Palace is not the monarch's private property; both Windsor Castle and Buckingham Palace and their art collections belong to the nation. The furnishings, paintings, fittings and other artefacts, many by Fabergé, from Buckingham Palace and Windsor Castle are known collectively as the Royal Collection; owned by the nation, they can be viewed by the public. The Queen's GalleryThe Palace is not the monarch's private property; both Windsor Castle and Buckingham Palace and their art collections belong to the nation. The furnishings, paintings, fittings and other artefacts, many by Fabergé, from Buckingham Palace and Windsor Castle are known collectively as the Royal Collection; owned by the nation, they can be viewed by the public. The Queen's Gallery near the Royal MewsThe Palace is not the monarch's private property; both Windsor Castle and Buckingham Palace and their art collections belong to the nation. The furnishings, paintings, fittings and other artefacts, many by Fabergé, from Buckingham Palace and Windsor Castle are known collectively as the Royal Collection; owned by the nation, they can be viewed by the public. The Queen's Gallery near the Royal Mews is open all year and displays a changing selection of items from the collection. The rooms containing the Queen's Gallery are on the site of the former chapel, which was damaged by one of the seven bombs to fall on the Palace during World War II.
The Summer Opening of the Palace State RoomsThe Summer Opening of the Palace State Rooms to the public was a huge change to tradition in the 1990s. The money raised in entry fees was originally put towards the rebuilding of Windsor Castle following the fire in 1992 that destroyed many of its State Rooms. Each Summer, during August and September, the West Wing of the Palace is opened to the public. A seasonal staff of about 200 is employed to run the Opening.
Слайд 46The Royal Family on the balcony
uckingham Palace with the Union Flaguckingham Palace
The Royal Family on the balcony
uckingham Palace with the Union Flaguckingham Palace
![The Royal Family on the balcony uckingham Palace with the Union Flaguckingham](/_ipx/f_webp&q_80&fit_contain&s_1440x1080/imagesDir/jpg/377552/slide-45.jpg)
Слайд 47Graphic reconstructions of Buckingham Palace history
As part of the Queen's 80th birthday
Graphic reconstructions of Buckingham Palace history
As part of the Queen's 80th birthday
![Graphic reconstructions of Buckingham Palace history As part of the Queen's 80th](/_ipx/f_webp&q_80&fit_contain&s_1440x1080/imagesDir/jpg/377552/slide-46.jpg)
Graphic Reconstruction 1Graphic Reconstruction 1 shows the familiar East Front of Buckingham Palace removed (in the background of the picture). The processional arch designed by architect John NashGraphic Reconstruction 1 shows the familiar East Front of Buckingham Palace removed (in the background of the picture). The processional arch designed by architect John Nash, which was resited at Marble ArchGraphic Reconstruction 1 shows the familiar East Front of Buckingham Palace removed (in the background of the picture). The processional arch designed by architect John Nash, which was resited at Marble Arch in London, has been digitally replaced in its original site. (There is no truth in the frequently heard claim that it was removed as being too small for Queen Victoria's carriage: the Gold State Coach can pass through the arch, as was seen in the coronation procession of Queen Elizabeth II in 1953.)
Graphic Reconstruction 2 combines architect John Nash's Palace building with the original Buckingham House wing. (The more familiar East Front of the Palace is out of frame on the right of shot.)
Unfortunately, the Big Royal Dig did not succeed in unearthing traces of three prior residences erected on the Palace site, namely Buckingham House (1703), Arlington House (1674) and Goring House (1633).
Buckingham Palace and the Victoria Memorial.
Слайд 48221B Baker Street
221B Baker Street
![221B Baker Street](/_ipx/f_webp&q_80&fit_contain&s_1440x1080/imagesDir/jpg/377552/slide-47.jpg)
Слайд 49221B Baker Street is the fictional London is the fictional London residence
221B Baker Street is the fictional London is the fictional London residence
![221B Baker Street is the fictional London is the fictional London residence](/_ipx/f_webp&q_80&fit_contain&s_1440x1080/imagesDir/jpg/377552/slide-48.jpg)
The site of the house — had it ever existed (see below) — would have been at the north end of Baker StreetThe site of the house — had it ever existed (see below) — would have been at the north end of Baker Street on the west side, near Regent's ParkThe site of the house — had it ever existed (see below) — would have been at the north end of Baker Street on the west side, near Regent's Park and Baker Street tube station. This justifies the claim of the Sherlock Holmes Museum that they occupy the real location of 221B Baker Street.
We met next day as he had arranged, and inspected the rooms at No. 221B, Baker Street, of which he had spoken at our meeting. They consisted of a couple of comfortable bed-rooms and a single large airy sitting-room, cheerfully furnished, and illuminated by two broad windows. (Arthur Conan Doyle, A Study in Scarlet, 1887)
Слайд 50The 'real' 221B Baker Street
The street number 221B has never been assigned
The 'real' 221B Baker Street
The street number 221B has never been assigned
![The 'real' 221B Baker Street The street number 221B has never been](/_ipx/f_webp&q_80&fit_contain&s_1440x1080/imagesDir/jpg/377552/slide-49.jpg)
The part now encompassing 221 Baker Street was known in Doyle's lifetime as Upper Baker Street, and in the first manuscript, Doyle put Holmes's home in "Upper Baker Street", indicating that if he had a house in mind it would have been in the section north of Marylebone Road, near Regent's Park. When street numbers were re-allocated in the 1930s, the block of odd numbers from 219 to 229 was assigned to an Art DecoThe part now encompassing 221 Baker Street was known in Doyle's lifetime as Upper Baker Street, and in the first manuscript, Doyle put Holmes's home in "Upper Baker Street", indicating that if he had a house in mind it would have been in the section north of Marylebone Road, near Regent's Park. When street numbers were re-allocated in the 1930s, the block of odd numbers from 219 to 229 was assigned to an Art Deco building known as Abbey House, constructed in 1932 for the Abbey Road Building Society (subsequently the Abbey National), which the company occupied until 2002.
Almost immediately, the building society started receiving correspondence to Sherlock Holmes from all over the world, in such volumes that it appointed a permanent "secretary to Sherlock Holmes" to deal with it. A bronze plaque on the front of Abbey House carries a picture of Holmes and Conan Doyle's narrative detailing Holmes and Watson moving in at 221B. In 1999, Abbey National sponsored the creation of a bronze statue of Sherlock Holmes that now stands at the entrance to Baker Street tube station.
Holmes scholars have had a number of theories as to the "real" address. With much of Baker Street devastated during the blitz, little trace is left of the original buildings, and most of them are post-war, except those in what was known as Upper Baker Street.
Слайд 51The Sherlock Holmes Museum
The Sherlock Holmes Museum is housed in an
The Sherlock Holmes Museum
The Sherlock Holmes Museum is housed in an
![The Sherlock Holmes Museum The Sherlock Holmes Museum is housed in an](/_ipx/f_webp&q_80&fit_contain&s_1440x1080/imagesDir/jpg/377552/slide-50.jpg)
According to the published stories, "221b Baker Street" was a suite of rooms on the first floor of a lodging house above a flight of 17 steps. The main study overlooked Baker Street, and Holmes's bedroom was adjacent to this room at the rear of the house, with Dr Watson's bedroom being on the 2nd floor, overlooking a rear yard that had a plane tree in it.
The Museum adopted the street number '221b' from the time it opened to the public, but it faced significant bureaucratic hurdles in getting official acceptance of its claims to being the real '221b Baker Street', as described in the stories.
In order to physically display the number "221b" on its front door without falling foul of planning regulations, it had to register a company called "221b Ltd", because companies do not require planning permission to display a company name on the entrance to a building.
This ruse did not go down well with local planning officers, particularly Westminster City Council's Street Naming and Numbering Officer.
The Museum also discovered that the local council's street naming and numbering powers did not extend to interior apartments, only to the external parts of buildings, and therefore "221b Baker Street" was de facto firmly established in Baker Street after 100 years, despite the numerous bureaucratic hurdles to its creation.
After the closure of Abbey House, the museum took on the duties of answering all of Holmes's post and reports that it still receives letters – up to 50 a week – inquiring after Holmes or his services. The US News & World Report of 19 January 1987 quoted one reply as saying: "Mr Holmes thanks you for your letter. At the moment he is in retirement in Sussex, keeping bees." In The Adventure of the Second Stain and The Adventure of the Lion's Mane Holmes' retirement is described as such.
Baker Street 221 B, London
At an input in Sherlock Holmes's museum on Baker Street.
Слайд 52The Sherlock Holmes pub
Another version of Sherlock Holmes's apartment is at
The Sherlock Holmes pub
Another version of Sherlock Holmes's apartment is at
![The Sherlock Holmes pub Another version of Sherlock Holmes's apartment is at](/_ipx/f_webp&q_80&fit_contain&s_1440x1080/imagesDir/jpg/377552/slide-51.jpg)
The Sherlock Holmes pub
Слайд 53Royal Armouries
The Royal Armouries houses the British houses the British national collection
Royal Armouries
The Royal Armouries houses the British houses the British national collection
![Royal Armouries The Royal Armouries houses the British houses the British national](/_ipx/f_webp&q_80&fit_contain&s_1440x1080/imagesDir/jpg/377552/slide-52.jpg)
The Royal Armouries Museum (Leeds)The Royal Armouries Museum (Leeds) in Leeds
HM Tower of LondonHM Tower of London (London)
Fort NelsonFort Nelson (Portsmouth).
A limited selection of items is also on display in Louisville, KentuckyA limited selection of items is also on display in Louisville, Kentucky, in the U.S., in cooperation with the Frazier International History Museum.
The collection is as old as the Tower of LondonThe collection is as old as the Tower of London, but was not regularly opened to the public until the reign of Charles IIThe collection is as old as the Tower of London, but was not regularly opened to the public until the reign of Charles II in 1660The collection is as old as the Tower of London, but was not regularly opened to the public until the reign of Charles II in 1660. From the 15th century (and possibly earlier) distinguished visitors were allowed access to the Royal Armouries in the Tower. From the reign of Elizabeth IThe collection is as old as the Tower of London, but was not regularly opened to the public until the reign of Charles II in 1660. From the 15th century (and possibly earlier) distinguished visitors were allowed access to the Royal Armouries in the Tower. From the reign of Elizabeth I, a greater range of visitors was permitted to view a collection made up almost entirely of items from the reign of Henry VIII.
Collections now include the SpanishCollections now include the Spanish ArmouryCollections now include the Spanish Armoury, which contains instruments of tortureCollections now include the Spanish Armoury, which contains instruments of torture and punishment; and the Line of Kings, mounted figures representing English monarchs. The collections contain many trophy weapons from the height of the British Empire.
The Royal Armouries Museum in LeedsThe Royal Armouries Museum in Leeds, EnglandThe Royal Armouries Museum in Leeds, England was opened in 1996 as the new home for the national collection of arms and armour. It is housed in a new building designed by Buro HappoldThe Royal Armouries Museum in Leeds, England was opened in 1996 as the new home for the national collection of arms and armour. It is housed in a new building designed by Buro Happold. The museum is split into five galleries: War, Tournament, Self-Defence, Hunting and the Orient. Outside, an open area was designed as a tiltyardThe Royal Armouries Museum in Leeds, England was opened in 1996 as the new home for the national collection of arms and armour. It is housed in a new building designed by Buro Happold. The museum is split into five galleries: War, Tournament, Self-Defence, Hunting and the Orient. Outside, an open area was designed as a tiltyard for demonstrations of medieval martial pursuits, including joustingThe Royal Armouries Museum in Leeds, England was opened in 1996 as the new home for the national collection of arms and armour. It is housed in a new building designed by Buro Happold. The museum is split into five galleries: War, Tournament, Self-Defence, Hunting and the Orient. Outside, an open area was designed as a tiltyard for demonstrations of medieval martial pursuits, including jousting and falconry.
Looking up the main stairwell of the armouries
Слайд 54Natural History Museum
The Natural History Museum is one of three large museums
Natural History Museum
The Natural History Museum is one of three large museums
![Natural History Museum The Natural History Museum is one of three large](/_ipx/f_webp&q_80&fit_contain&s_1440x1080/imagesDir/jpg/377552/slide-53.jpg)
The museum is renowned for its exhibition of dinosaur skeletons, particularly the large Diplodocus cast which dominates the entrance.
The foundation of the collection was that of the Ulster doctor Sir Hans SloaneThe foundation of the collection was that of the Ulster doctor Sir Hans Sloane (1660–1753), which allowed his significant collections to be purchased by the British Government at a price well below their market value at the time. This purchase was funded by a lottery. Sloane's collection, which included dried plants, and animal and human skeletons, was initially housed in Montague HouseThe foundation of the collection was that of the Ulster doctor Sir Hans Sloane (1660–1753), which allowed his significant collections to be purchased by the British Government at a price well below their market value at the time. This purchase was funded by a lottery. Sloane's collection, which included dried plants, and animal and human skeletons, was initially housed in Montague House in BloomsburyThe foundation of the collection was that of the Ulster doctor Sir Hans Sloane (1660–1753), which allowed his significant collections to be purchased by the British Government at a price well below their market value at the time. This purchase was funded by a lottery. Sloane's collection, which included dried plants, and animal and human skeletons, was initially housed in Montague House in Bloomsbury in 1756, which was the home of the British MuseumThe foundation of the collection was that of the Ulster doctor Sir Hans Sloane (1660–1753), which allowed his significant collections to be purchased by the British Government at a price well below their market value at the time. This purchase was funded by a lottery. Sloane's collection, which included dried plants, and animal and human skeletons, was initially housed in Montague House in Bloomsbury in 1756, which was the home of the British Museum. In the late 1850s, Professor Richard Owen, Superintendent of the natural history departments of the British Museum saw that the natural history departments needed a bigger, separate building.
Land in South Kensington was purchased, and in 1864 a competition was held to design the new museum. The winning entry was submitted by Captain Francis FowkeLand in South Kensington was purchased, and in 1864 a competition was held to design the new museum. The winning entry was submitted by Captain Francis Fowke who died shortly afterwards. The scheme was taken over by Alfred WaterhouseLand in South Kensington was purchased, and in 1864 a competition was held to design the new museum. The winning entry was submitted by Captain Francis Fowke who died shortly afterwards. The scheme was taken over by Alfred Waterhouse who substantially revised the agreed plans, and designed the façades in his own idiosyncratic Romanesque style. Work began in 1873 and was completed in 1880. The new museum opened in 1881, although the move from the old museum was not fully completed until 1883.
Both the interiors and exteriors made extensive use of terracottaBoth the interiors and exteriors made extensive use of terracotta bricks to resist the sooty climate of VictorianBoth the interiors and exteriors made extensive use of terracotta bricks to resist the sooty climate of Victorian London. The terracotta for the interior and exterior was made by the famous Gibbs And Canning LimitedBoth the interiors and exteriors made extensive use of terracotta bricks to resist the sooty climate of Victorian London. The terracotta for the interior and exterior was made by the famous Gibbs And Canning Limited of TamworthBoth the interiors and exteriors made extensive use of terracotta bricks to resist the sooty climate of Victorian London. The terracotta for the interior and exterior was made by the famous Gibbs And Canning Limited of Tamworth. The bricks include images of plants, animals and fossils. The central axis of the museum is aligned with the tower of Imperial College LondonBoth the interiors and exteriors made extensive use of terracotta bricks to resist the sooty climate of Victorian London. The terracotta for the interior and exterior was made by the famous Gibbs And Canning Limited of Tamworth. The bricks include images of plants, animals and fossils. The central axis of the museum is aligned with the tower of Imperial College London (formerly the Imperial Institute) and the Royal Albert HallBoth the interiors and exteriors made extensive use of terracotta bricks to resist the sooty climate of Victorian London. The terracotta for the interior and exterior was made by the famous Gibbs And Canning Limited of Tamworth. The bricks include images of plants, animals and fossils. The central axis of the museum is aligned with the tower of Imperial College London (formerly the Imperial Institute) and the Royal Albert Hall and Albert MemorialBoth the interiors and exteriors made extensive use of terracotta bricks to resist the sooty climate of Victorian London. The terracotta for the interior and exterior was made by the famous Gibbs And Canning Limited of Tamworth. The bricks include images of plants, animals and fossils. The central axis of the museum is aligned with the tower of Imperial College London (formerly the Imperial Institute) and the Royal Albert Hall and Albert Memorial further north. These all form part of the complex known colloquially as Albertopolis.
Legally, it remained a department of the British Museum with the formal name British Museum (Natural History), usually abbreviated in the scientific literature as B.M.(N.H.) or BMNH. In 1963, the Natural History Museum became an independent museum with its own Board of Trustees, and in 1986 absorbed the adjacent Geological Museum. In 1963, the Natural History Museum became an independent museum with its own Board of Trustees, and in 1986 absorbed the adjacent Geological Museum of the British Geological Survey. However, it was not until the Museums and Galleries Act of 1992 that the Museum's formal title was finally changed from B.M.(N.H.) to The Natural History Museum.
Between 1974 and 1988 the Geological Museum became world-famous for exhibitions including an active volcano model and an earthquake machine, and housed the world's first computer-enhanced exhibition (Treasures of the Earth). The museum's galleries were completely rebuilt and relaunched in 1998 as a multimedia exhibition entitled The Earth Galleries. In the 1990s, the other exhibitions in the Waterhouse building were retitled The Life Galleries. The Natural History Museum's own Mineralogy displays remain unchanged as an example of the 19th-century display techniques of the Waterhouse building.
The newly-developed Darwin Centre (named after Charles Darwin (named after Charles Darwin) holds a collection of millions of preserved specimens, interactive materials and new workspaces for the Museum's scientific staff. Lectures and demonstrations occur daily, and are sometimes webcast. The shared space is designed to bring visitors into close contact with working scientists. Phase one of the Darwin Centre has been completed, and houses the Zoological (named after Charles Darwin) holds a collection of millions of preserved specimens, interactive materials and new workspaces for the Museum's scientific staff. Lectures and demonstrations occur daily, and are sometimes webcast. The shared space is designed to bring visitors into close contact with working scientists. Phase one of the Darwin Centre has been completed, and houses the Zoological department's spirit collections — organisms preserved in alcohol (named after Charles Darwin) holds a collection of millions of preserved specimens, interactive materials and new workspaces for the Museum's scientific staff. Lectures and demonstrations occur daily, and are sometimes webcast. The shared space is designed to bring visitors into close contact with working scientists. Phase one of the Darwin Centre has been completed, and houses the Zoological department's spirit collections — organisms preserved in alcohol. Phase two of the project will bring the Entomology (named after Charles Darwin) holds a collection of millions of preserved specimens, interactive materials and new workspaces for the Museum's scientific staff. Lectures and demonstrations occur daily, and are sometimes webcast. The shared space is designed to bring visitors into close contact with working scientists. Phase one of the Darwin Centre has been completed, and houses the Zoological department's spirit collections — organisms preserved in alcohol. Phase two of the project will bring the Entomology collections and Botanical (named after Charles Darwin) holds a collection of millions of preserved specimens, interactive materials and new workspaces for the Museum's scientific staff. Lectures and demonstrations occur daily, and are sometimes webcast. The shared space is designed to bring visitors into close contact with working scientists. Phase one of the Darwin Centre has been completed, and houses the Zoological department's spirit collections — organisms preserved in alcohol. Phase two of the project will bring the Entomology collections and Botanical collections under the same (new) roof. As of 2005, the Entomology Department is storing its collection before the building is pulled down and replaced. Currently Darwin Centre Phase One (or DC1 as it is called) is closed to the public while DC2 is beginning built. The current estimate is DC2 will be ready for opening in 2009.
The Darwin Centre is also home to Archie the squidThe Darwin Centre is also home to Archie the squid, an 8 metre long giant squidThe Darwin Centre is also home to Archie the squid, an 8 metre long giant squid taken alive in a fishing netThe Darwin Centre is also home to Archie the squid, an 8 metre long giant squid taken alive in a fishing net near the Falkland IslandsThe Darwin Centre is also home to Archie the squid, an 8 metre long giant squid taken alive in a fishing net near the Falkland Islands. The squid is currently on display in a prominent position in the large specimen room, in a reinforced glass tank containing a mixture of formaldehydeThe Darwin Centre is also home to Archie the squid, an 8 metre long giant squid taken alive in a fishing net near the Falkland Islands. The squid is currently on display in a prominent position in the large specimen room, in a reinforced glass tank containing a mixture of formaldehyde and saline solution.
The museum holds the remains and bones of the River Thames WhaleThe museum holds the remains and bones of the River Thames Whale that lost its way on 20 January 2006 and ended up in the Thames. Despite major rescue attempts, the Bottlenose Whale died shortly before it was due to be released back into open waters, when it suffered a convulsion and died on board the barge taking it toward the sea. These bones were donated following a campaign by The Sun newspaper. They will not however be put on display and are instead in their warehouse for the storage of the larger collections such as mammals and palaeontology in Wandsworth.
For information: The first display of the whale's bones is planned January 22-27, 2007. [1]
The closest London UndergroundThe closest London Underground station is South Kensington — there is a tunnel from the station that emerges close to the entrances of all three museums. Admission is free to all, though there are donation boxes in the foyer.
grid referencegrid reference TQ267792
Слайд 55The Natural History Museum has an ornate terracottaThe Natural History Museum has
The Natural History Museum has an ornate terracottaThe Natural History Museum has
![The Natural History Museum has an ornate terracottaThe Natural History Museum has](/_ipx/f_webp&q_80&fit_contain&s_1440x1080/imagesDir/jpg/377552/slide-54.jpg)
An 1881 plan showing the original arrangement of the Museum.
Слайд 57The Museum from the south east
The Main Hall of the Museum
The Museum from the south east
The Main Hall of the Museum
![The Museum from the south east The Main Hall of the Museum](/_ipx/f_webp&q_80&fit_contain&s_1440x1080/imagesDir/jpg/377552/slide-56.jpg)
Слайд 58Madame Tussauds
Madame Tussauds and the London Planetarium
Madame Tussauds is a famous
Madame Tussauds
Madame Tussauds and the London Planetarium
Madame Tussauds is a famous
![Madame Tussauds Madame Tussauds and the London Planetarium Madame Tussauds is a](/_ipx/f_webp&q_80&fit_contain&s_1440x1080/imagesDir/jpg/377552/slide-57.jpg)
Слайд 59History
Marie Tussaud (1761Marie Tussaud (1761–1850Marie Tussaud (1761–1850), born Marie GrosholtzMarie Tussaud (1761–1850),
History
Marie Tussaud (1761Marie Tussaud (1761–1850Marie Tussaud (1761–1850), born Marie GrosholtzMarie Tussaud (1761–1850),
![History Marie Tussaud (1761Marie Tussaud (1761–1850Marie Tussaud (1761–1850), born Marie GrosholtzMarie Tussaud](/_ipx/f_webp&q_80&fit_contain&s_1440x1080/imagesDir/jpg/377552/slide-58.jpg)
Tussaud created her first wax figureTussaud created her first wax figure, of Francois Marie Arouet de VoltaireTussaud created her first wax figure, of Francois Marie Arouet de Voltaire, in 1777Tussaud created her first wax figure, of Francois Marie Arouet de Voltaire, in 1777. Other famous persons she modelled at that time include Jean-Jacques RousseauTussaud created her first wax figure, of Francois Marie Arouet de Voltaire, in 1777. Other famous persons she modelled at that time include Jean-Jacques Rousseau and Benjamin FranklinTussaud created her first wax figure, of Francois Marie Arouet de Voltaire, in 1777. Other famous persons she modelled at that time include Jean-Jacques Rousseau and Benjamin Franklin. During the French RevolutionTussaud created her first wax figure, of Francois Marie Arouet de Voltaire, in 1777. Other famous persons she modelled at that time include Jean-Jacques Rousseau and Benjamin Franklin. During the French Revolution she made wax death masksTussaud created her first wax figure, of Francois Marie Arouet de Voltaire, in 1777. Other famous persons she modelled at that time include Jean-Jacques Rousseau and Benjamin Franklin. During the French Revolution she made wax death masks of prominent victims. She would search through corpses to find the decapitated heads of the citizens which the death masks were to depict. When Curtius died in 1794Tussaud created her first wax figure, of Francois Marie Arouet de Voltaire, in 1777. Other famous persons she modelled at that time include Jean-Jacques Rousseau and Benjamin Franklin. During the French Revolution she made wax death masks of prominent victims. She would search through corpses to find the decapitated heads of the citizens which the death masks were to depict. When Curtius died in 1794, he left his collection of waxworks to Marie. In 1802Tussaud created her first wax figure, of Francois Marie Arouet de Voltaire, in 1777. Other famous persons she modelled at that time include Jean-Jacques Rousseau and Benjamin Franklin. During the French Revolution she made wax death masks of prominent victims. She would search through corpses to find the decapitated heads of the citizens which the death masks were to depict. When Curtius died in 1794, he left his collection of waxworks to Marie. In 1802, she went to LondonTussaud created her first wax figure, of Francois Marie Arouet de Voltaire, in 1777. Other famous persons she modelled at that time include Jean-Jacques Rousseau and Benjamin Franklin. During the French Revolution she made wax death masks of prominent victims. She would search through corpses to find the decapitated heads of the citizens which the death masks were to depict. When Curtius died in 1794, he left his collection of waxworks to Marie. In 1802, she went to London. As a result of the Franco-English warTussaud created her first wax figure, of Francois Marie Arouet de Voltaire, in 1777. Other famous persons she modelled at that time include Jean-Jacques Rousseau and Benjamin Franklin. During the French Revolution she made wax death masks of prominent victims. She would search through corpses to find the decapitated heads of the citizens which the death masks were to depict. When Curtius died in 1794, he left his collection of waxworks to Marie. In 1802, she went to London. As a result of the Franco-English war, she was unable to return to FranceTussaud created her first wax figure, of Francois Marie Arouet de Voltaire, in 1777. Other famous persons she modelled at that time include Jean-Jacques Rousseau and Benjamin Franklin. During the French Revolution she made wax death masks of prominent victims. She would search through corpses to find the decapitated heads of the citizens which the death masks were to depict. When Curtius died in 1794, he left his collection of waxworks to Marie. In 1802, she went to London. As a result of the Franco-English war, she was unable to return to France, so with her collection she travelled throughout Great BritainTussaud created her first wax figure, of Francois Marie Arouet de Voltaire, in 1777. Other famous persons she modelled at that time include Jean-Jacques Rousseau and Benjamin Franklin. During the French Revolution she made wax death masks of prominent victims. She would search through corpses to find the decapitated heads of the citizens which the death masks were to depict. When Curtius died in 1794, he left his collection of waxworks to Marie. In 1802, she went to London. As a result of the Franco-English war, she was unable to return to France, so with her collection she travelled throughout Great Britain and IrelandTussaud created her first wax figure, of Francois Marie Arouet de Voltaire, in 1777. Other famous persons she modelled at that time include Jean-Jacques Rousseau and Benjamin Franklin. During the French Revolution she made wax death masks of prominent victims. She would search through corpses to find the decapitated heads of the citizens which the death masks were to depict. When Curtius died in 1794, he left his collection of waxworks to Marie. In 1802, she went to London. As a result of the Franco-English war, she was unable to return to France, so with her collection she travelled throughout Great Britain and Ireland. She established her first permanent exhibition on Baker StreetTussaud created her first wax figure, of Francois Marie Arouet de Voltaire, in 1777. Other famous persons she modelled at that time include Jean-Jacques Rousseau and Benjamin Franklin. During the French Revolution she made wax death masks of prominent victims. She would search through corpses to find the decapitated heads of the citizens which the death masks were to depict. When Curtius died in 1794, he left his collection of waxworks to Marie. In 1802, she went to London. As a result of the Franco-English war, she was unable to return to France, so with her collection she travelled throughout Great Britain and Ireland. She established her first permanent exhibition on Baker Street in LondonTussaud created her first wax figure, of Francois Marie Arouet de Voltaire, in 1777. Other famous persons she modelled at that time include Jean-Jacques Rousseau and Benjamin Franklin. During the French Revolution she made wax death masks of prominent victims. She would search through corpses to find the decapitated heads of the citizens which the death masks were to depict. When Curtius died in 1794, he left his collection of waxworks to Marie. In 1802, she went to London. As a result of the Franco-English war, she was unable to return to France, so with her collection she travelled throughout Great Britain and Ireland. She established her first permanent exhibition on Baker Street in London in 1835 (on the "Baker Street Bazaar").
One of the main attractions of her museum was the Chamber of HorrorsOne of the main attractions of her museum was the Chamber of Horrors. This part of the exhibition included some victims of the French Revolution and also newly created figures of murderers and other criminals. The name was given by a contributor to Punch in 1845.
Other famous people were added to the exhibition, including Horatio NelsonOther famous people were added to the exhibition, including Horatio Nelson, and Sir Walter ScottOther famous people were added to the exhibition, including Horatio Nelson, and Sir Walter Scott. Some of the sculptures done by Tussaud herself still exist. In 1842Other famous people were added to the exhibition, including Horatio Nelson, and Sir Walter Scott. Some of the sculptures done by Tussaud herself still exist. In 1842, she made a self portrait which is now on display at the entrance of her museum.
The museum moved to its current location on Marylebone RoadThe museum moved to its current location on Marylebone Road in 1884The museum moved to its current location on Marylebone Road in 1884. In 1925 a fire destroyed many of the figures, but the moulds survived, allowing the historical waxworks to be remade.
Madame Tussaud's wax museum has now grown to become a major tourist attractionMadame Tussaud's wax museum has now grown to become a major tourist attraction in London, incorporating the London PlanetariumMadame Tussaud's wax museum has now grown to become a major tourist attraction in London, incorporating the London Planetarium in its west wing. It has expanded with branches in AmsterdamMadame Tussaud's wax museum has now grown to become a major tourist attraction in London, incorporating the London Planetarium in its west wing. It has expanded with branches in Amsterdam, Hong KongMadame Tussaud's wax museum has now grown to become a major tourist attraction in London, incorporating the London Planetarium in its west wing. It has expanded with branches in Amsterdam, Hong Kong, Las VegasMadame Tussaud's wax museum has now grown to become a major tourist attraction in London, incorporating the London Planetarium in its west wing. It has expanded with branches in Amsterdam, Hong Kong, Las Vegas and New York CityMadame Tussaud's wax museum has now grown to become a major tourist attraction in London, incorporating the London Planetarium in its west wing. It has expanded with branches in Amsterdam, Hong Kong, Las Vegas and New York City, with another scheduled to open in HollywoodMadame Tussaud's wax museum has now grown to become a major tourist attraction in London, incorporating the London Planetarium in its west wing. It has expanded with branches in Amsterdam, Hong Kong, Las Vegas and New York City, with another scheduled to open in Hollywood. Today's wax figures at Tussauds include historical and royal figures, film stars, sports stars and famous murderers. Known as "Madame Tussauds" museums (no apostrophe), they are owned by a leisure company called The Tussauds Group.
Слайд 60Madame Tussauds in New York City
Madame Tussauds in New York City
![Madame Tussauds in New York City](/_ipx/f_webp&q_80&fit_contain&s_1440x1080/imagesDir/jpg/377552/slide-59.jpg)
Слайд 61Some of Tussauds Wax Figures
Adolf Hitler
Winston Churchill
Dolla Laurent
Amitabh
Some of Tussauds Wax Figures
Adolf Hitler
Winston Churchill
Dolla Laurent
Amitabh
![Some of Tussauds Wax Figures Adolf Hitler Winston Churchill Dolla Laurent Amitabh](/_ipx/f_webp&q_80&fit_contain&s_1440x1080/imagesDir/jpg/377552/slide-60.jpg)
Alexis Thomas
Asha Broughton
An Turtle
Andreas Papandreou
Renee Haywood
Sir George Seymour
Ben Hana
Atatürk
Richard III of England
Benazir Bhutto
Beyoncé Knowles
Britney Spears
Christina Aguilera
Colin Farrell
Constantine Karamanlis
Diana, Princess of Wales
Dr Hawley Harvey Crippen
Davina McCall
Eleftherios Venizelos
Elle Macpherson
George Clooney
George W. Bush
The Hulk
Jenna Jameson - First Pornstar to be immortalized with a wax figurine
Jennifer Lopez
Jessica Simpson
Julia Roberts
Kylie Minogue
Madonna
Marilyn Monroe
Mahatma Gandhi
Nelson Mandela
Oprah Winfrey
Ozzy OsbourneOzzy Osbourne and Sharon Osbourne
Paris Hilton
Sculpture of Adolf Hitler, London
Sculpture of Winston Churchill, London
Слайд 62Pierce Brosnan
Pope John Paul II
Dwayne "The Rock" Johnson
Tony Blair
Pierce Brosnan
Pope John Paul II
Dwayne "The Rock" Johnson
Tony Blair
![Pierce Brosnan Pope John Paul II Dwayne "The Rock" Johnson Tony Blair](/_ipx/f_webp&q_80&fit_contain&s_1440x1080/imagesDir/jpg/377552/slide-61.jpg)
Salma Hayek
Samuel L. Jackson
Spice Girls
Usher
Van Helsing
Victoria Beckham
William Shakespeare
Woody Allen
Sports Stars
Tobias Müller (Leutkirch)
Jonah Lomu
David Beckham
Jonny Wilkinson
Andre Agassi
Arnold Palmer
Babe Ruth
Dale Earnhardt
Derek Jeter
Evander Holyfield
Gary Lineker
Jeff Gordon
Joe Montana
Lance Armstrong
Michael Jordan
Michael Owen
Michelle Kwan
Muhammad Ali
Shaquille O'Neal
Tiger Woods
Björn Borg
Brian Lara
Viv Richards
Martina Hingis
José Mourinho
Sven-Göran Eriksson
Michael Schumacher
Wayne Rooney
Sculpture of Shakespeare, London
Sculptures of the Beatles, London
Слайд 63Musicians
Aaron Kwok (Hong Kong)
Anita Mui (Hong Kong)
Ayumi Hamasaki (Hong Kong)
Musicians
Aaron Kwok (Hong Kong)
Anita Mui (Hong Kong)
Ayumi Hamasaki (Hong Kong)
![Musicians Aaron Kwok (Hong Kong) Anita Mui (Hong Kong) Ayumi Hamasaki (Hong](/_ipx/f_webp&q_80&fit_contain&s_1440x1080/imagesDir/jpg/377552/slide-62.jpg)
The Beatles (New York, Hong Kong, London)
Bette Midler (Las Vegas, New York)
Beyoncé (Las Vegas, New York, London)
Billy Idol (Las Vegas)
Bono (Las Vegas, New York)
Britney Spears (Las Vegas, New York, London)
Bruce Springsteen (Las Vegas, New York)
Christina Aguilera (London)
David Bowie (New York, London)
Dean Martin (Las Vegas)
Debbie Reynolds (Las Vegas)
* DJ Ötzi (London)
Diana Ross (New York, Las Vegas)
Elton John (Las Vegas, New York, London)
Elvis Presley (Las Vegas, Hong Kong)
Engelbert Humperdinck (Las Vegas)
Frank Sinatra (Las Vegas, New York)
Freddie Mercury (New York, London)
Gloria Estefan (Las Vegas)
Jay Chou (Hong Kong)
James Brown (Las Vegas)
Jennifer Lopez (Las Vegas, London)
Jimi Hendrix (New York, Las Vegas, London)
Joey Yung (Hong Kong)
Johnny Mathis (Las Vegas)
Jon Bon Jovi (Las Vegas)
Justin HawkinsJustin Hawkins (Lead singer with 'The Darkness') (London)
Kylie Minogue (Hong Kong, London)
Lenny Kravitz (Las Vegas)
Leslie Cheung (Hong Kng)
Liberace (Las Vegas)
Lindsay Lohan (New York)
Little Richard (Las Vegas)
Liza Minnelli (Las Vegas)
Louis Armstrong (Las Vegas)
Luciano Pavarotti (Hong Kong, Las Vegas, London)
Madonna (Las Vegas, Hong Kong, New York, London)
Michael Jackson (Hong Kong, Las Vegas, London)
Miriam Yeung (Hong Kong)
Mick Jagger (Las Vegas)
Neil Sedaka (Las Vegas)
Prince (Las Vegas)
Sammy Davis Jr (Las Vegas)
Shakira (New York, Las Vegas)
Shayne Ward (London)
Stevie Wonder (Las Vegas)
Tina Turner (New York, Las Vegas)
Tom Jones (Las Vegas, London)
Tony Bennett (Las Vegas)
Tupac Shakur (Las Vegas, London)
Twins (Hong Kong)
Wayne Newton (Las Vegas)
Sculpture of Charlie Chaplin, London
Слайд 64Sculpture of Julia Roberts, London
Sculpture of Sean Connery, London
Actors/Actresses
Aishwarya Rai (London)
Michael
Sculpture of Julia Roberts, London
Sculpture of Sean Connery, London
Actors/Actresses
Aishwarya Rai (London)
Michael
![Sculpture of Julia Roberts, London Sculpture of Sean Connery, London Actors/Actresses Aishwarya](/_ipx/f_webp&q_80&fit_contain&s_1440x1080/imagesDir/jpg/377552/slide-63.jpg)
Robin Williams (London)
Tom Baker (London)
Kieran Wright (London)
Arnold Schwarzenegger (Las Vegas, London)
Ben Affleck (Las Vegas)
Bob Hope (Las Vegas, New York)
Brad Pitt (Las Vegas, Hong Kong, London)
Brandon Routh (New York City)
Charlie Chaplin (London)
Cybill Shepherd (Las Vegas)
David Jason (London)
Elizabeth Taylor (Las Vegas, New York, London)
George Burns (Las Vegas, New York)
George Clooney (Las Vegas)
Gerard Depardieu (Las Vegas)
Julia Roberts (Las Vegas, New York)
Nicolas Cage (Las Vegas, London).
Patrick Stewart (Las Vegas, London)
The Rock (Las Vegas, London)
Joanne Woodward (Las Vegas)
Jodie Foster (Las Vegas, Hong Kong)
Judy Garland (Las Vegas, New York))
Lance Burton (Las Vegas)
Mel Gibson (Las Vegas)
Meryl Streep (Las Vegas)
Paul Newman (Las Vegas)
Sean Connery (Las Vegas, London)
Shirley MacLaine (Las Vegas)
Marilyn Monroe (Las Vegas, New York, London)
Sylvester Stallone (Las Vegas)
Whoopi Goldberg (Las Vegas, New York, London)
Will Smith (London)
John Wayne (Las Vegas)
Lucille Ball (Las Vegas, New York)
Sarah Michelle Gellar (Las Vegas, London)
Bae Yong Joon (Hong Kong)
Amitabh Bachchan (London)
Jennifer Lopez (Las Vegas)
Слайд 65Sculpture of Will Smith, London
Sculpture of The Queen Mother, London
Others
Al Roker (New
Sculpture of Will Smith, London
Sculpture of The Queen Mother, London
Others
Al Roker (New
![Sculpture of Will Smith, London Sculpture of The Queen Mother, London Others](/_ipx/f_webp&q_80&fit_contain&s_1440x1080/imagesDir/jpg/377552/slide-64.jpg)
Bugsy Siegel (Las Vegas, New York)
Blue Man Group (Las Vegas)
Buzz Aldrin (Las Vegas)
Don King (Las Vegas)
Elle MacPherson (Las Vegas)
Hugh Hefner (Las Vegas)
Ivana Trump (Las Vegas)
Jerry Springer (Las Vegas)
Joan Rivers (Las Vegas)
Josephine Baker (New York)
Larry King (Las Vegas, New York)
Monsters (Las Vegas))
Rembrandt van Rijn (Amsterdam)
Neil Armstrong (Las Vegas)
Oprah Winfrey (Las Vegas, New York)
Robert Schuller (Las Vegas)
Ryan Seacrest (Las Vegas)
Siegfried & Roy (Las Vegas
Simon Cowell (Las Vegas, London, New York)
Wolfgang Puck (Las Vegas)
Adrian Wägele (Leutkirch)
Singapore Girl (London)
Jenna Jameson (Las Vegas)
Jamie Oliver (London)
Matt LucasMatt Lucas and David WalliamsMatt Lucas and David Walliams in the characters of Lou and Andy
(London)
Yoko Ono (New York)
Shiloh Nouvel Jolie-Pitt (New York) daughter of Angelina Jolie
and Brad Pitt, first baby in Madame Tussauds
Слайд 66World Leaders
Benjamin Franklin (Las Vegas)
14th Dalai Lama (New York, London)
Yitzhak
World Leaders
Benjamin Franklin (Las Vegas)
14th Dalai Lama (New York, London)
Yitzhak
![World Leaders Benjamin Franklin (Las Vegas) 14th Dalai Lama (New York, London)](/_ipx/f_webp&q_80&fit_contain&s_1440x1080/imagesDir/jpg/377552/slide-65.jpg)
Queen Beatrix I of The Netherlands (Amsterdam)
President George W. Bush (Las Vegas, London)
Princess Diana (Las Vegas, New York, London)
President Abraham Lincoln (Las Vegas, New York)
President George Washington (Las Vegas, New York)
President John F. Kennedy (Las Vegas, New York)
Queen Mother (London)
First Lady Jacqueline Kennedy Onassis (Las Vegas, New York)
Napoleon I of France (London)
Saddam Hussain (London)
Sculpture of Chef Jamie Oliver, London
Sculpture of Yoko OnoSculpture of Yoko Ono, New York.
Слайд 67Trivia
Madame Tussauds is the focus of Steve Taylor's song 'Meltdown ((at Madame
Trivia
Madame Tussauds is the focus of Steve Taylor's song 'Meltdown ((at Madame
![Trivia Madame Tussauds is the focus of Steve Taylor's song 'Meltdown ((at](/_ipx/f_webp&q_80&fit_contain&s_1440x1080/imagesDir/jpg/377552/slide-66.jpg)
Слайд 68Tower of London
Tower of London
![Tower of London](/_ipx/f_webp&q_80&fit_contain&s_1440x1080/imagesDir/jpg/377552/slide-67.jpg)
Слайд 69Her Majesty's Royal Palace and Fortress The Tower of London, more commonly
Her Majesty's Royal Palace and Fortress The Tower of London, more commonly
![Her Majesty's Royal Palace and Fortress The Tower of London, more commonly](/_ipx/f_webp&q_80&fit_contain&s_1440x1080/imagesDir/jpg/377552/slide-68.jpg)
The Tower of London is often identified with the White Tower, the original stark, square fortress built by William the Conqueror, the original stark, square fortress built by William the Conqueror in 1078, the original stark, square fortress built by William the Conqueror in 1078. However, the Tower as a whole is a complex of several buildings set within two parallel rings of defensive walls and a moat.
The Tower's primary function was as a fortress, a royal palace and a prison (particularly for high status and royal prisoners (such as the Princes in the TowerThe Tower's primary function was as a fortress, a royal palace and a prison (particularly for high status and royal prisoners (such as the Princes in the Tower and the future Queen Elizabeth IThe Tower's primary function was as a fortress, a royal palace and a prison (particularly for high status and royal prisoners (such as the Princes in the Tower and the future Queen Elizabeth I). This last use has led to the phrase "sent to the Tower" (meaning "imprisoned"). It has also served as a place of execution and torture, an armouryThe Tower's primary function was as a fortress, a royal palace and a prison (particularly for high status and royal prisoners (such as the Princes in the Tower and the future Queen Elizabeth I). This last use has led to the phrase "sent to the Tower" (meaning "imprisoned"). It has also served as a place of execution and torture, an armoury, a treasuryThe Tower's primary function was as a fortress, a royal palace and a prison (particularly for high status and royal prisoners (such as the Princes in the Tower and the future Queen Elizabeth I). This last use has led to the phrase "sent to the Tower" (meaning "imprisoned"). It has also served as a place of execution and torture, an armoury, a treasury, a zooThe Tower's primary function was as a fortress, a royal palace and a prison (particularly for high status and royal prisoners (such as the Princes in the Tower and the future Queen Elizabeth I). This last use has led to the phrase "sent to the Tower" (meaning "imprisoned"). It has also served as a place of execution and torture, an armoury, a treasury, a zoo, a mintThe Tower's primary function was as a fortress, a royal palace and a prison (particularly for high status and royal prisoners (such as the Princes in the Tower and the future Queen Elizabeth I). This last use has led to the phrase "sent to the Tower" (meaning "imprisoned"). It has also served as a place of execution and torture, an armoury, a treasury, a zoo, a mint, a public records office, an observatoryThe Tower's primary function was as a fortress, a royal palace and a prison (particularly for high status and royal prisoners (such as the Princes in the Tower and the future Queen Elizabeth I). This last use has led to the phrase "sent to the Tower" (meaning "imprisoned"). It has also served as a place of execution and torture, an armoury, a treasury, a zoo, a mint, a public records office, an observatory, and since 1303The Tower's primary function was as a fortress, a royal palace and a prison (particularly for high status and royal prisoners (such as the Princes in the Tower and the future Queen Elizabeth I). This last use has led to the phrase "sent to the Tower" (meaning "imprisoned"). It has also served as a place of execution and torture, an armoury, a treasury, a zoo, a mint, a public records office, an observatory, and since 1303, the home of the Crown Jewels of the United Kingdom.
Слайд 70History
The Tower of London was founded in 1078The Tower of London
History
The Tower of London was founded in 1078The Tower of London
![History The Tower of London was founded in 1078The Tower of London](/_ipx/f_webp&q_80&fit_contain&s_1440x1080/imagesDir/jpg/377552/slide-69.jpg)
Some writers, such as ShakespeareSome writers, such as Shakespeare, in his play Richard IIISome writers, such as Shakespeare, in his play Richard III, have ascribed an earlier origin to the Tower of London and have stated that it was built by Julius CaesarSome writers, such as Shakespeare, in his play Richard III, have ascribed an earlier origin to the Tower of London and have stated that it was built by Julius Caesar. This supposed Roman origin is a myth, however, as is the story that the mortar used in its construction was tempered by the blood of beasts.
In the 12th centuryIn the 12th century, King Richard the LionheartIn the 12th century, King Richard the Lionheart enclosed the White Tower with a curtain wall and had a moatIn the 12th century, King Richard the Lionheart enclosed the White Tower with a curtain wall and had a moat dug around it filled with water from the Thames. The moat was not very successful until Henry IIIIn the 12th century, King Richard the Lionheart enclosed the White Tower with a curtain wall and had a moat dug around it filled with water from the Thames. The moat was not very successful until Henry III, in the 13th centuryIn the 12th century, King Richard the Lionheart enclosed the White Tower with a curtain wall and had a moat dug around it filled with water from the Thames. The moat was not very successful until Henry III, in the 13th century, employed a DutchIn the 12th century, King Richard the Lionheart enclosed the White Tower with a curtain wall and had a moat dug around it filled with water from the Thames. The moat was not very successful until Henry III, in the 13th century, employed a Dutch moat-building technique. This king greatly strengthened the curtain wall, breaking down the city wall to the east, to extend the circuit, despite the remonstrancesIn the 12th century, King Richard the Lionheart enclosed the White Tower with a curtain wall and had a moat dug around it filled with water from the Thames. The moat was not very successful until Henry III, in the 13th century, employed a Dutch moat-building technique. This king greatly strengthened the curtain wall, breaking down the city wall to the east, to extend the circuit, despite the remonstrances of the citizens of London and even supernatural warnings (if the contemporary monastic chronicler Matthew Paris is to be believed). Henry III transformed the Tower into a major royal residence and had palatial buidings constructed within the Inner Bailey.
The fortification was completed by between 1275The fortification was completed by between 1275 and 1285The fortification was completed by between 1275 and 1285 by Edward I who built the outer curtain wall, completely enclosing the inner wall and thus creating a concentric double defence. He filled in the pre-existing moat and built a new moat around the new outer wall.
The Tower remained a royal residence until the time of Oliver Cromwell, who demolished the old palatial buidings.
The 15th century Tower in a manuscript of poems by Charles, Duke of Orléans (1391The 15th century Tower in a manuscript of poems by Charles, Duke of Orléans (1391-1465) commemorating his imprisonment there (British Library).
Слайд 71Menagerie
A Royal MenagerieA Royal Menagerie was established at the Tower in
Menagerie
A Royal MenagerieA Royal Menagerie was established at the Tower in
![Menagerie A Royal MenagerieA Royal Menagerie was established at the Tower in](/_ipx/f_webp&q_80&fit_contain&s_1440x1080/imagesDir/jpg/377552/slide-70.jpg)
By 1804By 1804, the menagerie was regularly open to the public. This was where William BlakeBy 1804, the menagerie was regularly open to the public. This was where William Blake saw the tiger which may have inspired his poem The Tyger. The menagerie's last director, Alfred Cops, who took over in 1822. The menagerie's last director, Alfred Cops, who took over in 1822, found the collection in a dismal state, but restocked it and issued an illustrated scientific catalogue. The menagerie was not to last because the new London Zoo. The menagerie's last director, Alfred Cops, who took over in 1822, found the collection in a dismal state, but restocked it and issued an illustrated scientific catalogue. The menagerie was not to last because the new London Zoo was due to open in Regent's Park. The menagerie's last director, Alfred Cops, who took over in 1822, found the collection in a dismal state, but restocked it and issued an illustrated scientific catalogue. The menagerie was not to last because the new London Zoo was due to open in Regent's Park. Partly for commercial reasons and partly for animal welfare. The menagerie's last director, Alfred Cops, who took over in 1822, found the collection in a dismal state, but restocked it and issued an illustrated scientific catalogue. The menagerie was not to last because the new London Zoo was due to open in Regent's Park. Partly for commercial reasons and partly for animal welfare, the animals were moved to the London Zoo. The last of the animals left in 1835, and most of the Lion Tower was demolished soon after, although Lion Gate remains.
Слайд 72Ravens
It is commonly held that there have been at least six
Ravens
It is commonly held that there have been at least six
![Ravens It is commonly held that there have been at least six](/_ipx/f_webp&q_80&fit_contain&s_1440x1080/imagesDir/jpg/377552/slide-71.jpg)
However, research by Geoff Parnell, the official historian for the Tower, has found that the earliest record of ravens at the Tower was in 1895However, research by Geoff Parnell, the official historian for the Tower, has found that the earliest record of ravens at the Tower was in 1895. Historic Royal Palaces, who run the Tower, now accept that the legend started in Victorian times.
Despite the legend, by the end of the Second World WarDespite the legend, by the end of the Second World War the Tower was devoid of ravens as they had all been killed by shock during bombing raids - the Tower records clearly stating that "there are none left". However, before the Tower reopened to the public on 1 JanuaryDespite the legend, by the end of the Second World War the Tower was devoid of ravens as they had all been killed by shock during bombing raids - the Tower records clearly stating that "there are none left". However, before the Tower reopened to the public on 1 January 1946Despite the legend, by the end of the Second World War the Tower was devoid of ravens as they had all been killed by shock during bombing raids - the Tower records clearly stating that "there are none left". However, before the Tower reopened to the public on 1 January 1946, care was taken to ensure that a new set of ravens were in place.[4]
There are currently eight ravens, whose wings are now clipped to prevent them from flying away, and they are cared for by the RavenmasterThere are currently eight ravens, whose wings are now clipped to prevent them from flying away, and they are cared for by the Ravenmaster, a duty given to one of the Yeomen Warders.
The ravens' names/gender/age are (as of November 2006The ravens' names/gender/age are (as of November 2006):[5]
Gwylum (M/18 yrs), ThorGwylum (M/18 yrs), Thor (M/15), Hugine (F/11), Munin (F/11),
BranwenBranwen (F/3 yrs), Bran (M/3), Gundulf (M/1), Baldrick (M/1).
The oldest raven ever to serve at the Tower of London was called Jim Crow, who died at the age of 44.[6]
In 2006, ahead of the H5N1In 2006, ahead of the H5N1 avian flu scare, the ravens were moved indoors; as of July 2006, they are once again free to roam about the grounds within the Tower complex.
Raven.
Слайд 73Prisoners in the Tower
The Tower of London was used as a
Prisoners in the Tower
The Tower of London was used as a
![Prisoners in the Tower The Tower of London was used as a](/_ipx/f_webp&q_80&fit_contain&s_1440x1080/imagesDir/jpg/377552/slide-72.jpg)
The first prisoner was Ranulf FlambardThe first prisoner was Ranulf Flambard in 1100The first prisoner was Ranulf Flambard in 1100 who, as Bishop of Durham, was found guilty of extortion. Ironically he had himself been responsible for various improvements to the design of the Tower after the first architect Gundulf moved back to Rochester. He escaped from the White Tower by shinning down a rope, which had been smuggled into his cell in a wine casket.
Other prisoners include:
John Baliol King of Scotland
David II King of Scotland
John II King of France
Henry VI of EnglandHenry VI of England was imprisoned in the Tower, where he was murdered on the 21 of May 1471. Popular legend has accused Richard, Duke of Gloucester of his murder. Each year on the anniversary of Henry VI's death, the Provosts of Eton and King's College, Cambridge, lay roses and lilies on the altar which now stands where he died.
Margaret of Anjou, wife of the above
Sir William de la Pole. A distant relative of King Henry VIII, he was incarcerated at the Tower for 37 years (1502-1539) for allegedly plotting against Henry VII thus becoming the longest serving prisoner here.
Sir Walter Ralegh spent thirteen years (1603-1616) imprisoned at the Tower but was able to live in relative comfort in the Bloody Tower with his wife and two children. For some of the time he even grew tobacco on Tower Green, just outside his apartment. Here he wrote The History of the World.
Niall Garve O'DonnellNiall Garve O'Donnell Irish nobleman, ironicaly a one-time ally of the English against his cousin, Red Hugh O'Donnell.
Guy Fawkes, famous for his part in the Gunpowder Plot, was brought to the Tower to be interrogated by a council of the King's Ministers. However, he was not executed here. When he confessed he was sentenced to be hanged, drawn and quartered in the Old Palace Yard at Westminster, however he escaped his fate by jumping off the scaffold at the gallows which in turn broke his neck - killing him.
Johan Anders JägerhornJohan Anders Jägerhorn, a Swedish officer from FinlandJohan Anders Jägerhorn, a Swedish officer from Finland, Lord Edward FitzGeralds friend, participating in the Irish independence movement. Spent two years in the Tower 1799-1801, but was released because of Russian interests.
Lord George GordonLord George Gordon, instigator of the Gordon Riots in 1780, spent 6 months in the Tower while awaiting trial on the charge of High Treason.
Слайд 74Executions
Lower-class criminals were usually executed by hanging at one of the
Executions
Lower-class criminals were usually executed by hanging at one of the
![Executions Lower-class criminals were usually executed by hanging at one of the](/_ipx/f_webp&q_80&fit_contain&s_1440x1080/imagesDir/jpg/377552/slide-73.jpg)
William Hastings, 1st Baron HastingsWilliam Hastings, 1st Baron Hastings (1483)
Anne BoleynAnne Boleyn (1536)
Margaret Pole, Countess of SalisburyMargaret Pole, Countess of Salisbury (1541)
Catherine HowardCatherine Howard (1542)
Jane Boleyn, Viscountess RochfordJane Boleyn, Viscountess Rochford (1542)
Lady Jane GreyLady Jane Grey (1554)
Robert Devereux, 2nd Earl of EssexRobert Devereux, 2nd Earl of Essex (1601)
The Queen Anne Boleyn, beheaded in 1536 for treason against King Henry VIII, is said to be occasionally seen walking around the tower carrying her head under her arm.
George, Duke of ClarenceGeorge, Duke of Clarence, the brother of Edward IV of EnglandGeorge, Duke of Clarence, the brother of Edward IV of England, was executed for treason in the Tower in February 1478George, Duke of Clarence, the brother of Edward IV of England, was executed for treason in the Tower in February 1478, but not by beheading (and probably not by being drowned in a butt of MalmseyGeorge, Duke of Clarence, the brother of Edward IV of England, was executed for treason in the Tower in February 1478, but not by beheading (and probably not by being drowned in a butt of Malmsey wine, despite what ShakespeareGeorge, Duke of Clarence, the brother of Edward IV of England, was executed for treason in the Tower in February 1478, but not by beheading (and probably not by being drowned in a butt of Malmsey wine, despite what Shakespeare wrote). When Edward IV died, he left two young sons behind: the Princes in the TowerGeorge, Duke of Clarence, the brother of Edward IV of England, was executed for treason in the Tower in February 1478, but not by beheading (and probably not by being drowned in a butt of Malmsey wine, despite what Shakespeare wrote). When Edward IV died, he left two young sons behind: the Princes in the Tower. His brother Richard, the Duke of Gloucester, was made regent until the older of his two sons, Edward V, should come of age. According to Thomas More's History of Richard III Richard hired men to kill them, and, one night, the two princes were smothered with their pillows. Many years later bones were found buried at the foot of a stairway in the Tower, which were identified as those of the Princes. Richard was crowned King Richard III of England. The most recent execution at the Tower was that of German spy Josef Jakobs Richard hired men to kill them, and, one night, the two princes were smothered with their pillows. Many years later bones were found buried at the foot of a stairway in the Tower, which were identified as those of the Princes. Richard was crowned King Richard III of England. The most recent execution at the Tower was that of German spy Josef Jakobs on the 14 August Richard hired men to kill them, and, one night, the two princes were smothered with their pillows. Many years later bones were found buried at the foot of a stairway in the Tower, which were identified as those of the Princes. Richard was crowned King Richard III of England. The most recent execution at the Tower was that of German spy Josef Jakobs on the 14 August 1941 Richard hired men to kill them, and, one night, the two princes were smothered with their pillows. Many years later bones were found buried at the foot of a stairway in the Tower, which were identified as those of the Princes. Richard was crowned King Richard III of England. The most recent execution at the Tower was that of German spy Josef Jakobs on the 14 August 1941 in a symbolic procedure conducted by a firing squad from the Scots Guards.
The Tower in 1597.
The Traitors' Gate
Слайд 75Torture
Implements of torture used in the Tower include the Scavenger's daughterImplements of
Torture
Implements of torture used in the Tower include the Scavenger's daughterImplements of
![Torture Implements of torture used in the Tower include the Scavenger's daughterImplements](/_ipx/f_webp&q_80&fit_contain&s_1440x1080/imagesDir/jpg/377552/slide-74.jpg)
Anne AskewAnne Askew is the only woman on record to have been tortured in the tower, after being taken there in 1546Anne Askew is the only woman on record to have been tortured in the tower, after being taken there in 1546 on a charge of heresy. Sir Anthony Kingston, the Constable of the Tower of London, was ordered to torture Anne in an attempt to force her to name other Protestants. Anne was put on the Rack. Kingston was so impressed with the way Anne behaved that he refused to carry on torturing her, and Henry VIII's Lord Chancellor had to take over.
Слайд 76Recent history
The military use of the Tower as a fortification, like
Recent history
The military use of the Tower as a fortification, like
![Recent history The military use of the Tower as a fortification, like](/_ipx/f_webp&q_80&fit_contain&s_1440x1080/imagesDir/jpg/377552/slide-75.jpg)
In the following year, HitlerIn the following year, Hitler's deputy, Rudolf HessIn the following year, Hitler's deputy, Rudolf Hess, was imprisoned in the tower for four days. During this time, RAFIn the following year, Hitler's deputy, Rudolf Hess, was imprisoned in the tower for four days. During this time, RAF Wing CommanderIn the following year, Hitler's deputy, Rudolf Hess, was imprisoned in the tower for four days. During this time, RAF Wing Commander George SalamanIn the following year, Hitler's deputy, Rudolf Hess, was imprisoned in the tower for four days. During this time, RAF Wing Commander George Salaman was placed in the same cell undercover, impersonating a Luftwaffe officer, to spy on Hess. Although acting in a covert manner and not held as a true inmate, Salaman remains the last Englishman to be locked in the Tower of London. The tower was used as a prison for German prisoners of war throughout the conflict.
Waterloo Barracks, the current location of the Crown Jewels, remained in use as a base for the 1st Battalion Royal Fusiliers (City of London Regiment) into the 1950s into the 1950s; during 1952 into the 1950s; during 1952, the Kray twins were briefly held there for failing to report for national service, making them among the last prisoners of the Tower;[citation needed] the last British citizen held for any length of time was the traitorous Army officer Norman Baillie-Stewart] the last British citizen held for any length of time was the traitorous Army officer Norman Baillie-Stewart from 1933] the last British citizen held for any length of time was the traitorous Army officer Norman Baillie-Stewart from 1933 to 1937.
Although it is no longer a royal residence, the Tower officially remains a royal palace, and as such, maintains a permanent Guard: this is found by the unit forming the Queen's GuardAlthough it is no longer a royal residence, the Tower officially remains a royal palace, and as such, maintains a permanent Guard: this is found by the unit forming the Queen's Guard at Buckingham Palace. Two sentries are maintained during the hours that the Tower is open, with one stationed outside the Jewel House and one outside the Queen's House.
In 1974In 1974, there was a bomb explosion in the mortarIn 1974, there was a bomb explosion in the mortar room in the White tower leaving one person dead and 41 injured. No one claimed responsibility for the blast, however the police were investigating suspicions that the IRA was behind it.
Reconstruction of the interior of the Bloody Tower
Sentries being posted at the Tower of London
Слайд 77Administration
The Tower of London and its surrounding area has always had
Administration
The Tower of London and its surrounding area has always had
![Administration The Tower of London and its surrounding area has always had](/_ipx/f_webp&q_80&fit_contain&s_1440x1080/imagesDir/jpg/377552/slide-76.jpg)
Слайд 78Description
The Tower can be described as a palimpsest. The oldest visible
Description
The Tower can be described as a palimpsest. The oldest visible
![Description The Tower can be described as a palimpsest. The oldest visible](/_ipx/f_webp&q_80&fit_contain&s_1440x1080/imagesDir/jpg/377552/slide-77.jpg)
The Tower today is principally a tourist attraction. Besides the buildings themselves, the British Crown JewelsThe Tower today is principally a tourist attraction. Besides the buildings themselves, the British Crown Jewels, a fine armour collection from the Royal ArmouriesThe Tower today is principally a tourist attraction. Besides the buildings themselves, the British Crown Jewels, a fine armour collection from the Royal Armouries, and a remnant of the wall of the Roman fortress are on display.
The tower is manned by the Yeomen Warders (known as Beefeaters), who act as tour guides, provide discreet security, and are something of a tourist attraction in their own right. Every evening, the warders participate in the Ceremony of the Keys, as the Tower is secured for the night.
The Tower includes the following towers, listed in alphabetic order:
Beauchamp Tower (pronounced 'Beecham')
Bell Tower
Bloody Tower (or the Garden Tower), so named after a legend that the Princes in the Tower were murdered here. Allegedly also haunted by the latter.
Bowyer Tower
Brick Tower
Broad Arrow Tower
Byward Tower
Constable Tower
Cradle Tower
Develin Tower
Deveraux Tower
Flint Tower
Lanthorn Tower
Martin Tower
Middle Tower
St. Thomas's Tower
Salt Tower
Wakefield Tower
Wardrobe Tower
Well Tower
White Tower
The Middle Tower (centre) guards the outer perimeter entrance across the (now) dry moat
Слайд 79The White Tower and courtyard
The Battlements, as seen from Tower Bridge approach
The White Tower and courtyard
The Battlements, as seen from Tower Bridge approach
![The White Tower and courtyard The Battlements, as seen from Tower Bridge approach](/_ipx/f_webp&q_80&fit_contain&s_1440x1080/imagesDir/jpg/377552/slide-78.jpg)
Слайд 80Crown Jewels
The Crown Jewels have been kept at the Tower of
Crown Jewels
The Crown Jewels have been kept at the Tower of
![Crown Jewels The Crown Jewels have been kept at the Tower of](/_ipx/f_webp&q_80&fit_contain&s_1440x1080/imagesDir/jpg/377552/slide-79.jpg)
Слайд 81 Location
The Tower is located at the eastern boundary of the
Location
The Tower is located at the eastern boundary of the
![Location The Tower is located at the eastern boundary of the City](/_ipx/f_webp&q_80&fit_contain&s_1440x1080/imagesDir/jpg/377552/slide-80.jpg)
The nearest public transport locations are:
Tower Hill tube stationTower Hill tube station (London Underground District and Circle lines);
Tower Gateway DLR stationTower Gateway DLR station (Docklands Light Railway);
Fenchurch Street railway stationFenchurch Street railway station (National Rail);
Tower Millennium Pier (river cruise boats);
St Katherine's DockSt Katherine's Dock (Thames Clipper commuter boats).
In fiction
The Tower of London, as a place of death, darkness and treachery, is most famously evoked in William Shakespeare'sThe Tower of London, as a place of death, darkness and treachery, is most famously evoked in William Shakespeare's play, Richard IIIThe Tower of London, as a place of death, darkness and treachery, is most famously evoked in William Shakespeare's play, Richard III, where it forms the backdrop of a tyrant's rise to power and the scene of the notorious murder of the Princes in the Tower, amongst other victims (see above).
This horror is reprised in the novel The Tower of London (1840 (1840) by William Harrison Ainsworth. Though written in fictional form, Ainsworth's tale contrives to give a detailed account of the history and architecture of the Tower.
The Tower is the setting for Gilbert and SullivanThe Tower is the setting for Gilbert and Sullivan's 1888The Tower is the setting for Gilbert and Sullivan's 1888 light opera The Yeomen of the Guard.
The Tower of London viewed from the Swiss Re Tower