Слайд 2Realism
Real art
Since Rennaisanse
Perspective, composition, colour range
Mona Lisa – a classic example
The Wanderers
![Realism Real art Since Rennaisanse Perspective, composition, colour range Mona Lisa –](/_ipx/f_webp&q_80&fit_contain&s_1440x1080/imagesDir/jpg/1176408/slide-1.jpg)
Слайд 4Impressionism
1880, Europe
Gesture and illusion
Realistic appearance, yet vibrancy
Monet, Van Gogh, Paul Gauguin, Edgar
![Impressionism 1880, Europe Gesture and illusion Realistic appearance, yet vibrancy Monet, Van](/_ipx/f_webp&q_80&fit_contain&s_1440x1080/imagesDir/jpg/1176408/slide-3.jpg)
Degas, Pierre-August Renoir
Слайд 6Expressionism
Beginning of the XXth century
Brushtroke reveals the process
Gesturing
Bold unrealistic colours
Grotesque
Edvard Munch
![Expressionism Beginning of the XXth century Brushtroke reveals the process Gesturing Bold](/_ipx/f_webp&q_80&fit_contain&s_1440x1080/imagesDir/jpg/1176408/slide-5.jpg)
Слайд 8Fauvism
The turn of the XXth century
French for "the wild beasts“
Painterly qualities
Bold unrealistic colours
Life
![Fauvism The turn of the XXth century French for "the wild beasts“](/_ipx/f_webp&q_80&fit_contain&s_1440x1080/imagesDir/jpg/1176408/slide-7.jpg)
in idealised or exotic nature
Henry Matisse
Слайд 10Surrealism
1920-s, France
Unnerving, illogical scenes
Strange creatures
Dream and reality
Element of surprise
Dada, Rene Magritte, Salvador
![Surrealism 1920-s, France Unnerving, illogical scenes Strange creatures Dream and reality Element](/_ipx/f_webp&q_80&fit_contain&s_1440x1080/imagesDir/jpg/1176408/slide-9.jpg)
Dali
Слайд 12Cubism
Early 20th century
Form of modern art
Inspired by literature and architecture
3-dimensional
Objects are analysed,
![Cubism Early 20th century Form of modern art Inspired by literature and](/_ipx/f_webp&q_80&fit_contain&s_1440x1080/imagesDir/jpg/1176408/slide-11.jpg)
broken up and reassembled
Pablo Picasso, Paul Cezanne
Слайд 14Abstraction/Abstract
1st decade of the XXth century
The artist’s interpretation of the subject
Not real,
![Abstraction/Abstract 1st decade of the XXth century The artist’s interpretation of the](/_ipx/f_webp&q_80&fit_contain&s_1440x1080/imagesDir/jpg/1176408/slide-13.jpg)
but recognizable
Georgia O’Keefe
__________________________________________________________________________________________________
1950
Not realistic
New materials, forms, textures
Jackson Pollock
Слайд 16Suprematism
Around 1913
Basic geometric forms: circles, squares, lines, and rectangles
Limited range of colors
Refers
![Suprematism Around 1913 Basic geometric forms: circles, squares, lines, and rectangles Limited](/_ipx/f_webp&q_80&fit_contain&s_1440x1080/imagesDir/jpg/1176408/slide-15.jpg)
to abstraction
Kasimir Malevich
Слайд 18Action Painting
Gestural abstraction
Paint is spontaneously dribbled, splashed or smeared onto the canvas
Emphasis
![Action Painting Gestural abstraction Paint is spontaneously dribbled, splashed or smeared onto](/_ipx/f_webp&q_80&fit_contain&s_1440x1080/imagesDir/jpg/1176408/slide-17.jpg)
on the action of painting
Jackson Pollock, Franz Kline
Слайд 20Minimalism
Post World War II Western art
Literal art
Geometric minimalism
Reaction against abstract impresionism
Donald Judd,
![Minimalism Post World War II Western art Literal art Geometric minimalism Reaction](/_ipx/f_webp&q_80&fit_contain&s_1440x1080/imagesDir/jpg/1176408/slide-19.jpg)
John McCracken
Слайд 22Pop Art
The USA, late 1950-s
Challenge to traditions of fine art
Images of popular
![Pop Art The USA, late 1950-s Challenge to traditions of fine art](/_ipx/f_webp&q_80&fit_contain&s_1440x1080/imagesDir/jpg/1176408/slide-21.jpg)
culture
Irony
Mechanical means of reproduction or rendering techniques
Richard Hamilton, Andy Warholl